UNDER THE SPOTLIGHT | Duelectrum

 

Duelectrum

Duelectrum are a shoegaze/noise pop band from São Paulo, Brazil, formed by Filipe Albuquerque (guitars), Franklin Weise (bass) and Elson Barbosa (drums), who also plays bass guitar in the super indie post-rock group Herod. As a duo (Filipe e Franklin), Duelectrum independently released the "Duelectr1" EP in 2001, which is now out of print. The "Electrolândia" EP was released in 2008 by Pisces Records and Sinewave.

Sinewave released the "Tempestadestelar" EP, which contains songs recorded between 2002 and 2005, in 2002, as well as the single "Chocolate Love" in 2008. In August 2014, the band released "She Doesn't Feel the Sun" (EP), with a guest appearance by Lucas Lippaus (Herod, Hopping to Collide With, S.O.M.A.) on guitars.

When we talk about modern day shoegazing bands, Brazil based Duelectrum are never far away from peoples lips! Their explosive walls of reverb laden sound are electrifying, emotive, passionate & expressive. Their live shows are a full on assault on your senses, bringing their fans on a musical journey with every note that they play! With their recent inclusion on the massive duel label, shoegaze compilation release - 'Revolution The Shoegaze Revival' on both 'Ear To Ear Records' & 'Gerpfast Kolektif Records', we caught up with the band and peppered them with some intrusive questions on all things music. Check out their frank but agreeable answers below:

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Who are you? Tell us about your band and how you originally came together. 

I'm Filipe Albuquerque, I was born and raised in São Paulo, Brazil, currently living in Curitiba, Paraná, Brazil. We started Duelectrum in May 1999 as a duo, with just Franklin Weise and I. At the very beginning, we used to play with a drum machine. Since them, we started to play some concerts (not much) and we recorded four EPs — Duelectr1 (2001); Eletrolândia (2008); Tempestadestelar (2009); and She Doesn't Feel The Sun (2014). We also issued one single — Chocolate Love (2010).

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Who are your biggest influences? 

Hard to say, but the shoegaze stuff from late 80's and early 90's, plus some of current bands. Jesus and Mary Chain, Cocteau Twins, the first three Starflyer 59 albums, MBV, Spacemen 3, Astrobrite, Nothing, and Whirr.

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What inspired you to start making music?

Listening to good records, and seeing great bands playing live.

[youtube https://www.youtube.com/watch?v=xZW6JAQiU0M&w=640&h=360]

 

What do you love about shoegaze?

The idea of taking some pop approach, with great melodies, with noisy and loud guitars, some feedback and smooth vocals.

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Is it a Shoegaze revival or a rebirth? What do you think about the recent film 'Beautiful Noise' and reunions of such bands like Ride, Swervedriver, Medicine and Slowdive?

I think this kind of sound has always been there since the late 80's, influenced by 60's garage bands. The comeback of these bands you mentioned, and the documentary, all these things have brought some light to the sound. Plus there are a huge number of new bands making some good noise, who are keeping the scene rocking. But I cannot really say if this is a revival or even a rebirth, because I really don't know.

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What can we expect to see happening with Duelectrum in the near future?

To release a full length and also give some concerts. We just want to make a lot of noise as loud as we can and sing about ordinary stuff.

Can you name some bands from your country or elsewhere as recommended listening?

From Brazil we have - Herod, This Lonely Crowd, Loomer, Traveling Wave, Justine Never Knew the Rules, The Soundscapes...

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If you had the chance to cover any artist who would it be, what song and why?

We recorded a version of “Eisbaer” by Grausone, in our EP released last year. Also, we used to play Slowdive and some Starflyer 59 tunes at past concerts. For the next record, we have the idea of making a version of a song called "Minha Vida" from a Brazilian hitmaker named Lulu Santos. The lyrics from that song are great, and I think we can make a good noisy version of that song.

If you had to pick 1 or 2 or 3 words to describe your music, what would they be?

Pop, Noisy, Loud.

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Is there anything else you'd like to share with our readers?

God bless you all!

LINKS: 

facebook.com/duelectrum

duelectrum.tumblr.com

duelectrum1.bandcamp.com

sinewave.com.br

twitter.com/duelectrum


EP REVIEW | Wild Meadows - Wild Meadows

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Artist: Wild Meadows

Release: Wild Meadows EP

Release Date: 23/04/15

Record Company: Unsigned 

With so much good music coming out of Australia these days is hardly surprising when I tell you that another brilliant band from that immense continent got in touch with the blog to announce their debut EP.  We've touched on Melbourne based shoegaze/dream-pop bands before on the Primal Music Blog, so you all should know by now just how good bands emerging from that city are at creating immensely sounding atmospheric soundscapes. 'Wild Meadows' are no different! Hailing from Melbourne primarily, but with band members originating in Birmingham, Wellington & Adelaide also, 'Wild Meadows' have a distinctly early  90's shoegaze sound with an underlying nod to 60's psych-pop & 80's electronica all intertwined with an impressive modern day 'nu-gaze' twist. The band are: Kat Karamitros - vocals & keyboards, James Ross - guitar & vocals, Donovan Pill - bass, Chris Rodgers - guitar & Tom S - drums. Their self-titled debut EP is penned in for released on April 23rd 2015 at the Tote, Collingwood and you can check out what we thought of it below:

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[youtube https://www.youtube.com/watch?v=_jkVsxQj12g&w=640&h=360]

The 4 track ’Wild Meadows EP’ opens up with the immense - ‘Colours’. A distinctive post-punk edge adorns this modern day gazing gem with swirling effected guitars, a beautiful vocal line & a really addictive bass track. Fans of Philadelphia based outfit - ‘The Morelings’ will love this track. The chorus explodes onto the musical landscape announcing the arrival of yet another amazing Melbourne based post-punk infused shoegazing outfit. Sublime!

