Nobody Knows by Exiles
Brooklyn based jangling dream-gaze five piece 'Exiles' have announced brand new single entitled 'Nobody Knows', their first since 2016's 'Float Away'. The band are made up of Moire Echo, Michael Hendley, Don Lavis, Myles Peterson & Matt Sklar and they collectively create blissed out soundscapes filled with beautiful vocalisations, soaring synth swells, addictive percussion and intricate guitars that are meticulously underscored by massive swaths of reverberation and brilliant production. The band are donating any monies made from their music for the month of February to ACLU so all of the tracks up on their bandcamp page are 'pay-what-you-want' until months end. Please do support this worthy cause.
'Nobody Knows' is a beautifully intense slice of dream pop deftly infused with jangle pop and subtle hints of shoegaze. It soars into the ether on serine waves of electronic synth melded together with stunning vocalisations whilst the instrumentation is firmly anchored to terra firma by a steady percussive pattern and throbbing but melodious bass frequencies. It's lead guitar lines intertwine brilliantly with the piece looping and arcing on layers of stunning reverberation.
by Primal Music
Pulsing shimmering melody & effortless melancholy into raging torrents of intermittent fuzzy noise isn't something to be taken lightly. It's a difficult process to get right and takes somebody with serious song writing & production skills to it pull off. That being said, Irish based noisy post-gaze trio 'Easy Tide' have managed to do it in spades on their latest single aptly titled 'Denim On Denim'. The band are made up of Aaron Dunphy, Steven Rafferty & Mark Carolan and they collectively create beautifully honest soundscapes that meander through swathes of reverberation and intense fragility that at times hangs on a very fine sonic thread before exploding into bouts of blissful frequential noise. 'Denim On Denim' is the bands first outing of 2017, the track follows from the release of their 2016 debut LP 'Ennui' and the following singles ‘Tea Party’ and ‘Mind Your Head’.
'Denim On Denim' leaves you with no place to hide. It pulls on your heart strings with it's deeply intense melancholic vocalisations straddling jangling guitar progressions and the constant hum of bass frequencies. It's rickety percussive swagger swings menacingly as the track builds and ebbs through passages of noisy instrumentation before exploding into it's grand sonic finale.
Drifting Sand by Toast of Botswana
French based alt-psych duo 'Toast of Botswana' have unleashed a swirling sonic behemoth in the guise of their latest single aptly named 'Drifting Sand'. Steeped in hazy reverberating psychedelic incantations their sound echoes through layers of hypnotically charged instrumentation, noisy swathes of percussion and that intensely fragile vocal. Released back in December 2016 'Drifting Sand' is the bands third single and it follows on from 'Vimto' their deliciously psych folk leaning second single released back in August 2016. Definitely ones to watch in 2017.
You can get your hands on 'Drifting Sand' right now by heading over to: toastofbotswana.bandcamp.com
Danish based noisy alt-psych duo 'ZRN' have released a crawling sonic behemoth in the form of their latest single 'Deep End', lifted from their forthcoming EP entitled 'Swim' penned in for release sometime in April 2017. 'ZRN' are a side project of monstrous Danish psych rockers 'Tales Of Murder And Dust' and their sound has gone from meandering, atmospheric almost slowcore/shoegaze leanings on their 2015 full-length release 'Animous' into a more of a menacing noise rock orientation on these new tracks. In the bands own words 'Deep End' is "a feminist battle hymn" and it was recorded with the backdrop of the US elections hanging over all of our heads. It deals with some very real & dangerous subject matter, focusing on the bleak outlook of a polarized society, where the basic respect for a woman's body and rights is under attack.
'Deep End' is immensely infectious! It undulates and snakes on layers of dark, noisy bass frequencies supplemented with repetitive lead lines, shimmering tambourine shakes and a heavy sense of sonic foreboding. It's vocal lines glide and snake in and out of the instrumentation, under constant bombardment from whirring lead guitar lines and atmospheric production theatrics. There are sublet hints of 'Sonic Youth, Lydia Lunch' and seminal UK noise gazers 'Cranes' pulsing through Deep End's inner core that are incredibly addictive. Roll on the full EP!
Anais & Me SINGLE by Snowball II
Los Angeles based alt/ shoegaze outfit 'Snowball II' are no strangers to the underground scene having previously released two albums throughout 2016 with tracks frequently gracing the online radio fraternity including our own sister station 'Primal Radio'. Now the band have returned with a blistering new single entitled 'Anais & Me' taken from their forthcoming third full length album 'Flashes of Quincy' due to grace our earholes sometime in February and released via Doughnut Records. This latest single 'Anais & Me' is available to buy/download right now from snowballii.bandcamp.com
'Anais & Me' swerves into earshot riding a tempestuous wave of layered fuzzy guitars and driving percussion underscored by throbbing bass lines and beautifully melodic vocalisations. Definitely punchy and thoroughly enjoyable, 'Snowball II' continue to create brilliant soundscapes.
