ARTIST: The Breaks
RELEASE DATE: 3rd July 2107
RECORD COMPANY: Unsigned
Manchester based alt-shoegaze outfit 'The Breaks' unleashed their debut four track EP entitled 'Misery' to the masses via bandcamp back on the 3rd July 2017. With various worldwide commentators to the scene mentioning them on social media we felt it was about time we dissected it for ourselves to see just how good it really is and being completely honest; we weren't disappointed! The band's collective sound is inherently shoegaze orientated although their are lovely passages of music throughout that effortlessly jump in and out of luscious dream-pop or edgy alternative rock. 'Misery' is available to buy/download right now via thebreaks.bandcamp.com
Misery by The Breaks
The EP's opener entitled 'Honey' sways brilliantly on hard hitting percussion before swerving into a shimmering wall of reverberating guitars, throbbing bass frequencies and the twinkling splash of cymbal crash. Beautifully melodic vocalisations intertwine with heavier surges of guitar as catchy chorus hooks take flight dragging this listener up and out into the sonic ether, making this track a stunning opening salvo indeed. Up next, 'I Need' explodes into earshot on a massive wall of angry instrumentation. It's distorted vocal lines spit venom as they trudge through layers of wavy guitars and screaming lead lines, collectively tip-toeing in and out of noisy alt-rock and hazy shoegaze with relative ease.
The slow metronomic percussive thud of 'Biscuit Factory' enters the sonic arena and introduces us to 'The Breaks' melodic dream-pop sensibilities. Jangling guitar progressions accompanied by cascading bass lines and subtle swells of reverb circumnavigate a stunning vocal performance as this track twists and turns through catchy hooks and shimmering production. The EP closes out with 'Misery', possibly the most alt-pop that this band get on the whole EP and to be honest I was getting a tad worried until things took a rather interesting turn after the first verse. Opening bars of acoustic guitar rattle and scrape through standard street busking fair before lurching into a warm & fuzzy chorus layered with explosive drum patterns, bouncing bass frequencies and shimmering guitars thus restoring the balance and turning this track into an impressive sonic finale on what is a bloody marvellous debut EP. It'll be very interesting to hear what comes next from these guys!
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Dazy Crown
RELEASE: I Don't Need A Jacket
RELEASE DATE: 16th June 2017
RECORD COMPANY: Hazy Dog
Norwich based 'Dazy Crown' have just unleashed a brand new four track EP brilliantly titled 'I Don't Need A Jacket' via the independent record label 'Hazy Dog'. The band began life back in 2015 as the solo project of guitarist and vocalist Thomas Little before fleshing it out into a quartet with Philip Jones on guitar, Thomas Rees on bass and Theo Lewis on drums. Their collective sound sits firmly within the jangling lo-fi/garage catagories of music but it is also infused with stunning melody and subtle passages of dreamy psych-pop. 'I Don't Need A Jacket' is available to buy/download right now on various formats from hazydog.bandcamp.com
I Don't Need A Jacket by Dazy Crown
The EP opens up with 'Euphoria'. A beautifully translucent lead guitar line runs throughout as cascading bass frequencies hover just below the mix hugging a steady drum track and the hum of rhythm guitar, collectively enveloping that melody driven vocal line in it's entirety. A stunning opening salvo indeed. 'Dazy Crown' peel back their outer layers to show their subtle psych-pop tendencies on track two. 'Peanut Butter Dreaming' swerves into earshot filled with summery vibes that swirl around a shimmering a lead lick, a metronomic drum track and the throb of bass. Woozy vocalisations splashed in melodious colour twist a turn through layers of reverberation until we're eventually introduced to brilliantly executed and psychedelically charged finale.