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Track 2 - ‘Jennifer’, is a journey back in time to the early 90’s with its melodic vocal lines, swells of reverb drenched guitars & power-pop explosions! Reminiscent in parts to early 90’s, UK based - ‘Chapterhouse’, this is stunning example of a band in tune with their musical influences & surroundings! The songwriting & song structuring on this track are immense and coupled with the production makes this debut EP's stand out track for me. It has this addictive chorus break that will have you hooked from the very first listen & what’s going on under the vocal track is nothing short of beautiful. ‘Jennifer’ - is the bedrock of this entire EP as far as I’m concerned and that makes it possibly my favourite track. But don’t take my word for it, go & check it out for yourself:

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[youtube https://www.youtube.com/watch?v=5zQEAd47D2c&w=640&h=360]

 Track 3 ‘Save Yourself’ may lean more towards garage & 60’s psych-pop with it’s guitar stylings but it’s all about the vocal track on this one for me! Kat Karamitros (Vocals & Keyboards) has an alluring tone to her vocal that keeps you interested in the tracks that she takes the lead on. Both - ‘Save Yourself’ & this EP’s opening track - ‘Colours’, have a depth to them and I believe it’s down to Karamitros vocal abilities. They sit really well with a layered wall of reverb effected guitars, driving bass & explosive drums. Check it out:

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The closing track on this impressive debut release from Melbourne based gazers ’Wild Meadows’ entitled - ’Stare At The Sun’ is another solid, early 90’s sounding melodic track full of impressive song writing and catchy production. Im not sure of the bands influences and if I offend them in any way I apologise in advance, but I can hear ‘The Soup Dragons’ & early ‘Pearl’ era ’Chapterhouse’ on this track and it doesn't disappoint at all. Go check it out:

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This is a brilliantly executed debut release from ‘Wild Meadows’. It showcases some really impressive songwriting skills with tracks that loop & arc through layers of effected sound-waves & vocal tones to die for. It will have you wanting to hear more from them & I look forward to hearing what comes next?  A full release will tell more & until then I wish them well.

 

You can get your hands on this EP by heading over to the bands Bandcamp Page and supporting them there.

LINKS:

soundcloud.com/wild-meadows

facebook.com/WildMeadowsofficial

wildmeadows.bandcamp.com

Del Chaney - The Primal Music Blog - March 2015 - Dublin, Ireland.

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Noise-Rock & Post-Rock genres of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm The Primal Radio Show has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.  


UNDER THE SPOTLIGHT | Slow Motion Picture

Slow Motion Picture
Slow Motion Picture

Slow Motion Picture are a New York based 5 piece band who's immense atmospheric sound spans many genre's, from Shoegaze & Indie through into Space Rock & the realm of the epic Film Score. Their debut album - 'In Memory Of…' is covered in layers of hidden meanings and buried references to characters its listeners will never actually meet, yet still takes its audience on a journey of pure empathy. Each of the album’s ten songs are based upon a ghost story that multi-instrumentalist/guitarist Brian Caesar (As Tall As Lions) wrote in his early twenties as a way to cope with the passing of his father. Filling each song with haunting vocal melodies, luscious orchestral accompaniment and endless layers of fuzz driven guitars, Caesar, along with former vocalist Lauren Edman (Sleepthief), developed a sound that blended the depth of modern film scores with an airy timbre reminiscent of the shoegaze bands of the early 90’s. Bringing in drummer Aaron Kelly, bassist Dan Timmons and keyboard/synth player Marco Talamo enabled Edman and Caesar to finally bring these songs to the stage in 2013. The band recently added the heart-stopping voice of Scottish singer/multi-instrumentalist Anna Popplestone to its lineup and are looking forward to playing several dates in support of their new LP.

With their recent inclusion in the epic duel label release, 30 band shoegaze compilation  - 'Revolution  -The Shoegaze Revival'we caught up with the band to ask them about their influences, shoegaze tendencies & what the future holds for them musically. We'd like to extend our sincerest gratitude to the band for taking the time to answer our questions. Check it out:

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Who are you? Tell us about your band.

My name is Brian Caesar and I am in a band called Slow Motion PictureWe started originally as a duo writing songs under a different name. I had some musical accompaniments to these ghost stories that I had written after my father passed on a few years prior and started working with Lauren Edman (our former singer) to try to make these ideas work as songs.

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How did you originally come together?

We would email music, lyrics and top line melody ideas to each other back and forth and they quickly just turned into the songs that I always wanted them to be.  We ended up recording a demo EP with some of the songs that would later end up on our debut album that came out this past year. When we wanted to start playing some shows we brought in Aaron Kelly our drummer and after a few different other players were able to finally settle on Dan Timmons as our bassist and Marco Talamo as our keyboard player.

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Who are your biggest influences?

Sigur Ros, Verve, Florence + The Machine, Fleetwood Mac, Smashing Pumpkins, Elbow, Doves, Mew, Ned's Atomic Dustbin, Catherine Wheel, Swervedriver.. to name a few. Otherwise, I am highly influenced by a lot of film scores. All of those intricate parts and textures that awaken your senses and help you empathize more with the characters are what I strive to do in my writing.

Slow Motion Picture
Slow Motion Picture

Describe your sound?

I'm glad that you worded it that way and not "What is your genre?" .. we cross over a lot of different genres and sub genres within our sound. I like to think of it as cinematic indie space rock.

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What do you love about shoegaze?

I feel that shoegaze really encompasses a lot of the same emotional qualities that film scores have. The driving guitars, the clashing melodies all of it just creates this amazing tonality that takes you somewhere else. I can honestly say that it is my favorite genre because to me it is the only genre to truly capture emotion and surround you with it.

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Is it a Shoegaze revival or a rebirth? What do you think about reunions of such bands like Ride, Swervedriver, Medicine and Slowdive?

I actually don't think that shoegaze ever really left, but these days it's getting turned on to more and more people. The Grunge era, and Brit-pop eras came in and took over for a bit on the surface, but a lot of those bands had that 'shoegaze' undertone to them. I can't listen to Smashing Pumpkin's Siamese Dream and not think that there is a lot of the same fuzzed out shoegaze that there is on Swervedriver's Duel or MBV's Loveless. Some people say that shoegaze kind of tapered off, but on the contrary since the first appearance of the genre, more and more films, television shows and even commercials started incorporating its influence into their background scores. It was always there directing our feelings in one direction or another. I feel that more recently with bands like M83 & Sigur Ros bringing together these grandiose symphonic ideas and being able to break them up into song structure, that it almost is the evolution of classical film score.
Swervedriver and Slowdive were two of my favorite bands ever. Getting the chance to see them again will be magical. And the fact that they're all selling out much larger venues than they used to play is just further proof that shoegaze has never left.

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Can you tell us about your involvement in the Revolution shoegaze compilation?

I am a huge fan of Ummagma and Sounds of Sputnik. When 'Ear to Ear Records' asked if we would be on this amazing compilation, I jumped for joy. I didn't even know what it was going to be, but hearing that we'd get to be on a compilation with two of my favorite bands got me so excited. Then upon seeing the list of artists featured on it., my mind was blown.. I feel like I am part of something historic. Like I'm on one of my favorite soundtracks.

