ARTIST: Glass Horses
RELEASE: Glass Horses
RECORD COMPANY: Unsigned
London based alt/shoegaze quartet ‘Glass Horses’ have unleashed a veritable feast for the ears with the debut four track self-titled EP. Their overall sound is distinctly modern with slight nod of respect to the originators of the genre with influences such as Ride, Novella, Siouxsie and the Banshees, Froth, and L.A Witch being bandied about. Personally speaking, I can hear Cranes, Secret Shine & Boston based noise junkies The Swirlies surging through their sound with a slight doff of the cap instrumentally to the repetitiveness of the modern day psych scene. The band are made up of Noga Shatz – vocals, Terry Hale – guitar/keyboards, Pat Paxton – bass, James Walker – drums and the ‘Glass Horses’ EP is available to listen to in full over on the bands Soundcloud page. You can also pick up a copy of the lead single ‘Little Tricks’ for a small fee over at: glasshorsesband.bandcamp.com
Swirling melodious guitar noise and sparse percussion heralds the arrival of ‘Little Tracks’ and I’m instantly transfixed on gorgeous vocalisations of Noga Shatz. Instrumentally this track is faultless as droning guitars and the constant throb of cascading bass frequencies meld effortlessly with those repetitive synth lines. The entire track seems to envelope the vocals perfectly. Up next, I’m sort of led into a false sense of security as ‘Low’ creeps into audible range. It starts slow and builds into a psychedelically charged monster as those almost post-punk sounding bass lines meander in and out of explosive percussion and charging reverberation. The sneaking lead guitar lines mimic those impressive duel vocal’s as the track drags itself through explosive chorus progressions with relative ease. A pretty cool track and possibly my favourite on the entire release.
The EP’s penultimate piece wouldn’t look out of place on a modern day psych rock compilation. ‘Honey’ is a brooding, atmospheric brute with 60’s sounding psych connotations and swirling instrumentation all circumnavigating a melody driven bass line and those addictive vocalisations courtesy of Noga Shatz. The production on this track is brilliant and I know the band self produced this EP so credit where credit is due! The closing piece on this release is absolutely stunning. ‘Blue Lights’ screams UK noisy experimental shoegaze outfit ‘Cranes’, with its pulsating rhythmic patterns, quiet verse progressions followed by explosive instrumentation and those hypnotically sounding synth swells. There’s a subtle 80’s post-punk edge to this track to that is completely addictive and worthy of your ears. All in all this is a pretty special collection of tracks.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.