'360 Dunk' drives into the ether swirling on another rambling lead guitar line. This time the bass line takes centre stage though as it meanders on a melodious trip, dancing in and out of a giddy percussive swagger as the collective instrumentation tries desperately to hold on. The vocal lines on this track are addictive and they float effortlessly on top of the surging reverb. The EP closes out with its lead single. 'Multi Vitamin' tumbles through swathes of woozy and highly infectious guitar progressions that ride an insanely laid back percussive pattern. Those simmering vocalisations wobble and arc through hazy layers of bubbling bass frequencies and resonating production as the leaping chorus break snaps you out of a hypnotising trance and tip toes you into a cyclonic world filled with instrumental drones and fuzzy sonic reflections. A fitting ending to a marvellous EP.
RELEASE: Wasted Mind
RELEASE DATE: 2nd June 2017
Austin based noise aficionados 'Glaze' self-released their stunning sophomore EP 'Wasted Mind' back on the 2nd June 2017, following on from their impressive debut three track 2016 release entitled 'Dimensions'. Their sound centres around angst ridden post-punk & fantastically noisy alt-rock thats underscored by soaring layered shoegaze collectively topped off with utterly sublime vocalisations that will make the hairs on the back of your neck stand to attention. The band are made up of Stephen McElwee, Austin Yeates & Jake Villarreal and you can buy/download the full EP right now via glazeusa.bandcamp.com
Wasted Mind by Glaze
The EP opens up with ‘No Surprises’; a swirling vortex of intense sound waves buffer and arc through layers of turbulent reverberation as charging percussion tumbles and skits alongside chugging bass frequencies and the resonating pull of guitars. Haunting vocalisations ride the tempestuous instrumental surge as lead lines whip and cajole the track to within an inch of its life dragging this listener with it as it streams into an abrupt finale. This is a masterful opening salvo! Up next, ‘Who Can Say’, the EP's lead single, builds from the off and steadily rises into a raging sonic behemoth filled with with brilliantly dark post-punk hued bass lines, screaming lead guitars and hazily melodic vocals. It breaks midway through into a sublime cacophony of tempo changes, psych induced instrumentation and production theatrics before fading into obscurity by swirling aimlessly into a reverberating fog.
‘Mercury’ jangles into earshot on a tremulous guitar progression before busy percussion drags the deep hum of bass and another blistering melody driven vocal line into focus. This track floats effortlessly through it’s verse parts before breaking into an explosive chorus stacked to the brim with soaring guitars and deliciously catchy vocal hooks. The EP closes out with ‘Chow Mein’, probably my favourite track on the entire release. A simple bass line opens proceedings up before we’re sucked into a swirling sonic whirlwind, battered around the senses and dumped out the back end to perch precariously on a melodic verse progression, only to be pulled along brilliantly by the aforementioned bass line and sucked back into the sonic melee once more. Thoroughly enjoyable and a fantastic finale to a well executed EP.
RELEASE: Jellyskin EP
RELEASE DATE: 28th June 2017
Immense Leeds based trio 'Jellyskin' have correlated all of their previously released singles, added a splattering of newer material and have packaged it all up on what is being labelled as their very first self-titled physical release. Formed in 2016, 'Jellyskin' are made up of Will & Zia and they exploded onto the underground psych/gaze scene with four consecutive single releases, each one absolutely sublime. Unless you've been hiding under a rock over the past year you would have read about the band on Primal Music's web pages & listened to them over on Primal Radio daily; they are seriously that good. 'Jellyskin' create stunning musical soundscapes that gracefully meander through experimental shoegaze, dream pop, psych rock and it's many, many sub genres. Their self-titled EP was released back on the 28th June 2017 and is available to buy/download on various formats right now via jellyskin.bandcamp.com
jellyskin by jellyskin
The EP opens up with 'Eater' and it pulses into the ether on a swirling vortex of kraut like repetition as its metronomic percussion, driving psychedelically charged guitars, throbbing bass frequencies and resonating synth lines deftly circumnavigate that stunning trademark vocal line. This track fizzes as it tumbles through layers of sequenced electronics and hazy reverberation. Up next, 'She Sung Oceans' glistens on a beautifully intense vocal line that floats on subtle fizzing synths and melodic guitars. This track sucks you in as it's lazy percussion arrives pulling the entire track skywards on shimmering sound waves, dipping in and out of entrancing instrumental passages filled with heavier moments of atmospheric experimentation and wavy synth laden psychedelics. 'Jellyskin' stay in a mode of electronic experimentation as 'Snow Sky', my favourite track on the entire release, warbles into audible range pinned fast to a cascading synth line, sequenced electronics and repetitive percussion. Beautifully entrancing vocalisations swirl and undulate through subtle eastern esoteric flavours as we dance and whirr through stunning instrumentation that collectively loops and arcs throughout the ether. Absolutely sublime!