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Why is it important for the world to hear your music? What kind of message would you like to share with international listeners?

Music is a way for me to heal. It is probably the way that I communicate best with the world and seeing that it has had an effect on listeners tells me that I did something right.

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Musically, what are your bands plans over the next year?

We're hoping to play a bunch more shows along the East Coast and start working on a new EP.

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LINKS:

www.slowmotionpictureband.com

facebook.com/SlowMotionPictureBand

twitter.com/SlowMotionPict

slowmotionpicture.bandcamp.com

soundcloud.com/slowmotionpicture


UNDER THE SPOTLIGHT | Bloodhounds On My Trail

Bloodhounds On My Trail
Bloodhounds On My Trail

Melbourne based 'Bloodhounds On My Trail' create a 60's sounding fuzzy psychedelic imprint that not only connect 80's atmospheric post-punk to early 90's gaze but also add a modern edge to their immense soundscapes. A love of shoegaze bands of the late 1980s to early 90s provided the catalyst for the formation of the band. Since then, members Johnny Green (guitar, vocals), Chris Donaldson (guitar), Jonny O’Hara (bass) and Nik Donaldson (drums) have sought to fuse the rhythmic underpinnings of bands like the Velvet Underground and the Stooges with the dream haze of Cocteau Twins and Slowdive. With an addictive, reverb soaked, maelstrom of layered effects and beautiful melodies their sound could grace any soundtrack of a modern day musical audience. 'Bloodhounds On My Trail' are one of our favourite bands right now & we are stoked to have interviewed them for the blog. Their latest amazing release - Escape EP is available to download from their Bandcamp Page HERE. We also reviewed it for The Primal Music Blog and you can read our thoughts on it HERE.

We new releases in the pipeline & serious attention building around the band, we caught up with them and asked them a few questions about their influences, future plans & their thoughts on shoegaze!

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1) Who are you? Tell us about the formation of the band & your history?
We are Bloodhounds On My Trail from Melbourne, Australia who practice the art form of music, writing songs, sharing experiences & falling out. In other words, we are a band. It all started pretty spontaneously with Johnny and Nik jamming on a few ideas that I had on a loop pedal. Johnny was listening to a lot of Jesus and Mary Chain at the time and that really inspired him to start a new band. Once they had worked out a few songs (incl 'She's In My Plans') Chris was asked to come check out what they were doing with it in mind to have him join as another guitarist since two guitarists could create a big sound. After hearing what the then duo had created Chris was immediately impressed and keen to contribute to what they were creating. After some practices as a trio a good friend Jonny O'Hara was recruited on bass who appeared on Escape EP. Shortly after the release of that EP O'Hara parted ways & Che (of Miniatures) threw his hat in the ring to punch out the 4 stringer. A brief history for a band that has only been around for just over a year.

[youtube https://www.youtube.com/watch?v=Ue_jrhxJblE&w=480&h=360]

 

2) Who are your biggest influences?
We focus heavy on the song writing aspect & find influence comes more from life & experiences than just music. We don't ever decide we like a particular tune so we try to do one like it. Its more the fact that tunes are written that capture a particular mood musically & have a particular content lyrically. Influence on writing a song comes from conscious thought that's decided by what happens to & around us or to an individual and the music is a subconscious influences based on the music we enjoy to listen to. As the music aspect goes, as a band we are into a wide range of music (anything from late 80s, early 90's UK/US stuff to Rockabilly to Punk) and we really dig that. It helps in keeping the ideas interesting and exciting. We collaborate and flesh out a lot of songs from a basic idea Johnny or Chris bring to the table and it's really cool when you leave rehearsal with a song that has taken a direction that you didn't see coming... Those are the songs that give us a buzz.

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3) Describe your sound?

Underneath it all we hope our song writing comes through followed by a big sound sonically. We are always trying to keep tunes very much together in terms of the instrumentation so we can have a thick blanket of sound. Maybe think of drone sounding guitars where the bass denotes chord changes & a most solid of beats. Add to that some JAMC inspired riffs melodies that are emotive.

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4) What inspired you to start making music?

It's best when it's more in your blood than a particular moment when you decide to make music. Sure there are turning points that may make you do something because it inspired you but music had always been a big part of growing up for all of us so it's just been a natural step from the beginning. Like Johnny got into a lot of bands (The Smiths, The clash, The White Stripes, The Beach Boys...all the good stuff) from the vinyl his Dad played from the lounge room. Wasn't something consciously thought about, just loved hearing new bands and new songs so figured why not learn guitar and start a band. The brothers (Nik & Chris), like Che as well grew up with a musical parents so nature + nurture will always win.

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5) What do you love about shoegaze?
The music itself just hits the right chord with all of us. Never really thought about it. Just heard and loved it immediately. Also the "scene" is a great community really. All supportive. The way it always has been really. It's niche. Niche people always get each other more.

Bloodhounds On My Trail
Bloodhounds On My Trail

6) Why is it important for the world to hear your music? What kind of message would you like to share with international listeners?

Because like bands that we love, be that local or international, everyone can bring something great. We like to think that people could be getting a good buzz of hearing our music just like when anyone listen to anything that they enjoy. As for a message... Escape?

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7) What are some of your favorite bands or albums?
We wanna take this question to plug some Roogaze (Australian Shoegaze) that we love (no particular order of course): Lowtide, Contrast, Miniatures, Hideous Towns, Flyying Colours, Blush Response, Luna Ghost, Kigo, Lunaire, Roku Music, Fait. So many. Probably missed some!

Bloodhounds On My Trail
Bloodhounds On My Trail

8) Musically, what are your bands plans over the next year?
Been writing a lot of new songs recently and plan to release a couple of singles in this year followed by an EP. We have just finished recording a cover of a ''Dreams Burn Down" by gaze fav's Ride for a Ride tribute compilation that is available on 'the blog that celebrates itself' bandcamp - check it out! Other than that, play more shows locally, around Australia and internationally perhaps!

