ARTIST: Buried Feather
RELEASE: Mind Of The Swarm
RELEASE DATE: 10th February 2017
RECORD COMPANY: Cobra Snake Necktie / Kozmik Artifactz
With a sound that draws regular comparisons to Dead Meadow & Spacemen 3, Melbourne based experimental psych aficionados 'Buried Feather' have a lot to live up to. Since exploding onto the underground scene back in 2012 the band have unleashed two mesmerising singles and a debut full length filled to the brim with modern experimental psych flourishes and driving kraut rock tendencies all underscored by magnificently addictive mantra like instrumentation. 'Buried Feather' are now set to unleash their full length sophomore follow up to their 2013 self-titled 8 track monolith. 'Mind Of The Swarm' gets it's full official release on February 10th 2017 via Melbourne based indie label Cobra Snake Necktie Records as well as the German based stoner rock imprint label Kozmik Artifactz. It will be released digitally and on limited edition 180g vinyl.
Dust by Buried Feather
The album explodes into earshot swirling deftly on a wave of growling guitars, powerful percussion and those hypnotically charged organ lines that collectively circumnavigate around the woozy vocalisations. ‘I Would Miss You’ trembles on repetitious bass frequencies as it effortlessly meanders through sonic peaks and troughs, all the while surging on entrancing psychedelic vibrations and waves of fuzzy reverberation. Up next, the albums lead single buzzes into earshot on a revolving wave of colourful droning frequencies. ‘Dust’ spirals repetitively, held fast in a sonic whirlwind filled with throbbing bass lines, whirring organ swells and screaming wah wah filled lead lines as it’s metronomic drum pattern conjures up hallucinogenic incantations with great aplomb. Probably my favourite track on this entire release, ‘Dust’ is a thing of sonic beauty.
‘The Stranger’ undulates into the ether on repetitive guitars and pulsating drum patterns as menacingly hypnotic vocal lines intertwine with churning instrumentation and top notch production to produce a flood of psych induced compressions and rarefactions whilst up next, the burgeoning tones of ‘Mind Of The Swarm’ fills the senses with a slow repetitive chord progression, underscored by menacingly good reverberating drones and rhythmic organ fills. The vocals swoon on waves of delayed reverb, leading the listener on a trance like procession through walls of throbbing bass frequencies and punishing lead guitar. The opening bars of ‘Sunshine’ lean favourably into garage/psych territory with it’s pounding drums and effected fret board theatrics until the instrumentation gathers pace and injects a hit of swirling hypnotics. The track builds into a raging cacophony of noise as before filtering out into a droning synth laden whirr. Up next, 'Endless C' is slice of sunshine in a revolving cauldron of infectious sound waves. It’s deliberate swagger entices the listener in and you quickly float away on it’s addictive chord sequences, warbling vocalisations, motorik drum patterns and those mind numbing organ swells.
‘Regular Creep’ is a heavy sonic beast. The repetitious thump of percussion echoes with almost military precision as the angry growl of guitars melds fluidly with unrepentant drum cadence. It’s snaking organ lines meander in and out of another impressive vocal take as we’re led from static verses through to noisy chorus runs, explosive breaks and on into the tracks turbulent finale. The albums penultimate piece however, has futuristically themed experimental stylings as it’s hazy synth lines ride tempestuous sequenced drum patterns, deftly enveloping that addictive vocal line. ‘Screen Dreamer’ glides on noisy guitars, electronic atmospherics and the continuous hum of bass frequencies, building as it undulates into a grand exit filled with unwavering production skills. The albums closing piece shudders into life on a bedrock of off kilter drum patterns, tumbling bass lines and the rise & fall of massive swathes of fuzzy instrumentation. ‘Well Wishes’ tumbles through the ether held fast in a swirling maelstrom of heavenly noise. A fitting ending to a brilliant sophomore release.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for the now on hiatus Sound Of Confusion music blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Holy Monitor
RELEASE: Holy Monitor
RELEASE DATE: 17th February 2017
RECORD COMPANY: Primitive Music Records / Blackspin Records
Stunning Athens based experimental psych/kraut rock collective 'Holy Monitor' have announced their debut self-titled full length release filled to the brim with luscious soundscapes that skip through a multiple of different sonic disciplines with blistering aplomb. Not content to have wowed us with last years 'Ongakubaka Records' release 'Golden Light/Aeolus', a compilation containing both of the bands previously released (only digital & in a ltd edition cassette) EP's, 'Holy Monitor' have returned with a ten track monolith that will literally blow your mind. Released via 'Primitive Music Records' in collaboration with 'Blackspin Records' the album is available to pre-order digitally right now from holymonitor.bandcamp.com