The EP's penultimate piece entitled 'Only Rain (Flows To Beach)' floats effortlessly on glorious waves of simmering synth coupled with tumbling tremulous guitar progressions as metronomic sequenced percussion pulses on effervescent frequencies carefully enveloping that fragile vocal track. At predesignated points along its meandering course it morphs and twists brilliantly into a noisy & turbulent psych induced behemoth before snaking back into a beautifully entrancing piece of music before we close out with the intensely addictive 'Milk Of Magnesia' . It moves slow, is draped in swathes of psychedelic reverberation and is deliciously repetitious. It will have have you hooked from the off with it's burgeoning percussive pattern, layers of stunning atmospherics, swirling synth swells and luscious lead licks. It has subtle esoteric vibes underscored by droning instrumentation coursing through it's inner core that envelopes those sublime duel vocalisations with visceral aplomb. A masterful finale to a wonderful EP.
RELEASE: Taeppe EP
RELEASE DATE: 27th June 2017
RECORD COMPANY: Structure vs Chaos Music (SESAC)
Fantastic Connecticut based lo-fi shoegaze quartet 'Landing' have announced a brand new three track cassette in the guise of the 'Taeppe' EP , released to coincide with their 2017 tour which has just kicked off and will run all the way to July 12th taking in Northampton, Hamilton, Detroit, Indianapolis, St. Louis, Minneapolis, Des Moines, Austin, New Orleans, Atlanta, Raleigh, Salt Lake City & Washington D.C. The band create blissful sonic soundscapes that are filled with hazy shoegaze highs and jaw dropping ethereal vocalisations coupled with experimental twists and lashings of glorious reverberation. The band on this release are made up of Adrienne Snow - vocals, Daron Gardner - bass/drones, Aaron Snow - guitar/synth/drums/bass/vocals, Kryssi Battalene - guitar on Side A & John Miller - drums on 'Together'. You can buy/download this latest release digitally right now from landing.bandcamp.com or if you are one of the lucky folk who get to see them play live, the cassette version is released by Vast Arc Hues in an edition of 50 and will be available at shows on their summer 2017 tour.
Taeppe EP by Landing
Reverberating drones coupled with fizzing effected fret noise collectively move and undulate in a dense sonic fog as faint hints of melody punctuates through subtle feedback and the odd pull of guitar notes. 'Page After Page' unfurls it's enveloping frequencies, gradually building momentum as it peels back each individual musical layer before pulsing a beautifully intense wall of glistening vibration out into the ether in one great big wave, enveloping Adrienne's haunting vocals in the process. It's subtle percussion keeps an almost ethereal tempo as the wash of luscious guitars surge and break through layer after layer of stunning production. Instrumentally, 'Page After Page' pulls you inwards and keeps you transfixed on all eight minutes of this fantastic opening salvo. Up next, 'Tape' explodes into a cacophony of golden hued frequencies as tremulous guitars, augmenting synth swells and the repetitive whoosh of hi-hat's swirl and meld effortlessly with beautifully entrancing vocalisations, the gentle hum of bass frequencies and sublime production. 'Tape' is my favourite track on the entire release. It's a blissed out sonic adventure that will have you forgetting daily life as you float skywards into the abyss.