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LINKS:

Facebook.Com/BloodhoundsOnMyTrail

Twitter.Com/BloodHoundsMelb

BloodhoundsOnMyTrail.Bandcamp.Com

 

ABOUT THE INTERVIEWER:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm The Primal Radio Show has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


EP REVIEW | The Holy Cosmos - THC​/​VC Split

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Artist: The Holy Cosmos

Release: THC/VC Split

Release Date: 31/01/15

In the world of music there is no bigger force right now than the internet. Connectivity between bands of all disciplines and their fans is centred around their social media outlets & music streaming platforms. The age of lugging tape reels on airplanes so as to collaborate with your peers on the other side of the globe has gone to the great gig in the sky! Nowadays it’s all about click & send. One such cross geographical collaboration met on a Facebook music group called ‘Space Mantra’, a Facebook group dedicated to supporting psychedelic, shoegaze infused spacerock in all it’s many guises. ‘The Holy Cosmos’ are a spacerock band from Mexico City & along with a German friend of theirs, ‘Vintage Cucumber’ (I Kid You Not ), from Templin, Germany, they have just released a 6 track split EP entitled - ‘THC/VC Split’. Its split with 3 tracks from each artist.
The Holy Cosmos’ are: Rita – Drums, Vocals & Percussions, Ernesto - Drums & Percussions, Fabián – Bass, Marco – Guitar & Vocals, Josuæ – Guitar, Juan – Guitar. They met on the Facebook group - ‘Space Mantra’ & then in person at a rock show when they were two different bands. Ernesto & Marco were in ‘Voyager 2’ and Rita, Juan, Fabián & Josué were in ‘Neutle’. At the end of 2013 they decided to join forces to make the atmospheric juggernaut that is ‘The Holy Cosmos’. Their influences are wide reaching & impressive with Dead Skeletons, Brian Jonestown Massacre, Neu!, The Velvet Underground, Spacemen 3, The Warlocks, Sonic Youth, Bardo Pond & MBV all on the list.
The ’THC/VC Split EP’ - is a supersonic roller coaster ride through blissful, lush musical highways intertwined with space heavy atmospheric tones. This is an amazing collaborative release full of pulsating instrumental shoegaze, psychedelic swells & luscious reverb drenched vocal swirls. For fans of shoegaze infused spacerock this is a must have release. 2015 is shaping up to being a massive year for the shoegazing genre.

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The EP opens up with the first composition from ‘The Holy Cosmos’, a creeping monolith of a track called - ‘Fields’. It has a distinctive ‘Spacemen 3’ meets ‘Velvet Underground’ feel to it. You melt into its inner core & disappear inside until you are suspended in reverb drenched wonderment. Check it out:

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Track 2 is another from a heavy hitting - ’The Holy Cosmos’. ‘Come On Riding’ - has that stoner-gaze vibe reminiscent of early stuff by Californian based gazers - ‘The Warlocks’. A sluggish repetitive guitar sequence hugs the bass & drums like a man in love! The reverb effected vocal lines intertwine & swirl around the entire track as it pulsates & moves like a snake. Immense track!

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Track 3 is possibly my favourite on this whole release!Cult Of Skulls’ is a 5 minute plus, express elevator to hell! It explodes onto the musical canvass from the off and it twists & turns through layers of socially brilliant effected guitars, pulsating bass lines & solid Drums. This is an addictive musical masterpiece. It reminds me of another brilliant Australian based outfit called - ‘Luna Ghost’& their epic 2014 release ‘The Luna Ghost EP’. Check it out:

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Track 4 is ‘Vintage Cucumber’ territory!  But don’t let the band name fool you. This is an absolutly immense track full of addictive reverb drenched guitar loops, reminescent in parts to early ‘Loop’ or american based instrumental shoegazers ‘Ghost Box Orchestra’. Its another full on edge of your seat sonic ride through layers & layers of effected guitars and solid drum tracks. ‘Mutterhertz’ is dance music in shoegazing form. LISTEN TO IT ON HEADPHONES. It will blow you away.

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Next up is another monster of a track!Vintage Cucumbers’ -’Rennsimulator Marke Eigenbau’ reminds me of ‘Contino Sessions - Death In Vegas’. Continuously pulsing vocal samples striding a drum track built for driving to, with swirling guitar lines and bass frequencies to die for. This track is another floor filler in gazing form. Look at your shoes.

[bandcamp width=100% height=42 album=1238830105 size=small bgcol=333333 linkcol=e32c14 track=1182247557]

 

The final track on this impressive release is another ‘Vintage Cucumber’ gem. Slower than the previous two tracks, ‘Windhart’, takes you by the hand and leads you into a sonic heaven full of angelic reverb laden tones worthy of worshiping on another musical plane. This stunning track opens up into a haunting vocal line filled with intent. It builds & builds into the chorus break like norse god waiting to explode. This is psychedelic shoegazing at its very, very best & it will send chills down your spine! Check it out for yourselves:

[bandcamp width=100% height=42 album=1238830105 size=small bgcol=333333 linkcol=e32c14 track=3207516991]
Im very impressed with both bands on this split release. The shoegazing genre of music is amazingly strong all around the globe and both of these acts are worthy of joining this new wave of gazing prowess currently caressing the earlobes of the worlds gazing fans. This Split EP is available up on bandcamp to download for free. Go and get a copy of it while you still can.

Del Chaney - The Primal Music Blog - March 2015 - Dublin, Ireland.

LINKS:

Facebook.Com/TheHolyCosmos

TheHolyCosmos.Bandcamp.Com

Facebook.Com/VintageCucumber

VintageCucumber.Bandcamp.Com

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Noise-Rock & Post-Rock genres of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm The Primal Radio Show has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.  


EP REVIEW | Marble - Demo

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Artist: Marble

Release: Demo

Release Date: 11/02/15

Record Company: Unsigned

Back in the late 80’s I fell in love with an american based band called ‘For Against’. With full on catchy dream-pop inspired gazing sounds I instantly became a big fan & subsequently collected everything they ever released on Vinyl. Fast forward to last week and imagine my surprise when I was contacted by a band with a sound so reminiscent of ’For Against’ that I had to do a double take! ‘Marble’ - are Elliot C & Julian L, they formed in 2013 in Marlboro, NY over in the U.S & they take their influences from Scott Cortez, Robin Guthrie, Kevin Shields, Bulgarian Choir Music, Bela Bartok & Kate Bush. Marble display that typical 'For Against' sound - the full on high- tempo, gazing soundscape -  that enthralled me back in the late 80's,  but they have also intertwined a modern edge that is both captivating & laden with melodic dreamy walls of sonically immense reverb drenched guitars. Their 5 track debut EP is entitled 'Demo' & it was recorded January 2015 in New Orleans, Louisiana.    

[bandcamp width=100% height=120 album=3058282804 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

The EP opens with the pounding  - 'And'. There is a strong power-pop influence running through the 'Marble' sound. It's only when you hear the full on wall of sound explode in your eardrums do you realise just how many influences are actually streaming through their impressive soundscapes. Name a band & I can guarantee you will hear it in their sound and that just goes to show the wealth of talent in their influential musical gene pool. This track is immense! An explosive opening track. Very impressive!