Physical copies are available to pre-order in two limited editions of high quality clear-copper & blue-white marbled vinyl, 200 copies each:
Holy Monitor by Holy Monitor
Swirling into the ether on a repetitious instrumental drone we jump off into the unknown just as 'Halcyon' powers up it's atmospheric core and washes us in subtle fret noises, serine lead lines and reverberating swells of sonic delight. 'Nemesis' arrives just as we're getting comfortable and we're soon dragged with it as it's motorik percussive swagger spews forth cascading organ lines, throbbing bass frequencies and the delicious whip of lead guitars. Otherworldly vocalisations arrive, riding a wave of screaming guitars and malicious synth swells as the sonic tension builds into a raging tremulous beast. Up next, 'Holy Monitor' unleash a full on psych behemoth in the form of the albums lead track, the mind altering, mescaline charged 'Bed Of The Earth'. Hypnotic lead guitars gently caress whirring organ swells as steadying drums and a humming baselines carry another impressive vocal performance. 'Bed Of The Earth' meanders deftly through sonic peaks and troughs until eventually exploding into a mesmerising lead break filled with electronic trickery, explosive percussion and the constant swirl of the organ all collectively awash with swathes of reverb. It's haunting vocals swirl and soar, peppered at times by delectable backing lines that seem to morph into one big throbbing behemoth tumbling gracefully through the ether like some new gravitational sonic phenomenon.
'The Vine' undulates and spirals as it floats into earshot circumnavigating itself in a peaceful haze of chandiramani percussion & shimmering tambourines before the hypnotic tendrils of it's utterly addictive guitar progressions take over, whirring above melodious baselines, the cascading plink of brilliantly constructed organ progressions and hauntingly good vocalisations. Before we can float away in a melancholic bliss however, the opening bars of 'Golden Light' (appearing here again and originally released back on 2015's 'Golden Light' EP) grace our ears and we're soon awash with it's eastern esoteric influences, menacing organ swells and stunning reverberations that loop and arc throughout, painting sonic pictures and instilling a blast of shimmering atmosphere. Up next, 'Αφροδίτη' gyrates into audible range trapped in a swirling synth drone before pounding drums and incessant organ stabs metronomically lead the charge accompanied by throbbing bass frequencies and constant barrage of lead guitars that leaps in and out of those blissful vocalisations with aplomb. Electronic theatric's announce the arrival of 'Bend The Tree's' (appearing here again and originally released on 2015's 'Aeolus' EP) and it gracefully glides on a droning synth progression and a highly addictive guitar line. This track bathes in swathes of stunning reverb as its hushed vocalisations take centre stage continuously urging the instrumentation to keep up with the pace.
'Icarus' builds rapidly, trapped in a turbulent instrumental drone, haunted by atmospheric guitar squall, reverberating fret noises, subtle sonic swells and the constant thump of the incessant bass drum. This track glides and arc's through a dark and malicious psych induced world filled with howling vocalisations that twist and morph into many different frequencies at will. Up next, the albums penultimate piece swings deliciously on a bedrock of driving kraut/motorik percussion and repetitious instrumentation. 'Ice Giants' conjures up hypnotic hallucinations of 70's sci-fi b-movie aliens aligned with a modern day sonic twist. The albums closing piece (appearing here again and originally released on 2015's 'Golden Light' EP) charges into ear shot on a bedrock of pounding drums, swirling guitars and soaring synth swells that are constantly building in tempestuous fashion and continuously circumnavigating that fragile vocal track. 'Cacti' builds from the off adding layer after layer of stunning instrumentation as it deftly skips along its chosen sonic path. A fitting ending to wonderfully creative album. Apart from the noticeable & previously released track inclusions, 'Holy Monitor' have put together a serious collection of impressive soundscapes that are sure to attract both new and old listeners alike. My favourite track on this album however has to be the highly addictive 'Bed Of The Earth' and it's driving cacophony of delectable psychedelic sounds.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for (the now on hiatus) The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Andrew Younker
RELEASE DATE: 16th December 2016
RECORD COMPANY: Hidden Bay Records
Detroit-based Andrew Younker's created a dreamy collection for what seems to be his debut EP. Out on Toulouse's Hidden Bay Records, Younker self-recorded the five songs in his dorm room. Skillfully fusing acoustic guitar, beats and reverby layers, it's warm and soft like a dreampop duvet. But, that's not all, Younker's got an interesting approach with structure and arrangements that at first seem simple, but closer listening reveals a greater complexity.
