Self styled 'space-gazers' and Hong Kong natives 'Thud' have just unleashed a brand new video to accompany their latest single entitled 'Ado', produced by the band themselves in Hong Kong and mixed in Leeds over in the UK by the ever prolific Matthew Johnson at Suburban Home Studio (Hookworms, Eagulls, The Spook School). 'Thud' are made up of Andy & Sky on guitars, Wang - bass, Wai - drums and Kim on vocals/synth. 'Ado' is released via long term collaborators 'Songs For Children' and a new UK-based indie label 'Ghost Crew Records'. The video was directed by Neo Yeung and the single 'Ado' b/w 'Still Still' is available right now digitally HERE and is released later in the year on 7" vinyl.
'Ado' is a slice of summer sun drenched in luscious reverb with the ability to soar into the ether at will with layers of guitar, swells of synth and pounding percussion all enveloping a stunning vocal line. Simply magnificent.
ARTIST: Soft Science
RELEASE DATE: 1st June 2018
RECORD COMPANY: Test Pattern Records
Sacramento-based 'Soft Science' reside in the grooves between music genres, pulling different influences from each to create something altogether sublime. From shoegaze to dream-pop and power-pop to alt-rock, each of the aforementioned genre's sonic impressions are brilliantly compressed and honed until their forms have been collectively reimagined into one intensive surge of melody. The band are made up of Ross Levine, Katie Haley, Matt Levine, Tony Cale & Mason DeMusey with influences ranging from The Beach Boys to Lush, Pale Saints, Teenage Fanclub, New Order and Jesus And Mary Chain. Their latest long player entitled 'Maps' was officially released back on June 1st 2018 via the good folks over at 'Test Pattern Records' and is available to buy/download right now on various formats via testpatternrecords.bandcamp.com
Maps by Soft Science
In a haze of fizzing guitars and dreamy melody the opening bars of ‘Undone’ permeate the senses with tingling clouds of shimmering reverberation. Swirling sound-waves charge skywards as a steady drum pattern tethers itself to those sublime swells of synth and the throb of luscious bass allowing that alluring vocal line to meander in and out of the collective instrumentation with relative ease. ‘Undone’ is captivating and a marvellous opening salvo indeed. Up next, ‘Breaking’ bounces into audible range strapped to a tumbling line of synth and a fast injection of tempo. Surging swells of keyboard dance just below the mix as jangling guitar progressions envelope those magical vocalisations and we’re pulled into that soaring chorus break. Catchy chord changes here erupt as we rise on clouds of synth and tumble into reverberating walls of beautiful noise. ‘Diverging’ charges into the ether on a pounding swagger of percussion as the throb of bass as those swirling lines of synth pull beautiful vocalisations out into the open allowing fuzzy guitars to ebb and flow with ease. There’s a brilliant instrumental break here that rises majestically, bursting through layers of hypnotic synth, swirling guitars and boisterous drums to allow subtle vocal refrains to peek through until the tracks end. ‘Diverging’ is a triumph and a definite highlight for me on this release.
‘There’ arrives grinding through layers of reverberating guitars before that melodic vocal line takes hold and pulls the listener skywards. This is an absolutely magnificent slice of dreamy shoegaze tinged with simmering flourishes of dream-pop. Lines of lead guitar whirr and intertwine brilliantly with those catchy chord structures as swirling instrumental drones circumnavigate the entire track creating cyclonic frequencies that bounce and jostle for space in amongst lines of humming bass and hypnotic synth. There’s a subtle tinge of Californian psychedelia emanating from 'Apart' that is addictively delicious. That off beat jingle of tambourine coupled with the flutter of organ and that slow moving drum track instantly captivates as we’re led into a magnificent change of tack and those lead guitars whip and harass the piece into submission. The vocal lines here flow cleanly, easily hovering over that laid back groove too which only adds to the overall feel of the track. ‘Sooner’ soars into the ether on cyclonic waves of simmering synth, humming bass and jangling guitars that all meld effortlessly with those dreamy vocalisations courtesy of Katie Haley. Catchy chorus changes reminiscent of seminal era Lush are intensely captivating here also as are those twinkling tambourine shakes that arrive sporadically to ride that steady percussive swagger.