[bandcamp width=100% height=42 album=3058282804 size=small bgcol=333333 linkcol=e32c14 track=1765310411]

 

Track 2, 'Lavender & Cherry' is stuffed full of early shoegaze influences! I can hear Chapterhouse, MBV, For Against & Pale Saints all intertwining into a lush, immense, shoegaze fuelled maelstrom of beautiful sonic tones. A brilliant interlude from the full on, in your face explosion of the opening track, the chorus change in 'Lavender & Cherry' is simple breathtaking & worthy of praise on its own. You really need to check this track our for yourselves:

[bandcamp width=100% height=42 album=3058282804 size=small bgcol=333333 linkcol=e32c14 track=3205453109]

 

'Slimy', the EP's third track is nothing short of beautiful! Immense reverb drenched vocals introduce us to waves of sonically delightful guitars. This track will have you gazing at your shoes & dreaming your life away with its soothing tones. Its builds & builds to a massive ending, sweeping you away with its walls of  luscious guitars. A masterclass in this bands songwriting abilities, it is my favourite track on this release and yet again, another marvellous track from a very, very impressive band. Ones to watch for the future.

[bandcamp width=100% height=42 album=3058282804 size=small bgcol=333333 linkcol=e32c14 track=4218796836]

 

The longest track on this release, coming in at 4 Minutes and 30 Seconds, is 'The Infinity Link'. Doing exactly as it says on the tin, this track is another shoegazing masterpiece. It's guitar lines will transfix & mesmerise you until you fall into a sonic explosion of tone & shape. This is a monster of a track. Listen to it on headphones & wonder at it's psychedelic qualities. Dreamy to a point, but immensely satisfying to this listener. Very impressive.

[bandcamp width=100% height=42 album=3058282804 size=small bgcol=333333 linkcol=e32c14 track=825993150]

 

The final track on this really impressive release is 'V'. Vocally ,this track will bowl you over. Hauntingly beautiful. The production qualities on them are amazing. Coupled with the explosive full on layers of reverb laden guitar lines & a solid drum track, this track is a fitting ending to a brilliant release. Easily making me want to hear more. 

[bandcamp width=100% height=42 album=3058282804 size=small bgcol=333333 linkcol=e32c14 track=1360429354]

 

Its very difficult to find fault with this band. Musically, they have ability in spades! Their production techniques are second to none! But what stands out for me about them is their ability to introduce so many of the influences that they hold dear into their music.  If you need to hear something good this weekend then go and download this EP. It will entertain you!  If you are a fan of the Genre, it will blow you away! Newbies to the scene could do no wrong using 'Marble' as a starting point in this new wave of gazing!  This EP is a masterpiece. I can't wait to hear what they come up with next.

Del Chaney - The Primal Music Blog - March 2015 - Dublin, Ireland. 

LINKS:

marblemusic.bandcamp.com

soundcloud.com/marblemusic

 

ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Noise-Rock & Post-Rock genres of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm The Primal Radio Show has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine www.ReplicantEars.com. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable. 


UNDER THE SPOTLIGHT | Joe Foster (Legendary Musician, Producer & Label Boss)

Joe Foster
Joe Foster

Slaughter Joe aka Joe Foster (born Joseph James Foster Ruiz) is a musical artist, record producer, historian, and former child actor based in Scotland. Along with Alan McGee and Dick Green, he formed Creation Records in 1983. He set up the Kaleidoscope Sound label in the mid-1980s, and Creation's subsidiary label Rev-Ola Records in the early 1990s.  He is noted for producing the The Jesus and Mary Chain, The Telescopes, Primal Scream', and My Bloody Valentine. He also produced records for many others, including the X-Men, The Jasmine Minks, The Loft, Felt, The Sea Urchins, The Bounty Hunters, Dave Kusworth, 18 Wheeler, Razorcuts, I, Ludicrous, Captain Soul, and The Creation among others.

[youtube https://www.youtube.com/watch?v=pjAJ2twYGSo&w=640&h=360]

His early days in music can be traced back to the early 80's avant garde pop of the Television Personalities. He produced the TVP’s classic album, The Painted Word, before joining Alan McGee in the embryonic Biff Bang Pow! In 1983 he formed Creation Records with Alan McGee and Dick Green, going on to become the label’s house producer. In this capacity he produced many of the early singles and albums that distinguished the label, including material by the Loft, Primal Scream, Jesus And Mary Chain and Biff Bang Pow! By 1987 Foster had begun a relationship with My Bloody Valentine, recording singles with them for the Kaleidoscope Sound label, before bringing them, and another artist on that label, Dave Kusworth, to Creation Records. Two albums with Kusworth, plus two Felt collections, were produced in 1988, before he moved to Holland to produce various projects for the Megadisc label.

[youtube https://www.youtube.com/watch?v=AF2Lw50SXHI&w=480&h=360]

 On his return to England he would use this experience to help young bands tour the low countries, and he also returned to live sound engineering (having initially taken this role with the fledgling Jesus And Mary Chain). In 1991 he set up a small demo studio with Sonic Boom (ex-Spacemen 3) to record the artist’s new material and that of other local bands. The following year he returned to Creation to set up a subsidiary division, the Rev-Ola label, in order to license and remaster material from the 50s to 80s (including the excellent reissues from the Millennium and Sagittarius). He continued to run the label while producing albums by 18 Wheeler and the Creation, the 60s psyche band who originally inspired the parent label’s choice of title. After the break-up of Creation Records, Foster moved on to join the newly formed Poptones label. Then, in 2002, in 2002, joining forces with Cherry Red Records’ Iain McNay in revitalising the Rev-Ola label.  He has recently worked with and has released records by - Eugene Kelly, BMX Bandits, Norman Blake, The Fine Arts Showcase, Zoe, Control Freak, The Cake, Roger Nicholls and a Small Circle of Friends, Evie Sands, The Wondermints, The Ecstasy of St. Theresa, The Telescopes, The Brian Jonestown Massacre & Richard Olsen. Joe Foster's list of musical credits are endless. You can check them out HERE.