Brainchild by Andrew Younker
The record opens with acoustic guitar providing melody and propulsion, but soon Pink Slip blooms with synth bass, phased drums and some beatiful ambient swells. The song seems to breath in and out. The warbly delay of Being Stuck wraps this wee track up in a warm cosy glow, ahead of the arrival of Brainchild. The EP's title track has a bit more muscle than what we've heard so far. The bass pushes the track along, dropping back and building to a furious finish.
Acoustic guitars layer upon sparkly layer on Dunning-Kruger Effect, and Younker's voice glides along on top. 'I need a melancholy ending', he sings. They Were Only Pictures is a hypnotic beauty, with layers of chiming accoustic guitar weaving woozy melodies, so simple and sixties. A glitchy beat kicks in and brings us bang up to date.
An intriguing start to 2017. Brainchild is available now on tape and download.
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
ARTIST: Singapore Sling
RELEASE: Kill Kill Kill (Songs About Nothing)
RELEASE DATE: 2nd February 2017
RECORD COMPANY: Fuzz Club Records
Icelandic based experimental neo-psych aficionados 'Singapore Sling' have announced their highly anticipated ninth studio album 'Kill Kill Kill (Songs About Nothing)' penned in for release on February 2017 via the purveyors of all things psych 'Fuzz Club Records'. Formed back in 2000, 'Singapore Sling' are credited as being one of the originators of this experimental modern day psych scene with their music continuously being mentioned as influential to many of the newer psych bands releasing music within the scene today. You can pre-order 'Kill Kill Kill (Songs About Nothing) right now from fuzzclub.com
A menacing guitar drone ushers in repetitive drum patterns and a driving bass line as 'Shake Shake Shake', the opening track on 'Kill Kill Kill (Songs About Nothing)' explodes into a reactive wall of deliriously erie cascading piano lines and mesmerising vocalisations that seem to be collectively held in some sort of static gravitational reverberation. Guitars wail and arc brilliantly behind surging bass heavy instrumentation as the track meanders through it's sonic peaks and troughs with blistering aplomb. Up next, 'Scum Scum Scum' pulls itself out of it's fuzzy swirling melting pot as mantra like vocals pulse through waves of reverb, constantly berated by unsettling piano lines and cymbal heavy percussion. We're led a merry dance until that glorious chorus progression allows in some dull light and lifts the track ever so slightly out of the darkness only to collapse like some forlorn war weary beast of burden destined to sink back into the mix. A masterful track from start to finish.
'Fuck Everything' lurches into earshot on a brilliantly executed metronomic percussive shuffle as a swirling fuzzy instrumental drone circumnavigates the reverb heavy vocal line and that desert laden tremulous guitar line whilst 'Bop Bop Boo' swings into action held fast within a pulsating unwavering instrumental behemoth as we're told to 'Forget About God & Forget About Hope'. Happy days indeed! Up next comes the album's lead single. 'Evil Angel' stews menacingly, deep within a discomforting psychedelic brew as those seriously off putting horns lounge precariously on top of a fuzzy undulating bass line. The lingering reverberation of the guitars and the turbulent shaking of a motorik percussive beat adds dark atmosphere as Henrik's impressive echoing vocalisations swirl effortlessly into the ether . 'Evil Angel' is deeply experimental and fans of 'Singapore Sling' will notice it from the off but don't be fooled, this track is genre defining.