The Desolate Hour by A Thousand Hours
Dreamy Alaskan slowcore trio 'A Thousand Hours' have released a stunning debut single entitled 'The Desolate Hours' to the masses, highlighting their forthcoming full EP penned in for release this February or early March 2017. Their collective sound swirls brilliantly through almost ethereal sonic projections underscored by fleeting waves of shoegaze inspired instrumentation. The band are made up of Red Collier - vocals/guitar, Demi Haynes - vocals/guitar/bass & Albert Gresens - guitar/bass and 'The Desolate Hours' single is available to buy/download right now from onethousandhours.bandcamp.com
'The Desolate Hours' is centred around a repetitive guitar line, spinning through layers of reverberation, followed in close proximity by sparse percussion and the graceful hum of bass frequencies. The vocals float effortlessly along held fast in a kind of sonic gravitational pull with the instrumentation and brilliantly echoed at times by hauntingly good backing lines. Deeply melancholic and highly infectious it only bodes well for the full EP release going forward.
Fix Myself by Todavía
LA based multi instrumentalist Rhyan Riesgo aka Todavía typifies why this modern era dream pop/shoegaze scene has dumfounded the critics and lasted as long as it has. She plays all the instruments - (keyboard, guitar, drum triggers, vocals), records, produces, mixes, masters and releases her music from a little bedroom just outside Los Angeles without any label or PR support whatsoever. Her sound swoons effortlessly in a dreamy translucent haze filled with sequenced electronic percussion peppered by hushed synth swells, swirling guitars and shimmering reverberation that all circumnavigates that impressive vocal tone. Her latest single entitled 'Fix Myself' is lifted off the forthcoming full length album 'Shyness', penned in for release later this year and we think it's absolutely gorgeous.
'Fix Myself' ia available to buy/download right now from todaviamusic.bandcamp.com
Asphalt Ocean by The Mites
San Antonio based noisy dream pop quartet 'The Mites' have announced a brand new single entitled 'Asphalt Ocean' lifted off their forthcoming three track EP of the same name. The band fuse riotous, fuzzy guitars with swooning vocals to create a powerful no nonsense brand of dream pop that leans somewhere near alternative rock whilst doffing a well trimmed cap to those early 90's shoegaze sounds. 'Asphalt Ocean' follows on from 2015's five track release 'Bellows' and will be released on 7" vinyl via Painter Man Records in Seattle. If you want to get your hands on the vinyl, pre-orders have now opened via paintermanrecords.bigcartel.com
Fuzz Club Records mainstays and Berlin (via Manchester) based dark psych/post-punk outfit 'The Underground Youth' have unleashed the second single entitled 'Amerika' from their highly anticipated eight studio album brilliantly titled 'What Kind Of Dystopian Hellhole Is This?'. The album is penned in for a February 15th launch date with various formats officially going up for pre-order via www.fuzzclub.com. The band have also announced a European tour to celebrate it's release starting this month and you can check out their full tour schedule by heading over to facebook.com/TheUndergroundYouth.
'Amerika' drones into earshot accompanied by twinkling instrumentation, whirring feedback and the hollow thrum of sequenced percussion. It stalks and skulks in a densely oppressive sonic fog as Craig Dyer's addictive vocals swirl menacingly in the sonic ether. This is a triumphant slice of psychedelically charged post-punk that's sure to to attract new and old fans alike.
Tomorrow by Joel Gion
Long term percussionist of the 'Brian Jonestown Massacre', singer songwriter & modern day psych rock pioneer 'Joel Gion' has announced the first single entitled 'Tomorrow' to be lifted from his forthcoming sophomore album, penned in for release in early spring 2017. The single is firmly centred around the social and economic turmoil harassing his home country in which Joel himself says "nobody in the free-thinking world have ever dreamed things would wind up going this far south in the end". The forthcoming album was recorded at different stages during the recent BJM world our and features band members, friends and fellow musicians from the underground scene. You can get your hands on 'Tomorrow' right now via the usual online outlets and over on bandcamp - Joelgion.bandcamp.com
'Tomorrow' is a riotous affair with psych indentations swirling effortlessly in the monolithic instrumentation. Jangling guitars and throbbing bass frequencies shake & shimmy as pounding drums and catchy chorus hooks drag you with them along a simmering sonic thrill ride accompanied by the laid back vocalisations of Joel Gion.