His releases under the name Slaughter Joe are: "Slaughter Joe And The Modern Folk Quintet - All Around My Hobby Horse's Head ‎(LP) (Kaleidoscope Sound 1987) & "The Pied Piper Of Feedback" (Creation Records 1990)

[youtube https://www.youtube.com/watch?v=IZF34SzZD-k&w=640&h=360]

 

More recently Joe Foster has been working tirelessly with todays up & coming bands/artists from all around the globe, instilling his hard earned knowledge of Production, Mastering & Remixing Skills on their music! In my opinion he is a musical visionary & someone that young bands of today should not only look up to, but should investigate as a source of all things music! We sent Joe a few questions about his Career, Todays Rebirth Of Shoegaze & Creation Records. He kindly agreed to answer them. For that we are eternally grateful and we thank him a lot. Check it out:

 

Del: Hi Joe - Before we start, can I just say that I'm a big fan of yours (STARSTRUCK DEL TALKING). 'The Painted Word' by The Television Personalities is a truly great album. I know that you not only produced it but you played most of the instruments on it as well, so as far as I'm concerned you are a musical visionary! 

JF: **Why thank you :-

DEL: When did it all begin musically for you?

JF: **IDK drifted into it I suppose...as a child actor of a low range type haha also my late father was a recording engineer at various studios and the BBC...through his contacts I was working at a tea boy level at various music publishers in ‘’Tin Pan Alley’’ era Denmark Street not too far from where I lived in Fitzrovia...not then at all a fancy part of town let me add haha. The London music world was still just about as it had always been since forever, many of us worked in lowly positions in it looking to work out way up...Dan Treacy worked for Swansong records/Led Zeppelin as an office boy, which he hated haha...Stevie New and Rusty Egan of The Rich Kids etc worked at Warner Bros in the postroom so many other teaboys about hahaha the classic… a lost world haha lost as Atlantis...a shame in some ways as kids cannot feel part of an interesting business, where who knows? Instead they are put out there as contestants on an amateur hour TV show and that’s the new mainstream...tragic really…we would kind of know people like Andrew Loog Oldham or Derek Taylor or whoever...kids today trying a mainstream way know who? Some TV wacko...
I was also studying at the Central School of Art for some years, and moved in that world...still do in some ways haha met all sorts of people..London in that period was pretty buzzing, and we were all part of it, no matter how low we were seen by the movers and shakers, to ourselves we were genius hahaha it was a clubtastic time and we heard so much different music and met so many people some things we felt part of others we observed and liked or hated but all interesting to us as artists...oh well

[youtube https://www.youtube.com/watch?v=4wi2bi9-ZUI&w=480&h=360]

 

DEL: You have produced some amazing bands from all around the world, some of them labeled as seriously influential in modern day music. Big names such as - My Bloody Valentine, Jesus And Mary Chain & Primal Scream, to name but a few. But you are also a gifted musician & founding member of The Television Personalities. How difficult was it back then to get your music heard by the right people? And do you have any insight for the bands reading this interview into approaching record labels today?

JF: **As I say, still a small world in music, Soho in London, various places in NYC, Hollywood etc though it was the mainstream but it was reachable we never felt it was impossible….we just wanted to lord it with our art and we kinda did eventually. We never felt ANYTHING was impossible..or difficult. Delusional? probably haha. And if we could not be on the mainstream show or label we would create our own and propose it as a replacement culturally...IDK how gifted I am as a musician..multi talentless perhaps haha
Alas today there has been a creeping amateurisation going on...which has tbh hurt music...if no one is a pro, it’s all for free and it’s all a game..your art means little..grrr haha oh well I better get rich parents :-)

The Creation Years
The Creation Years

DEL: In the 1980's & into the early 1990's - 'Creation Records' changed the perception of modern music & brought a blissfully immense sound to the ears of a youth culture crying out for something new. Did you ever think that this little independent record label, which you helped to start, would still be influencing kids today - to the extent that nearly every band referenced as influential to them now, were once Creation Records artists?

JF: **We felt that Creation Records and everyone associated with it would be a legendary new beginning never to be forgotten :-) a new world perhaps we were all insane haha perhaps we still are? This bonded us all to a scary degree in a mental no questions way it still does very tribal oh yesh :-) perhaps that needs to occur in a shoegaze rebirth?

[youtube https://www.youtube.com/watch?v=-ZqnE89tgNE&w=480&h=360]

 DEL: You gave a quote recently about the Ear To Ear Records & Gerpfast Kolektif Records free to download, compilation release, featuring 30 bands from all around the globe, entitled 'Revolution - The Shoegaze Revival'. In it you spoke of a rebirth instead of a revival. Can you recommend some of the newer bands around today, who you are either listening to or working with & who you reckon are contributing to this rebirth?

JF: **Yes exactly I feel this has arisen as what I prefer to call a rebirth a resurgence of a feeling in music in a very organic way...spontaneous something I can identify with...and good grief 30 bands from all over the world? All at once? Having never really met? Something is afoot oh yesh!
The structure of the label (Ear To Ear Records) I find interesting...it is based in Wales and also in Canada...with an awareness of how to publicise the whole thing worldwide...a positive aspect of the internet, like being able to do mixes/remixes without shlepping huge reels around town/the world..opens it all up...one can be anywhere or everywhere like a comic book villain haha the world will be conquered by all this I think this initiative of doing 30 bands right there in a one-er sets out the stall for a whole new thing...and getting it out there makes the magic happen..and it IS magic make no mistake! Let’s focus on these bands to begin...because there will soon be so so many more..and not all the same or even similar...once the genie escapes, it’s game on!!

[bandcamp width=100% height=120 album=1732919363 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

DEL: Alan McGee was recently quoted as saying that - "Joe Foster was the Andy Warhol of Creation Records as his pop art prophecies always came true" - Taking that quote into context, who, in your opinion out of all of the bands that you had on Creation Records were the stand out acts for you? And why?

JF: Haha very kind of Alan to say that...I am possibly not quite so omnipotent as all that, but maybe I was...and will be again….so you can take me seriously re the new bands compilation, a new world will escape from it!!
The bands? I loved them ALL every one and still do….as different as many of the bands were, if one takes an academic view there are many common themes to them...perhaps I should write a paper haha

DEL: And Finally, What's next for Joe Foster? Who are you working with at the minute?

JF: **Right now I have been recovering from a fairly challenging spinal injury, almost there :-) meanwhile producing/mixing/remixing and mastering a whole slew of artists old/new from all over the world...that is an advantage of internet world haha lately have produced CuT, Fur Cough, The Beat Movement, and Andy Gallagher...and done mixes for Sonisk Bloodbad, The Veldt, Sleepyard and many others...mastering I am doing non stop for artists old and new...been doing a few jazz and exotica type artists in vinyl albums too, as I love the sound...mono vinyl oh yesh :-)....I may well start doing some contemporary artists too...I like to live my life of love and adventure oh yesh haha ........