‘Know’ explodes into a riotous kaleidoscope of colourful sonic waves as those arcing 80’s themed synth lines merge with charging bass frequencies and the sheer rage of percussion. Swirling guitars circumnavigate around the vocal track menacingly, backed up with lines of lead and oodles of reverberation as we’re led through a brilliant song-structure and catapulted out into the ether. ‘Know’ is sublime and another highlight for me on this release. The serine opening bars of 'Still' meander into audible range gliding on lines of synth and layers of fuzzy guitar. It’s melodic vocal lines ride a steady wave of percussion and juggle blissful chord changes with ease. It’s a little slice of summery summer vibes all wrapped up in one dreamy shoegaze package. The albums penultimate piece comes in the form of ‘Enough’. Noisy guitars pull glistening swells of synth out into the open as that brilliant drum track keeps a metronomic tempo underfoot and the throb of bass frequencies tingle the senses. Vocal lines shimmer as they glide through those verse progressions and sparkle brightly as those twinkling electronics arrive and the soaring lines of synth carry them skywards through the scintillating chorus progressions whilst ‘Slip’, the albums closing piece, is one minute and twenty four seconds of melodic bliss and a fantastic finale to a wonderful album.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Slow Science by Night Tide
'Night Tide' hail from Caen, France and create hazy modern themed shoegaze permeated by 80's/90's indie-pop and subtle post-punk connotations reminiscent of Alvvays, Snail Mail, The Cure, New Order and The Stone Roses. The band are made up of Lucie & Dorian and they adhere to a DIY manifesto (which we applaud them for) of writing, recording & producing their music in their living room.
Their latest single entitled 'Slow Science' is a wonderfully melodic slice of summer with intricate lines of guitar overlapping catchy hooks and brilliantly executed vocalisations. 'Slow Science' is the first single from a batch of tracks that will eventually go on to the form their debut EP. We love it and can't wait to hear more from them going forward.
'Slow Science' had it's official release on June 6th and is available to buy/download right now via nighttide.bandcamp.com
Diving by Corasandel
Lincoln-based ambient tinged experimental shoegaze duo 'Corasandel' have announced a brand new single entitled 'Diving' b/w 'Tape Interference'. Continuing Corasandel’s work with local musicians, producers and labels the single will have it's official release on June 12th 2018 via 'Old Tin Box Recordings'.
'Diving' meanders into the ether jittering precariously on a slow but busy percussive sequence accompanied by instrumental drones and intricate lead lines that ebb and flow brilliantly just above humming bass frequencies and oodles of reverb. Melodic in stature, it's vocalisations are hushed yet impressive and they wash over the entire piece effortlessly until we're led into that ambient strewn break where we float on waves of shimmering atmospherics. The singles b-side is an experimental gem. 'Tape Interference' could have been lifted from experimental pioneers 'The Telescopes' latest release 'Stone Tape'. It pulses into life straddling swells of atmosphere as ambient electronics dance and whirr pulling fret board theatrics into the ether that rise and fall into deep resonating pools of wonderful reverberation with ease.
'Diving' is available to pre-order right now via corasandel.bandcamp.com
L.A natives and good friends 'The Cabin Fever' have unleashed a tantalising new track entitled 'The Brown Bunny' and it's slightly voyeuristic accompanying video to the masses marking a new phase (it seems) in the bands development. Following on from January 2018's 'Exercise The Demon' EP this new track feels different although we're still trudging through deliciously melancholic and darkly imaginative soundscapes previously explored on the aforementioned EP, the musicianship on this single has tightened up and there's a surreal calmness surrounding the sound that we really like.
As usual, Joel Bedolla, Tripp Beam and Jon Joseph have supplied their collective instrumental talents to bring guru Sean Moriarty's sonic expressiveness to life and the video was shot "inside the famed Sunset Sound studio in Los Angeles with the purpose of bringing the viewer, as a close observer, into the experience of recording and playing this song". Bill Mims took care of the audio engineering with D.P. & cinematographer Nate Klein capturing the visuals, and Kevin Strick tied it all together directing and editing the film.