The EP closes out with 'Together', a snapshot of dreamy sonic escapism. A hazy wall of steady drums, cascading bass lines and fuzzy reverberation glisten and shine as jangling progressions mix with melodious lead lines to collectively circumnavigate another shimmering vocal take. 'Landing' tease us with their old school shoegazing tendencies half way through as the track explodes into a driving mass of blissful noise drenched in simmering instrumental melody that loops and arcs brilliantly throughout the the entire piece. This flight of fancy is quickly tamed however as the band pull the plug and dump us headlong into a finale of fading incandescent sound waves.
ARTIST: Brilliant Beast
RELEASE DATE: July 7th 2017
Hailing from Minneapolis, fuzzy shoegaze quartet 'Brilliant Beast' are no strangers to Primal Music. In fact, we've been spinning them religiously over on Primal Radio for quite some time as we fell in love with their glistening dream-gaze tones way back in 2013 after the release of their fantastic 'Where Do You Want' long player. Hazy yet melodious and with a grungy kick that stirs up many different influential artists from the scene, 'Brilliant Beast' are a band that I selfishly keep coming back to again and again. The band are made up of sibling dual vocalists Hannah & Jordan Porter, both on vocals/guitar, Ronnie Lee -bass & Eric Whalen - drums an they have just announced a brand new five track EP entitled 'Jelly', penned in for release on the 7th July 2017. The EP is available to pre-order right now via brilliantbeast.bandcamp.com
Jelly by Brilliant Beast
Surging instrumentation swirls and cajoles for space as woozy frequencies battle clandestine reverberations for the right to accompany a truly melodious vocal line as it meanders out into the ether. 'High Time' mesmerises as it sifts through stunning layered guitars and pounding drums, floating effortlessly on the continuous throb of bass and skipping brilliantly through catchy hook laden chord structures and immense production. A mouth watering opening salvo that leads us into squealing feedback and the heavier opening bars of 'Scatter', a menacing sonic behemoth that heaves and undulates on bass heavy frequencies. Soaring guitars carry another impressive vocal as 'Brilliant Beast' wage a sonic war of attrition looping and arcing in and out of heavy shoegaze at will before exploding into a stunning chorus break. Up next, 'Spiders' stalks into earshot on a charging percussive assault punctuated by grunge heavy guitars and snaking vocalisations. I can hear tons of early Sonic Youth here (I don't know how the band will feel about that??) but I bloody love it anyway, so much so that it's my favourite track on the entire EP. Seductive lead lines intertwine with punchy percussion and hovering bass signatures before that woozy chorus break slows everything down just a tad before exploding back into a maelstrom of blissful noise.
The EP's penultimate piece skips into range straddled to a hazy wall of resonating noise and a busy drum progression. 'Slipping' continues with the same sonic formula as the previous tracks that holds 'Brilliant Beast' in good stead. Fuzzy guitars, explosive percussion, undulating bass lines and a duel vocal to die for that at times sounds almost ethereal. Add into the mix that fantastically explosive closing break and it's a win win for me. 'Jelly' closes out with it's lead single. 'Star Of' is a blissed out summer jam filled with glorious golden hued fuzz, a dreamy dream-pop inspired vocal line and fantastic instrumentation. Again, catchy hooks make this track easy on the ear but it's those duel vocals that are absolutely spellbinding and at times hypnotic, keeping this listener well entertained. A brilliant ending to a marvellous EP .... bravo Brilliant Beast.