'Sonic Haus' blasts into audible range on an angry surge of latent driving psych rock as those echoing vocalisations instil a sense of fear and trepidation. Throbbing bass frequencies hug rumbling percussion as it's wailing guitars circumnavigate the entire piece washing it clean with fuzz and reverb before exploding into a mesmerising cacophony of noise. Thoroughly enjoyable and probably my favourite track on this entire release 'Sonic Haus' is definitely worthy of your ears. Up next, 'Surrounded By Cunts' marches into the ether on a repetitive beat as droning instrumentation swerves menacingly behind meandering vocals, driving guitar squall, undulating bass frequencies and those ever consistent malicious piano stabs whilst 'Riffermania (Kill Kill Kill)' ventures into motorcycle b-movie soundtrack territory and wouldn't sound out of place echoing vehemently in films such as 'Motorpsycho, Angels Die Hard, The Hellcats or The Jesus Trip'.
The albums penultimate piece jangles and plinks into existence on a surge of quivering acoustics and swirling reverberation. 'Nothing And Nowhere' meanders deftly through expressive psychedelically charged verse progressions coupled with brilliantly executed vocalisations and on into droning chorus parts, peppered at times with fuzzy & wailing guitar squall and those militant piano stabs. The album closes out however with the majestic 'Nuthing's Theme', an atmospheric eastern tinged slice of experimental neo-psych opening up with sampled swells of brash brass sections and deviously good cascading piano lines that are all precariously positioned on top of a marching percussive assault. 'Nothing's Theme' lurches forward through it's designated sonic parts with aplomb as we're brought willingly on a dark and twisted journey of psychedelic discovery. A triumphant ending to a marvellous album.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE DATE: 30th December 2016
RECORD COMPANY: Unsigned
Noisy Moscow based alt-pop/shoegaze quartet 'Liebermann' originally formed back in 2015. Steeped effortlessly in a noisy reverberating stew, the bands sound is brilliantly highlighted by it's soaring, almost ethereal vocalisations mixed instrumentally with a melancholic look back to the melodious early 90's. The band are made up of Zhanna Axenova - vocals, Yuriy Yakovlev - guitar, Michael Medvedev - bass & Denis Malyshev - drums and you can buy/download the bands debut EP 'Evergreen' right now from liebermann.bandcamp.com
Evergreen by Liebermann
The EP opens up with the title track! 'Evergreen' squeals into earshot on a wave of high pitched feedback and sullen guitar stabs before opening up into a wall of melody driven instrumentation. The addition of skittish drum patterns and throbbing bass frequencies introduce us to the heavenly vocalisations of Zhanna Axenova and the entire track soars into the ether. Up next, 'Midnight Sun' drives a harsh wedge onto proceedings with it's high hat heavy drum pattern, swirling bass lines and another impressively melodic guitar progression. The track explodes into it's chorus patterns with stunning aplomb, looping and arcing all over the sonic canvas, showcasing the song writing prowess that 'Liebermann' have in their arsenal.
The EP's penultimate track slows things down a touch. From it's opening chord structures 'Constrnt' lends itself more to a C86 sound but that theory is soon shattered as 'Liebermann' use Axenova's vocal prowess to blistering effect, swirling deftly into a cacophony of layered fuzzy guitars, melodious bass and pounding drums. The closing track on the EP is a slice of brilliant dreamy shoegaze. 'Rat Prince (Pumpkin Face)' shimmers on a cloud of ethereal vocalisations coupled with woozy guitars that swoon and move effortlessly on a bedrock of humming bass frequencies and exploding drums. Probably my favourite track on the entire release 'Rat Prince (Pumpkin Face)' is worthy of your ears and it closes out a rather interesting EP.
Winter Tale by Ummagma
One of our favourite bands here at the Primal Music blog, the brilliant 'Ummagma', release their dreamy track 'Winter Tale' and it's stunning accompanying A.R Kane remix to the masses on January 12th 2017. 'Ummagma' are the Canadian based duo of Shauna McLarnon & Alexander Kretov who collectively create beautifully intense sonic soundscapes that touch the outer reaches of shoegaze whilst swirling deftly through a world of electronically charged ethereal dream pop. The band have joined forces on the B - Side of this release with a seductive remix courtesy of celebrated dream pop pioneer and 4AD recording legend A.R.Kane who lends his immensely dissonant touches to the breathless 'A.R Kane Mix 69 Style' which along with a radio edit book ends this impressive three track release.