'The Brown Bunny' is out now and you can still get your hands on 'Exercise The Demon' on various formats via thecabinfever.bandcamp.com
RELEASE: Some Time
RELEASE DATE: 25th April 2018
RECORD COMPANY: Unsigned
Hailing from Dallas, Texas, melancholic shoegazers 'Loom' have taken a slow almost processional approach to writing and recording their debut five track EP entitled 'Some Time'. Taking a year and half to create something this interesting stands as a testament to their songwriting skills. Self recorded, engineered and produced 'Some Time' skips nonchalantly through melodic passages of hazy shoegaze, slowcore and noisy alt-rock, showcasing a sound that some might be familiar with whilst newer arrivals to the scene will find endearing. The band are made up of Casey Dorris - guitar, Greg Nunn - guitar, Skylar Schexnayder - vocals, Sam Beaty - drums & Hunter Davis - bass. 'Some Time' was officially released back on the 25th April 2018 and is available to buy/dowmload right now via loom1.bandcamp.com
Some Time by Loom
Swirling clouds of fuzz permeated by twinkling lines of melodic guitar swings meticulously on top of slow moving percussion as ‘All I Ever Wanted’ enters into audible range. Hushed vocalisations dive into the melee of sound-waves bouncing alongside whooshing crash cymbals and the warbling hum of bass frequencies as we tumble brilliantly through layers of whirring reverberations. Up next, ‘Memories’ arrives on tingling layers of soaring guitars as the ping of sparse percussion keeps a rag-tag kind of tempo. Again we move slow here, dragging heady doses of fuzz into those haunting lines of vocal as the boom of heavier drum patterns keep a steady metronomic beat. There are sounds here reminiscent of underground acts like the UK-based ‘Dose’, Virginia-based ‘Keep’ or even those noisy Texans ‘Glare’. Impressive stuff and a definite highlight on this release.
‘Some Time’ rumbles into life rolling on a barrage of snare hits before diving headlong into deep resonating pools full of noise, fuzz and reverb. Jangling guitars accompany melancholic lines of vocal out into the abyss as we glide effortlessly through those hazy verse progressions before exploding into a chorus section packed with kaleidoscopic sound-waves. Ohh, and watch out for it’s intensely good swirling psychedelic finale. ‘Interlude’ does exactly as it says on the tin. Vocal samples cling to layers of reverb drenched guitars and meander brilliantly whilst the EP’s closing piece is probably the best track on the entire release. ‘Your Existence’ floats into the ether on waves of guitar, slow moving percussion humming bass frequencies and senses pummelling reverberation. It’s vocal track projects itself in as kind of off-kilter kind of way, hovering just below the mix but close enough to those impressive guitars so as to be noticed. Clocking in at over six minutes long, ‘Your Existence’ is definitely worth your time. All in all, as debut EP's go, ‘Some Time’ is a cracking little listen and it’ll be very interesting to hear what these guys do next.
ABOUT THE AUTHOR:
When South American-based boyfriend/girlfriend duo of Sofía Aguerre and Leandro Rebellato aka 'Las Cobras' popped up on our sonic radar last year they instantly became firm favourites of ours. Their heady concoction of swirling, hypnotically charged krautrock, porto-punk, subtle shoegaze and hazy sun kissed rock n' roll helped us to immerse ourselves into their brand of Latin American psych and in turn firmly established them into the modern day fuzz fuelled psych firmament. Their debut album 'Temporal' had it's official release via the ever brilliant London-based 'Fuzz Club Records' way back in May 2017 and became an instant fan favourite, ended the year on a plethora of year end lists and catapulted them into one of modern psych's most exciting new bands.
To celebrate Fuzz Club Records repressing their debut album 'Temporal' for a second run, 'Las Cobras' have unveiled a beautiful new video for 'Al Más Allá' (translating from Spanish to 'the afterlife'). There's a tinge of garage psych streaming through the inner core of this track that is quite alluring but it's the pull of traditional percussion, jangling guitars and droning synth enveloping a magnificent vocal line drenched in glorious reverberation that peaks our attention. The video for 'Al Más Allá' is sublime and was created by the band themselves in Cabo Polonio, a tiny fishing village on the east coast of Uruguay that still has no electricity, confronting the passage of time and evolution. 'Temporal' is available to pre-order on lovely vinyl once more via fuzzclub.com and digitally over at fuzzclub.bandcamp.com
RELEASE DATE: 14th April 2018
Originally released back on the 14th April 2018, the self-titled debut EP from Washington-based quartet 'Reveries' initially eluded us lot here at Primal Music. Their overall sound swims effortlessly in a simmering sonic sea filled with melancholic flourishes of shoegaze, post-rock, ambience and alt-rock all expertly drenched in a reverb tinged magnificence. The band are made up of Jonathan, Jesse, Ryan & Jose and you can buy/download their self-produced debut EP in full right now via reveriespnw.bandcamp.com
Reveries by Reveries
The opening drones of 'Hits My Eyes' swirl ever so slowly around a melodic guitar progression as those hook laden chord structures glide through layers of glitchy reverberation. Momentary pauses filled with chilling sonic ambience instil atmosphere as deep booming bass frequencies arrive pulling explosive percussion, yearning vocalisations and huge chorus progressions that absolutely soar skywards. There are elements of post-rock here too simmering in amongst bubbling slow-core and heavier passages of shoegaze that ebb and flow through much quieter moments of sonic reflection. The song structuring or transition from surging instrumentation into lulling ambience works really well making this a very interesting opening salvo indeed. Up next, 'Reveries' unleash my favourite track on the entire EP. 'Existential Anxiety' explodes into a kaleidoscope of sonic waves as driving percussion and the throb of cascading bass carries swirling layers of guitar and brilliantly executed vocalisations out into the ether. This track is magnificent, a solid shoegaze anthem and quite possibly my favourite track of 2018 so far.
