ALBUM REVIEW - Flower Crown - GLOW - Post Image - (300x300)ARTIST: Flower Crown 

RELEASE: GLOW

RELEASE DATE: 20th October 2017

RECORD COMPANY: Unsigned

Looking for something that can simultaneously relax you into a summer daze and make you think and appreciate what you’re hearing? You’ve found it in ‘GLOW’ by Pittsburgh based duo ‘Flower Crown’, a release that takes it’s dream pop from layers of deep crunch and the fuzz of borderline noise right back into a comforting, dreamy, sun-drenched breath of fresh air that evokes the same kind of moods as French based dream pop genius – ‘Pastel Coast’. And much like Pastel Coasts various EP’s, Flower Crowns album ‘GLOW’ triumphs because it doesn’t attempt to traverse new ground, rather, it sticks to what it knows… And sticks to it very well. Originally released back in October 2017,  ‘GLOW’ is available to buy/download right now via flowercrownmusic.bandcamp.com

The album begins with the slow turn of ‘True Blue’; a mixture of dream pop guitar tones and slowly delicate percussion. Among the mix, the keyboard plays comfortably with the guitars and the vocals, which bounce around; propelled by reverb. ‘Web’ maintains a similar feel, although the tones and textures seem a tad deeper and perhaps also a tad darker. The song sounds like it could have comfortably come off either of the aforementioned Pastel Coast EPs, with its light but dense guitar playing and background hum. ‘Web’ stands as an album highlight; the chorus shines strongly among the waves of sound the band push out, patiently, comfortably and ultimately beautifully. ‘Bloodshade’ offers another fantastic chorus, as well as the continuation of the catchiness heard on previous tracks. The song also manages to balance a nice mixture of dream pop and an FX’d soaked alternative rock feel.

‘Moon Water’, from its opening ambience and single guitar plucking, also stands as an album highlight even if it is simply an intermission/interlude track; of note, the textured, light soundscape in the background succeeds in its subtleness and delicacy. The most introspective and nostalgic the band get can be found on the track ‘Frame and Frame’ which just so happens to also be one of the best tracks on the entire album. The songs beginning rolls around, evoking images of beaches, the tide washing in, and a clear blue sky, before dipping into a more alt-rock sound. The waves of echo and reverb can be heard on the brilliant ‘Pls’, which shows the bands excellent guitar playing in full stride, as well as a memorably patient yet downtrodden vocal performance; capturing the songs essence and the bands sound in a compelling and dreamy way. The ultra slow and dream-soaked ‘Rearview’ brings the tempo down to an almost slowcore level. The track utilizes dense background noise and ambience to remind the listener of the depth of both of the song itself and the sound around it. ‘Lady of the Lake’ continues this kind of laidback tempo, with the guitars plucking and strumming in perfect harmony with the slow beat of the drums. Altogether, the song stands as a kind of symbol for the rest of the album; slow, thoughtful, nostalgic and most importantly, sonically rewarding.

‘Flower Crown’ have released a successful dream pop album, crossing the lines between lazy yet comforting background music and intrinsically, provocatively picturesque listening. The performances, while slight, offer a rewarding and understandly dreamy listen. Fans of the genre will be impressed, and those who aren’t… will still be impressed. They’ll mostly be impressed by the mixing, the production, and perhaps most obviously, the clever and enjoyable sound.

4.5/5

LINKS:

flowercrownmusic.bandcamp.com

facebook.com/flowercrownmusic

ABOUT THE AUTHOR:

Cam Phillips - Contributing Writer

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.