'Winter Tale' was originally released as part of the the bands 'Frequency EP' back in December 2015 and it swoons into audible range held fast within a blissfully ethereal bubble, seductively filled with glorious vocalisations, almost subliminal sequenced percussive hits and rather impressive electronic instrumentation courtesy of the amazing Alex Kretov. McLarnon's vocals are deliciously harmonious as they meld effortlessly with those sweeping synth laden drones and the reverb heavy instrumentation coupled with intensely peaceful sonic textures to create a festive sonic soundtrack perfectly positioned for this time of year.
'Winter Tale' is available to buy/download right now from ummagma.bandcamp.com
Icelandic experimental neo-psych aficionados 'Singapore Sling' have unleashed the first single entitled 'Evil Angel' to be lifted from their forthcoming highly anticipated ninth studio album 'Kill Kill Kill (Songs About Nothing)' due for release in February 2017 via the purveyors of all things psych 'Fuzz Club Records'. Formed back in 2000, 'Singapore Sling' are credited as being one of the originators of this experimental modern day psych scene with their music continuously being mentioned as influential to many of the newer psych bands releasing music within the scene today. As usual, 'Kill Kill Kill (Songs About Nothing) is available to pre-order right now from fuzzclub.com
'Evil Angel' stews menacingly deep within a discomforting psychedelic brew as those seriously off putting horns lounge precariously on top of a fuzzy undulating bass line. The lingering reverberation of the guitars and the turbulent shaking of a motorik percussive beat adds dark atmosphere as Henrik's impressive echoing vocalisations swirl effortlessly into the ether . 'Evil Angel' is very experimental and fans of 'Singapore Sling' will notice it from the off but don't be fooled, this track is genre defining and that only bodes well for the full album release.
beko_champanes - daysaway by beko
Stunning Saint Petersburg based vapourware/shoegaze outfit 'Champagnes' unleashed their immense latest single entitled 'Daysaway' to the masses back on April 29th 2016 via the French based independent 'Beko Disques label'. The bands sound is immersive, beautifully crafted and filled with dreamy shimmering synths, melodic bass frequencies, reverberating golden hued guitar lines and effortless percussion that collectively swirls around that gloriously hazy vocal. 'Daysaway' is available right now as a 'Name Your Price' tariff over on beko.bandcamp.com
Fizzy Orange by The Orange Kyte
Vancouver based psych outfit 'The Orange Kyte' have unleashed the final track on their mammoth sonic expedition to release one track per month for 2016! It's been an explosive sonic thrill ride for the band this year with every single monthly instalment swirling in and out of varying degrees of deliciously addictive psychedelic exploration. 'The Orange Kyte' are made up of Steve Moonboots & a revolving door of likeminded musicians. Piloting the good ship Orange Kyte on it's final voyage of 2016 are Stevie Moonboots - guitars/vocals, Mat Durie - organ/piano, Dave Mulvaney - drums/percussion, Robin Schroffel - bass & Jonah Kya Goksøyr - Trombone. The single is available to buy/download right now from theorangekyte.bandcamp.com
'Fizzy Orange' shimmies blissfully on a fuzzy instrumental wave thats filled with subtle brass indentations courtesy of Jonah Kya Goksøyr on trombone, luscious swirling organ lines, growling guitars, hypnotic drum patterns, cascading bass progressions and the ever present addictive vocalisations of Stevie Moonboots. 'Fizzy Orange' breaks down wonderfully around the two and a half minute mark, transforming itself into a creeping psychedelic beast, constantly changing it's sonic form until eventually exploding into a finale that is filled with beautiful frequential noise. A brilliant ending to a great year of releases.