'When Your Dreams' hovers into audible range trapped in a hazy cloud of reverb as it's rumbling percussion and soaring lines of guitar envelope another impressive vocal performance. Again, those spacious instrumental pauses add some great atmospherics before we're led into a raging wall of bass heavy noise and on into that massive finale whilst 'Still' trembles into life glistening within an instrumental drone filled with melodic swells of instrumentation, brilliant production techniques and subtle lines of guitar. Drenched in blissful reverb, this ambient hued soundscape is absolutely immense. The EP's penultimate track comes in the guise of 'Here With You'. Huge walls of raging sonic frequencies surge brilliantly as this explosive track takes flight and we pulse through layers of angry guitars, pounding percussion and that ever present boom of deep penetrating bass. Swells of effects laden guitars bubble just below the mix as those vocals soar and 'Reveries' dip their toe into some alternative led noise-rock. This repetitive pattern breaks off towards the end of the track as we glide back down to terra firma, cushioned carefully within cloud of shimmering ambience. The EP closes out with the blissful 'Passing'. Hovering layers of guitar dance and weave their way through clouds of melody as we rise and fall through those glistening pools of atmospheric reverb. 'Passing' is a wonderful ending to a magnificent debut EP.
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream-pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE DATE: 14th May 2018
Texas-based sonic manipulators 'DAZE' create a heady concoction of fuzzed out heavy shoegaze melded brilliantly with intensely melancholic transitions and noisier alternative leanings that are addictively reminiscent of early Swervedriver or 'Silver' era Starflyer 59. The band are made up of Nikki - guitar/vocals, Abraham - guitar, Enrique - drums & Jon- bass. Their latest five track EP entitled 'Ritual' was officially released back on the 14th May 2018 and is available to buy/download right now from dazetx.bandcamp.com
Ritual by Daze
'Joven' drives into the ether straddling a thunderous percussive assault circumnavigated by throbbing bass frequencies and the melodic pull of tremulous guitars. Beautiful vocalisations arrive meandering in and out of noisy sonic passages as we begin to dip and rise through layers of heavy guitars and catchy chord structures before tumbling through an immense finale. Deeply melancholic, 'Joven' instantly impresses and is a marvellous opening salvo indeed. Up next, 'Another Day' creeps into audible range swirling on a golden hued guitar progression. Humming lines of bass flutter and whirr just below that off-kilter drum pattern as another impressive vocal take hovers just above the layer of reverb. It's here that we're guided through a melancholic vocal narrative as the verse progressions play out before that huge chorus explodes into a kaleidoscope of noise and we dive headlong into a whirling sonic tempest. 'Another Day' is impressive and a definite EP highlight. 'Guilty' leans more into alt-rock territory with subtle flourishes of noisier rock but it's those clearer moments filled with little melodic guitar progressions enveloping the vocal track that catch the ear here.