ARTIST: Hawkeyes / Radiation Flowers
RELEASE: Split EP
RELEASE DATE: 7th July 2017
RECORD COMPANY: Sunmask / Cardinal Fuzz
Ontario based heavy psych aficionados 'Hawkeyes' have joined forces with Saskatoon natives 'Radiation Flowers' on a brand new five track 'Split EP' that is absolutely immense. Stacked with massive walls of hypnotic acid drenched noise 'Hawkeyes' formed back in 2012 (apparently out of sheer boredom) and began self-releasing tracks on cassette before their debut album 'Poison Slows You Down' was picked up by Helmet Lady Records back in 2015. 'Radiation Flowers' on the other hand create spacious psychedelically charged shoegaze permeated at times by edgier, fuzzier moments of sonic contemplation accompanied by floating vocalisations that hark back to that early 4AD sound. The album gets it's full release on the 7th July 2017 via 'Sunmask' and the ever reliable Cardinal Fuzz Records and it available to pre-order right now on colour vinyl with full colour printed inner sleeve via cful.bandcamp.com
'Hawkeyes' open up proceedings with the first of two tracks; 'Atom Heart Motherfuckers Never Learn' swirls into audible range stuck firm to a warbling atmospheric guitar progression steeped in hypnotic reverberations. Sparse flourishes of cymbal and fizzing fret noise pull a massive surge of instrumentation into play as growling guitars, humming bass and steady percussion gently pushes us out into a turbulent sonic sea. Wailing lead lines whip up a sonic frenzy as a pulsing metronomic procession of drums and bass keep up a steady tempo for eight minutes plus, acting like some sort of sonic chariot meandering through layer after layer of spaced out grooves and ambient hued textures before 'Hawkeyes' briefly slip their spaced out ambient leanings and explode into a riotous sonic behemoth filled with darker, heavier guitar progressions and explosive accompanying instrumentation, goading the listener with their impressive mind bending production. All in all this is a massive opening salvo. Their second track entitled 'Creator Destroyer' floats into earshot on a wave of intense atmosphere deftly enveloped in beautifully textured acoustic guitar progressions and hushed vocal tones. That illusion is quickly shattered however as they explode into a cacophony of fuzz and reverb. Soaring lead guitars intertwine with delay & the pull of wah-wah to create a claustrophobic wall of hypnotic sound that builds and builds, tumbling brilliantly through rolling percussion and driving bass frequencies before culminating in a wind swept spoken word finale.
'The Radiation Flowers' unfurl '33 Floors Up', a pulsating sonic behemoth that pounds its way through the ether on a resonating wave of instrumentation swirling magnificently through layer after layer of tantalising reverberations. Soaring guitars traverse huge organ swells and there's no let up to the meandering whip of turbulent frequencies as this track explodes into the ether. Up next, 'Always On the Ground' bounds into earshot rocking giddily on a throbbing bass progression before squally synth hits add a sliver of comedy. Off kilter percussion drags itself into the mix accompanied by luscious lead guitars drenched in subtle feedback, effected fret noise and lashings of reverb. The collective instrumentation builds into a rolling wash of sound as beautifully translucent vocalisations ebb and flow into earshot underscored by an off putting organ drone before huge swathes of noise erupt, adding blistering atmospheric depth that seems undulates on that bouncing bass line. The album closes out with 'Never Fade' as 'The Radiation Flowers' meld tremulous shoegaze & indie rock with 60's psych flair. Surging organ swells ride a steady drum pattern as swirling lead guitar lines wrap themselves around another impressive vocal performance. Catchy chorus changes coupled with intricate guitar progressions keep this listener interested as the band inject some serious jolts of melody into proceedings. A fantastic ending to a rather interesting split release.