 

LINKS:

facebook.com/joefosterrecordproducer

discogs.com/artist/275385-Joe-Foster

poppydisc.tumblr.com/joe

twitter.com/thejoefoster

 

ABOUT THE INTERVIEWER:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave, but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm The Primal Radio Show has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine ReplicantEars. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


UNDER THE SPOTLIGHT | Rev Rev Rev

Rev Rev Rev
Rev Rev Rev

Hailing from Modena, Italy, Rev Rev Rev’s sound is influenced by first-wave shoegaze, as well as psychedelic rock, re-metabolizing these elements into a loud, woozy, fuzz-driven context. Their live sets comprise kaleidoscopic video projections waving with music, and the use of self-constructed stomp boxes, producing weird sounds.
The band formed in the summer of 2011, the release of their debut EP, ‘Hypnagogic Visions’ the following year quickly catching the attention of independent webzines and radio stations across Italy; Silent Siren has been included in the shoegaze compilation “Nothing much to lose”, featuring, among others, tracks from Panophonic, Panda Riot, Asàlto al Parque Zoologico, Shi Shi.
Their first LP (self-titled), featuring a psychedelic artwork by Brock Lefferts, has been released in October 2013 and has got lots of positive feedback from press and webzines. Songs from the LP are in rotation on many independent radios. “Rev Rev Rev” were also Number 3 on the 2013 Shoegazer Alive Top 10, were included in the ShoegazeMania Top Ten and in several other 2013 charts. Since the Summer of 2014 their debut album has been distributed in Japanese record stores.

[bandcamp width=100% height=120 album=763847794 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

A digital single has been released in October 2014 on WinWin Records, a new label founded by One Little Indian Records members (iTunes link: http://smarturl.it/Rev-Rev-Rev-iTunes). Side A - “Catching A Buzz” has been featured on Steve Lamacq's show on BBC 6 Radio and its video has been in première on Clash Music Magazine.

[youtube https://www.youtube.com/watch?v=_D1wD_5oPGk&w=560&h=315]
Since September 2013 Rev Rev Rev have toured across Italy, Austria, Germany, Slovenia and Czech Republic, and in October 2014 UK, Switzerland and France. Recently “Rev Rev Rev” has been nominated as best self-produced album by PIMI (Premio Italiano Musica Indipendente).

 

Rev Rev Rev
Rev Rev Rev

[bandcamp width=100% height=120 album=1732919363 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

Their latest inclusion in the massive 30 band, worldwide shoegaze compilation comprised by Ear To Ear Records & Gerpfast Kolektif Records entitled: Revolution - The Shoegaze Revival shouldn't come as a surprise! This band are one of the forerunners of this latest rebirth in the shoegazing genre!  Their impressive sound & explosive live shows have seen them grow in strength as they move forward in this modern musical landscape. We caught up with the band and grilled them with some intrusive questioning!  Big thanks to Rev Rev Rev for taking part & answering the questions for us.

[bandcamp width=100% height=42 album=1732919363 size=small bgcol=333333 linkcol=e32c14 track=2660963687]

 

Who are you? Tell us about your band and how you originally came together.

We're from Modena, Italy (the town you may have heard of in relation to Ferrari, Lambrusco red wine and balsamic vinegar). We (Sebastian and Laura) are a couple and we've been in the band since the beginning in 2011, while Greta (drums) and Andrea (bass) joined us more recently, after some line-up changes.

Who are your biggest influences?

My Bloody Valentine, The Jesus and Mary Chain, Spacemen 3, The Velvet Underground, Loop, Dinosaur Jr., and The Pixies.

Describe your sound?
Our sound is kind of first-wave shoegaze, with a touch of psychedelic rock and noise. The output is loud, woozy, fuzz-driven.

What inspired you to start making music?
Listening to the music we like. Bands like, say, Sonic Youth, or MBV themselves, made us understand that there is no limit, nor is there technical concern about the sounds you can make with your instruments. The only North Star is the feelings and states of mind you would like to get.

What do you love about shoegaze?
It’s hypnotic, still loud tones, and being melodic and experimental as well.

Can you tell us about your involvement in the Revolution shoegaze compilation?
We're really proud to be part of this project; Ear to Ear Records (UK), Gerpfast Kolektif (Indonesia) and Shameless Promotion PR have managed to put together such geographically distant bands, concurring to paint a picture with so many shades of shoegaze...

Musically, what are your bands plans over the next year?
We're working on new stuff and should be able to release an LP in some months. The new tunes are more in the vein of experimentation, still keeping the shoegaze attitude. Probably we're going to do a vinyl pressing too. Then we're going to tour as much as possible.

Can you name some bands from your country or elsewhere as recommended listening?
Among the highest peaks reached by Italian pop music, we would mention Franco Battiato and CCCP Fedeli alla linea. In the contemporary indie scene we recommend Stella Diana, La Casa al Mare, Clustersun, 86sandals, and My Invisible Friend.

Is there anything else you'd like to share with our readers?
We just took part in a tribute compilation to Ride managed by The Blog That Celebrates Itself, covering “Polar Bear”. It's another very nice project, which will be released soon: we hope you will like it.

 

LINKS:
revrevrevband.wix.com/revrevrev
www.facebook.com/revrevrev.band
soundcloud.com/revrevrev
twitter.com/revrevrev_band
www.youtube.com/channel/UCOHB4sYmR_O4l90oXafDyhQ
Press contact: contact@shamelesspromotionpr.com
Booking: info@molotovbooking.com


ALBUM REVIEW | Kimono Lights - Imprinting.

a1184404545_2

Artist: Kimono Lights

Release: Imprinting

Release Date: 18/02/15

Record Company: Unsigned

We're no strangers to Italian shoegaze/dream-pop scene here at Primal Music HQ. In fact we actively promote the Italian gaze scene to the best of our abilities because we believe that it has some serious contenders in this modern day shoegaze landscape. The standard of underground shoegaze & dream -pop coming out of Italy today is immense! So it won't surprise you when I say that 'Kimono Lights' debut album entitled 'Imprinting', should be classed as one of the best of albums of 2015 so far!  It is a stunning release filled with atmospheric post-rock tendencies, all intertwined with dream-pop swells. It is filled with expressive, emotive shoegaze induced imprints. Immerse yourself into a cauldron of psychedelic goodness & let the sonic pulses wrap themselves around you as you float on a solid wave of reverb drenched vocal lines & atmospheric post-rock infusions. Every track is an emotive journey through the eyes of a sonic god. It is that good. The band is made up of  Andrea Crispy Smiths - Guitar and Vocals,  Manuel Fabbri - Bass, Matteo Sama - Guitar & Enrico Piraccini - Drums and Vocals. We've picked a few tracks from this 10 track debut album & you can read what we thought of them below:

[bandcamp width=100% height=120 album=4182472178 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]

 

This albums opening track entitled ‘Autumn’, blissfully begins with haunting tones hugging the sonic ether & filing the air with ethereal vocal swells. Addictive guitar lines seep through this dream-pop infused highway and instantly suck you inside its dreamy soundscape. There are subtle hints of post-rock vibes swirling in amongst the reverb drenched guitar tracks but with an added, definitive heightened shoegaze intensity which keeps the listener attention transfixed on the track.