ARTIST: Has A Shadow
RELEASE: Sorrow Tomorrow
RELEASE DATE: 18th January 2017
Mexico natives 'Has A Shadow' release their sophomore album (their first via Fuzz Club Records) entitled 'Sorrow Tomorrow' on January 18th 2017. The band create a brand of dark and ritualistic modern day psych gaze that heaves and undulates through swathes of unabashed reverberation and driving instrumentation tinged with menacing gothic tones. This new album follows a run of EU dates that included an appearance at Liverpool Psych Fest and shows with LSD & The Search for God, TAU and The Jabberwocky Band. You can pre-order 'Sorrow Tomorrow' ahead of it's January release, on various formats over at www.fuzzclub.com
In a hail of fragmented frequencies and the sampled barking of dogs the opening salvo’s of ‘Sorrow’ squeal into audible range riding rough shot on shuddering synth swells and the metronomic sway of percussion. Tormented vocalisations swirl repetitiously as the track builds and surges into a raging sonic tornado allowing it’s wailing guitar progressions to pulse wave after wave of intense reverberation out into the ether. Up next, ‘Lord Of Flies’ saunters into the musical arena with a distinctly edgy swagger. It’s creeping drum pattern swings hypnotically dragging with it those dark organ progressions, snaking guitars and the menacing throb of bass frequencies. Vocally ‘Lord Of The Flies’ is steeped in gothic flair and unrepentant reverberation as we exquisitely meander through waves of intense dark frequential matter and swirling atmospherics making this a brilliantly executed track. Track three, 'The Flesh' pulsates and swirls on undulating waves of dark instrumentation that includes throbbing bass lines, reverb laced organ swells, repetitive percussion, fuzz -laden guitars and hauntingly good vocalisations.
‘Attack Of The Junkie’ effortlessly drones into earshot, building repetitiously as the drag of the organ swell brings with it those thunderous drums and echoing vocalisations. This track is a driving psych induced behemoth that takes no prisoners as it’s tremulous guitars & throbbing bass progressions wage a war of sonic attrition, bending unsuspecting frequencies at will until eventually turning them into a colossal wall of magnificent noise. ‘Attack Of The Junkie’ is a triumphant track, possibly my favourite on the entire album. It is inherently filled with hard hitting sonic aggression and worthy of your ears. ‘Cul De Sac’ pulses on a sequenced synth line as ‘Has A Shadow’ unleash a noisy post-punk sheen on proceedings. The melodious bass line weaves a jittering sonic web as it works through it’s predesignated course, all the while being harassed by swirling reverberation, intense vocalisations and dark menacing instrumentation. Guitars explode into a cacophony of noise as those hypnotically charged organ lines takes hold, dragging the listener with them on an undulating white knuckle thrill ride.
Up next, the albums latest single jangles into earshot steeped heavily in an air of atmospheric trepidation. ‘Vampire Kiss’ has brash and scuzzy guitars that swirl deep within a dark haze of reverb. You really have to check yourself as those throbbing bass frequencies & thunderous drums dance and swing a hypnotically charged jig, effortlessly circumnavigated by those hauntingly good organ lines and the foreboding vocal tones of Daniel Garcino. ‘Horror Will Grow’ swirls into the ether on a another repetitious drone as it’s menacing organ lines snake and move held fast within a turbulent cloud of dark reverberation accompanied by brilliantly executed guitar lines and shuffling percussive hits. This slow burning psychedelic beast stalks the outer limits of the subconscious as those swirling vocalisations of Garcino slowly pick their way through the many layers of the human psyche and burrow themselves where they can be instantly recognisable for future reference.
The albums penultimate track explodes in a torrent of thunderous drums and driving guitars. ‘Not Even Human’ shatters the slow burgeoning drag of the previous track by spewing forth a cacophony of fuzzy atmospheric instrumentation & jittering repetitious noise. Somewhere deep within the sonic maelstrom, however, Daniel Garcino vocals meticulously hold court and strenuously keep everything together magnificently. The albums final onslaught comes in the form of ‘World Sensation’, a swirling salacious beast riding a growling guitar progression and a sparse wave of percussion. The organ arrives on cue as the track explodes into a colourful array of reverberating frequencies orbiting another impressive vocal display, before we’re all swallowed up by glorious surf/psych sounds until the tracks finale! A belter of a track to finish off one hell of a sonic thrill ride.
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.