RELEASE DATE: November 25th 2016
RECORD COMPANY: These Are Not Records
Connecticut based experimental shoegaze/lo-fi four piece ‘Landing’ are no strangers to the underground music scene having no less than nine previous releases under their belts. The latest addition to that stunning collection is ‘Complekt’, their 10th release to date and a continuation to their no-nonsense, genre-defining attitude of creating blissful sonic soundscapes that are filled with hazy shoegaze highs and jaw dropping ethereal vocalisations coupled with experimental twists and lashings of glorious reverberation. The band are made up of three longtime members; Adrienne Snow – vocals, Aaron Snow – guitar/synth/bass/drums/vocals, Daron Gardner – bass & John Miller – drums/guitar/synth and you can pre-order the full album on various formats right now from: landing.bandcamp.com
In a beautifully translucent instrumental drone ‘Complekt’ unfurls its effortless sonic tendrils to announce the arrival of it’s opening salvo – ‘Light’. It pulses into earshot on a wave of quivering guitars and deliciously ambient swirls before it’s blissfully ethereal vocalisations sweep past you, held fast in swathes of immense reverberation. Up next, ‘Complekt’ swirls repetitiously before exploding into a driving cacophony of thunderous percussion, throbbing bass frequencies and a maelstrom of layered reverberating guitars. The vocal lines cut an ethereal wedge through proceedings, bringing a sort of serine clarity whilst all around them wage a sonic war of attrition. A stunning track that you must listen to via headphones to experience its full sonic onslaught.
‘Weft’ jangles into ear shot on an undulating bed of instrumental promise, sequenced synth theatrics and a shaking percussive pattern as it’s brilliantly executed guitar lines languish deep within swathes of luscious reverb, whilst the monumental ‘Shifts’ menacingly emerges from beneath an angry instrumental drone accompanied by hypnotic shakers and massive walls of ethereal noise. ‘Shifts’ undulates as its beautiful vocals swerve through cascading synth lines that float effortlessly through the sonic ether, looping and arcing with blissful aplomb. Up next, ‘Thither’ soars on a glorious synth swell before building into a throbbing sonic beast. This track pulses and swirls on a cloud of hazy electronics and sequenced atmospherics before we’re treated to a metronomic drum pattern, melodious bass frequencies and another beautiful vocal performance, constantly circumnavigated by reverberating guitars and cushioning synth swells. ‘Thither’ is immense and possibly my favourite track on this entire release.
‘Grow’ bleeps and swirls into existence on a bedrock of sequenced electronics and stunning guitar swells. It shimmers blissfully as it works through it’s sonic gears with aplomb, effortlessly floating unaided through layers of reverb and droning experimental instrumentation. Coming in at ten minutes plus ‘Grow’ is by far the longest track on the entire album and it doesn’t disappoint. It moves effortlessly through soaring guitars, pulsing synths and hypnotic percussion whilst pushing wave after wave of golden hued frequencies out into the sonic ether without breaking a sweat. The vocal lines weave a spell as they majestically intertwine with the entrancing sound waves. ‘Grow’ is a sonic triumph of immense proportions. The albums penultimate track entitled ‘Clouds II’ moves on a lazy percussive swagger albeit coupled with swirling guitars and the constant hum of a throbbing bass line. It’s vocal sits gracefully in the mix, gently leading this listener through a meandering pre-designated verse pattern and on into it’s soaring chorus parts. The albums closing piece however, shimmers on acoustic frequencies and soaring synth swells. ‘World’ switches from female to male lead vocals brilliantly as it builds into a trembling maelstrom of glorious reverberation and tremulous noise. A fitting ending to a marvellous album.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.