[bandcamp width=100% height=42 album=4182472178 size=small bgcol=333333 linkcol=e32c14 track=1927555286]

 

Track 2 ‘Etere’ is another stunning, hauntingly brilliant slice of shoegaze magnificence, infused with dream-pop flair. Heavier in parts than the opening track, it traverses a fine line between full on nu-gaze & old school dream-pop, but it lacks absolutely nothing. It floats on wall of lush tones & reverb induced sonic swells. Simply divine! Check it out:

[bandcamp width=100% height=42 album=4182472178 size=small bgcol=333333 linkcol=e32c14 track=419597223]

 

‘Love Flows’, Track 3 on 'Imprinting', showcases its addictive qualities from the off. A wall of lush vocal’s, catchy guitars, synth swells with a solid drum track cementing in a foundation of musical bliss to die for! Another stunning track from this Italian gazing outfit.

[bandcamp width=100% height=42 album=4182472178 size=small bgcol=333333 linkcol=e32c14 track=1717691739]

 

Don’t be fooled into thinking that Track 5 on this impressive release is anything less than masterful. ‘Kimono Lights’ have this knack of enticing you into their tracks with beautifully crafted songs filled with light & dark moments intertwined gracefully in slow melodic soundscapes. ‘Daydream’ begins like a precious bird in flight on a calm day only to explode like a post-rock behemoth, force fed on a diet of full on shoegazing goodness! This is a stunning track that runs & runs and it’s probably my favourite track on this impressive debut album from another very impressive Italian shoegazing band.

[bandcamp width=100% height=42 album=4182472178 size=small bgcol=333333 linkcol=e32c14 track=3690256555]

 

Check out any of the 10 Tracks on this album & I can guarantee that you will fall in love with its sonic swells & reverb drenched guitar lines. The vocal tracks alone will enthral you. They tell a story through the medium of shoegaze, just like albums created in this genre of music are supposed to do. This album keeps it’s secrets firmly hidden inside each track & makes you sit, listen, take in every single note & every single piece of production, just to find out all about them! How many bands out there today can do that? Yes, there are post-rock edges to ‘Imprinting’, but I think it only enhances the full on ‘Kimono Lights’ soundscape experience. Its yet another string to their very impressive musical bow. This is a wonderfully addictive album that deserves respect.

 

Kimono Lights
Kimono Lights

 

Del Chaney - The Primal Music Blog - March 2015 - Dublin, Ireland.

LINKS:

facebook.com/Kimonolights

kimonolights.bandcamp.com/releases

soundcloud.com/kimono-lights

open.spotify.com/album/341Djfb18Tk7FAkGu9TJXt

 

 ABOUT THE AUTHOR:

Del Chaney
Del Chaney

Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Noise-Rock & Post-Rock genres of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm The Primal Radio Show has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. He also currently writes for Canadian based online music webzine www.ReplicantEars.com. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.  


UNDER THE SPOTLIGHT | The Marbles Jackson.

The Marbles Jackson
The Marbles Jackson

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With 2 blissful EP's behind them,  a highly anticipated debut album entitled  - 'Notes To The Dust' - on the horizon &  a successful crowdfunding campaign, we caught up with the brilliant London based noise merchants 'The Marbles Jackson' and drilled them with a few testing questions! Check out their answers below:

1) Who are you? Tell us about the formation of the band & your history?

We are The Marbles Jackson, a Hackney based four piece band. We've been playing live since late 2011 and released 2 EPs. The Marbles Jackson consists of: Terry Kirkbride (main voice, drums, guitars), Naokoko (guitars, the other voice, drums on one track), Simon Gwynne (keys, electric guitar) and Mikey Belfast Gibson (bass, percussion). Before forming The Marbles Jackson, Terry played drums in Proud Mary, Noel Gallagher and Oasis and that. Naokoko is a performance/installation artist. Two of us are the main songwriters of the band. We are releasing our debut album in April (vinyl in May), which is so exciting.

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2) Who are your biggest influences?

Terry: My grandmother, Kitty Malloy and Charlie Watts.

Naokoko: Patti Smith and Meredith Monk.

3) Describe your sound?

Loop meets The Carpenters! (Naokoko: My mum loves The Carpenters...)

4) What inspired you to start making music?

Terry: It was the only thing I’ve ever been interested in, coupled with the fact that I’m hopeless with everything else.

Naokoko: As an artist, I was always interested in sound, so I had a go at making music.

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5) What do you love about shoegaze?

Terry: I always had a keen interest in other people’s footwear. You can tell a lot about the person by what they have on their feet.

6) Why is it important for the world to hear your music? What kind of message would you like to share with international listeners?

Judging by the soul destroying shite out there at the moment, The Marbles Jackson are the only saviours of the human race!

The Marbles Jackson.
The Marbles Jackson.

7) What are some of your favorite bands or albums?

Twin Peaks soundtrack, The Verve (Early Stuff), Spacemen 3, Mazzy Star, Billie Holiday.

8) We know that you guys are crowdfunding for your next release. Would you recommend this method to other artists? Why?

Absolutely! It’s hard work, though. If your target is realistic and if you engage with your fans, it’s a really good way for DIY bands to get your music out there. If it goes tits up, it’s only yourselves to blame.

9) Musically, what are your bands plans over the next year?

We’ll just shut our eyes, keep playing and see what happens.

Big, big thanks to the band for taking the time out of their debut album preparations to get involved in this interview! You can can still pledge up on their crowdfunding site, to not only get your hands on their forthcoming debut album on Vinyl, but 10% of funds raised above their final target will go to  - Disability Rights UK. An even better reason to get pledging. You can do so by heading here:

www.pledgemusic.com/projects/marblesjackson

LINKS:

Facebook.Com/TheMarblesJackson

Twitter.Com/TheMarblesJackson

soundcloud.com/the-marbles-jackson

 

Del Chaney - The Primal Music Blog - March 2015 - Dublin, Ireland.