'Temper', the EP's penultimate piece, is a wonderful track. Rolling tom tom hits rumble and dance as jangling guitars swirl effortlessly in amongst hazy clouds of reverb, the smooth vocal take riding cascading lines of bass and those dizzily catchy chord changes that surge and lull with ease. The introduction of subtle acoustic vibes inject this track with some psychedelic atmospherics and that as far as I'm concerned only enhances it's overall addictiveness. 'Ritual' closes out with 'Sleep', a bounding post-punk esque sonic behemoth. An immense bass line holds court here acting like the central pillar as those swirling guitars intertwine with another impressive vocal line and the intricate fills of percussion build in intensity. As we fall headlong into a stunning break half way through we get caught in a web of twinkling reverberation as the track begins it's final build and it's then that we're fired headlong out of the back end and on into the tracks death throws. It's a brilliant ending to a great little EP. It'll be very interesting to hear what comes next from this quartet.
ARTIST: Bonnacons of Doom
RELEASE DATE: 18th May 2018
RECORD COMPANY: Rocket Recordings
Swirling into the ether in a haze of repetitious sonic vibrations and psychedelic incantations comes the debut self-titled long player by Liverpool-based psychonauts 'Boccanons of Doom'. With identities hidden, and having released a few singles over the years for different compilation releases this immense collective of musicians deal in ritualistic sonic manipulation and otherworldly musical manifestations with each track recorded in single-takes using the band’s trademark improvisational method. Their sound is steeped in psychrock, repetitive drone and electronic experimentation whilst underpinned with sounds from different religious traditions all buried within the mix. 'Boccanons of Doom' have been known to change personnel but the core structure of this collective has included members of Mugstar, Forest Swords, Jarvis Cocker’s band and Youthmovies. Their self-titled debut album was officially released back on the 18th May 2018 via those ever knowledgeable folks over at Rocket Recordings and is available to buy/download right now on various formats from rocketrecordings.bandcamp.com
Bonnacons of Doom by Bonnacons of Doom
The album opens with 'Solus' and we're instantly thrown headlong into repetitive chanting, booming drum hits and sporadic swells of droning instrumentation as 'Bonnacons of Doom' unleash what they term - ‘transcendental echolalia’. Deep resonating bass frequencies swirl and creep, undulating brilliantly between those melodic vocalisations and the repetitive thud of percussion, as the track builds menacingly and gently pushes this listener towards the incoming sonic surge. And surge it does; raging guitars erupt nudging on that monumental percussive assault as the senses pummelling instrumentation takes hold and we dive headlong into a hypnotically charged sonic melting pot. 'Solus' is immersive in stature and a bloody intense opening salvo. Up next, the opening volleys of 'Argenta' boom and undulate on waves of insatiable bass frequencies as ghostly vocalisations simmer atop of steady percussion and melodic progressions of guitar. Again we're pulled along in slow calculated steps containing increasingly erratic sonic layers of distorted instrumentation all held together by that repetitive bass signature and the metronomic tolling of percussion. Noisy progressions of fuzz and distortion accompany the twang of subtle guitar just below the mix as we rise and fall through lulling periods of sonic reflection drenched in swathes of lysergic hued reverberation and on into massive walls of pulsing instrumentation until we're pulled into a dark and powerful state of sublime sonic consciousness. Coming in at a whopping ten minutes plus, 'Argenta' is absolutely magnificent and an album highlight for me.
'Industria' swirls into audible range trapped in a fizzing instrumental drone as off-kilter piano stabs inject stinging atmospheric menace. Throbbing bass frequencies build from far below the mix as swells of synth and electronic instrumentation accompany ritualistic vocalisations out into the light and that incessant fret noise wraps itself around precarious clouds of reverb. This track transcends modern psychedelia as we know it by breaking it's traditional formula and reimagining it. It forgoes with those well trodden sonic paths by melding the spiritual or religious side of incantational psych with a more modern mechanical edge, thus creating something altogether new sounding and absolutely huge in scope. Put very simply, this track could be the future. Up next, the albums penultimate piece entitled 'Rhizome' tumbles into the ether on a bellowing wave of bass and rumbling percussion. Sequenced electronics bleep and whirr as the track begins to build, adding fluttering intensity with each sonic sweep. Drum fills increase as the swirl of infectious drones emerge and 'Bonnacons of Doom' explode into a mesmerising free form live jam underpinned by the steady throb of that marauding bass signature. It's hypnotic stuff and another album highlight for me. 'Plantae', the albums closing piece, begins meandering on a blues led lead guitar riff and the steady swing of percussion. Stunning vocalisations swirl into the melee, gliding in and out of heavy swathes of fuzz and reverberation as the repetitive surge of instrumentation takes hold and we all collectively move in unison ... as one singular entity ....... attached to a raging sonic behemoth.