ARTIST: Paper Daggers
RELEASE DATE: 18th June 2017
Brooklyn based dreamgazers 'Paper Daggers' create deeply melodious soundscapes that skip effortlessly through melancholic sonic snapshots filled with woozy shoegaze and shimmering yet hazy dream pop with blistering aplomb. The band are made up of Rob - guitar, Nicola - vox/keys, Carrie - bass & Lisa - drums and they have just released a stunning three track debut self-titled EP and you can buy/download it right now from paperdaggersnyc.bandcamp.com
Paper Daggers by Paper Daggers
The EP opens up with an absolutely stunning track entitled 'Small'. Tumbling tremulous guitars meld brilliantly with subtle synth swells and humming bass frequencies as rolling percussion collectively ferries a beautiful vocal out into the ether. A hazy wash of gentle reverberation smoothes the journey as we're deftly scooped up and carefully enveloped in resonating lead guitar lines that intertwine with infectious songwriting and brilliant production. Up next, 'Wash' penetrates a busy wall of tremulous noise before a beautiful wave of melody gracefully pulls a deeply hypnotic percussive swing into the mix, it's metronomic pulse adding intense atmosphere as Nicola's ethereal vocalisations float into earshot. Entrancing instrumentation swirls throughout as this tracks lead guitar parts whirr and dance in and out of throbbing bass lines and subtle reverberations collectively following the gravitational pull of those entrancing drum patterns. This is absolutely stunning and if you have to listen to anything at all today please let it be this one track. 'Wash' will blow you away.
The EP closes out with slice of magic. There are bands out there who can pull off shoegaze and dream-pop to a consistent level but never really step outside of their comfort zones. And then there are bands like 'Paper Daggers' who have the ability to inject subtle genre changes outside of their chosen sonic disciplines. 'Between Moments' shatters into earshot on a beautifully serine melancholic vibe, steeped in dreamy dream-pop but underscored by something completely new to the sounds previously heard on this EP; this track has a late 80's post-punk vibe that I'm instantly drawn to courtesy of those plodding bass notes and that ever present swell of swirling synth. It's infectious, it's hypnotic and it's insanely masterful all at once and it shows that 'Paper Daggers' have the ability to change. A trait that is needed in this modern underground scene. Again the vocals are on point here too and those soaring guitars inject an intense shoegaze high and patches of angrier resonating lows. It's a stunning ending to a marvellous EP and I for one cannot wait to hear what comes next from 'Paper Daggers'.
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ARTIST: Magic Shoppe
RELEASE: High Goodbye
RECORD COMPANY: Little Cloud Records
Sublime Boston based dissonant psych aficionados 'Magic Shoppe' have just unleashed a brand new EP to the masses entitled 'High Goodbye', a bruising four track fuzz fest that will literally blow your socks off. From their very first release, the impressive ‘Reverb EP’ (2010) ,'Magic Shoppe' have been firmly on our radar and have also been a recommendation of ours for quite some time. Their immense brand of fuzzy, reverb induced psychedelic mayhem rattles through its gears with blistering aplomb and takes the listener on melodic journeys of sonic discovery. This latest EP had it's official release back on June 16th 2017 via the brilliantly independent 'Little Cloud Records' with various formats available including lovely limited edition 12' translucent red vinyl from magicshoppe.bandcamp.com
High Goodbye by Magic Shoppe
The EP opens up, tumbling menacingly through an unwavering wall of growling melodious guitars as ‘High Goodbye’ resonates into the subconscious. Shaking tambourines ride a wave of sticky bass frequencies and gravitate in close proximity to a tempestuous percussive swagger. It’s vocal lines croon and undulate in and out of snaking lead lines as the hypnotic swing of instrumentation captures this listeners attention. ‘High Goodbye’ is a stunning opening salvo steeped in swirling reverberations and whirring drones that captures a snapshot of what this modern day psych-gaze scene is all about. Up next, ‘Lost In Space’ shimmers in a dark resonating haze as the twang of lead guitar drags metronomic shakers into the mix underscored by soaring drones and a definitive 60’s neo-psych hue. The heady sonic fog clears to allow addictive vocal lines to lick, whip & penetrate just enough to guide the way as we shake and move through hypnotically charged shamanic vibrations filled with raging lead guitars and punishing production.
The EP’s penultimate piece entitled ‘Her Ritual’ stirs the senses as menacing sonic reflections bounce, drone and jitter effortlessly into the ether with blistering aplomb. The mechanical thump of percussion drags angry guitars and another mesmerising vocal into perspective, drenched in reverb and hovering on a bedrock of throbbing bass frequencies and the incessant whoosh of droning instrumentation and in turn answering to nothing but the pull and swing of a deeply hypnotic tempo. ‘Her Ritual’ sucks you in slowly and spits you out at break neck speeds before dropping you off into a swirling acid drenched haze. The EP closes out with what is possibly the most alternative track on the entire release and although they side step away from the sonic themes of the previous three tracks, ‘My Minds Eye’ is actually bloody immense. It begins with waves of screaming feedback as the band collectively usher in driving drum patterns, undulating bass lines, addictive tambourines and howling vocalisations before lightening the touch paper and exploding into a catchy, hook laden chorus progression. They repeat the process, turning up the noise as they go, injecting swirling drones and surging feedback into the mix before calling a halt to proceedings, trapped in a cyclonic whirlwind of noise. An absolutely stunning finale to another bloody masterful EP.
ARTIST: Tombstones In Their Eyes
RELEASE DATE: 4th August 2017
RECORD COMPANY: Send Me Your Head Records
Stoner rock, neo-psych, subtle flavours of shoegaze and rolling slowcore melded with fluttering dark frequencies, intense melody and those totally addictive vocalisations of John Treanor make up the collective sonic melting pot of musically astute L.A based quartet 'Tombstones In their Eyes'. Back in May 2016 they literally blew me away with their 'Bad Clouds' EP, so much so that I have been waiting with baited breath to see what these guys could come up with next. The band are made up of John Treanor – Vocals/Guitar/Keyboards, Josh Drew – Bass/Backing Vocals, Stephen Striegel – Drums/Percussion & Samuel Sherwood – Percussion and they have just announced their third EP entitled 'Fear' penned in for release on August 4th 2017 via 'Send Me Your Head Records' with pre-order options now available via tombstonesintheireyes.bandcamp.com
Fear by Tombstones In Their Eyes
The EP unfurls its sticky sonic tendrils with ‘I Want To Fly’. An explosive opening breathes life into an effortless vocal track that sits gracefully atop growling guitars, shuddering percussion and throbbing bass frequencies as ‘Tombstones In Their Eyes’ dip into their inner psych, melding it with subtle shoegazing tendencies and angry alt-rock to create a magically intense piece of music. Up next, my favourite track on the entire release enters audible range. ‘Separate’ tumbles into the ether strapped tightly to a downward spiralling tremulous drone before hazy vocalisations snake and undulate through warbling guitars, fizzing synth and cascading bass lines. It builds in intensity as it works through it’s sonic gears, moving menacingly through swathes of impressive reverb before culminating into a swirling mass of blissful noise. It’s a triumph of a track and it’s filled with everything that is needed to stir the senses completely.
‘Always There’, the EP’s lead single, sounds more like a mash up of french band AIR, R.E.M and some other nondescript alternative outfit from the mid 90’s. It doesn’t do it for me at all I’m afraid and I find it hard to understand what it is exactly that the band where trying to achieve here. I’ll probably be hung for saying that but for me it’s a very confusing track. Up next, ‘Another Day’ fizzes into life tumbling effortlessly through waves of hazy reverberation as melodious guitars are cajoled and whipped by swirling drones, the plink of synth and driving percussion before we’re dragged headlong into a marvellous chorus progression that simply soars. Brilliantly executed and filled with excellent production ‘Another Day’ mesmerises. The EP close out with another triumphant piece of music. ‘Fear’ swirls through a hazy psych filled world with blistering aplomb. Metronomic percussion coupled with shimmering tambourine adds intense atmosphere as a growling wall of noise pulls hypnotic vocalisations out into the ether, trembling on waves of throbbing bass and undulating synth swells. Soaring lead guitar gloriously punishes this entire piece to within an inch of it’s life, intertwining at times with those shamanic like vocal lines before we’re dropped off the back end, holding on desperately to it’s fading instrumental drones. A blistering end to a rather good EP.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.