Primal Music

Todavia - Fallen - Featured Image - (700x700)

NEW VIDEO PREMIERE | Todavía - Fallen

Los Angeles based hazy dream pop aficionado Todavía aka self-releasing multi instrumentalist Rhyan Riesgo has unleashed a stunning new video to accompany the immense track  'Fallen' lifted of Todavía's fantastic full length album entitled 'Shyness' released back in April 2017. Todavía's sound is distinctly dreamy, with hushed synth swells, sequenced percussion, swirling guitars and shimmering reverberation that all circumnavigates that almost ethereal vocal tone. This mesmerising video was filmed & edited by Elijah Reynozo with the full album available to buy/download right now on various formats via todaviamusic.bandcamp.com

'Fallen' is beautifully serine, whispering breathe of fresh air. Tumbling guitar signatures subtly fall in amongst floating synth swells as Rhyan deploys the best vocal take on the whole entire album and takes the listener on a melancholic journey of sonic discovery.

Recommended!

LINKS:

twitter.com/rhyvotchka

facebook.com/todaviamusic#

todaviamusic.bandcamp.com


SPC ECO - Calm - Featured Image - (700x700)

ALBUM REVIEW | SPC ECO - Calm

ARTIST: SPC ECO

RELEASE: Calm

RELEASE DATE: 22nd August 2107

RECORD COMPANY: ELaB Records

It seems like only yesterday I was sitting down to give a listen to the latest release by legendary producer Dean Garcia and his daughter Rose Berlin aka SPC ECO. The release in question was 'Under My Skin' and it was awarded a 5/5 by yours truly; a feat not so easy to come by. Garcia and Berlin had come together to create something as dark as it was beautiful: ethereal vocal performances were combined with shadow-filled synth passages and lyrics, all topped off neatly with drum programming and a crisp clean production. When I heard that the duo were releasing a follow up full length album (entitled Calm) I thought two things: one, it will great to see what SPC ECO have churned out this time, and two, could they keep together over the length of an album? There was only one way to find out, I guess?

'Calm' opens with the MBV shoegaze-influenced fuzz of ‘Out of Sight’: its deep and rumbling walls of static back up Berlin's siren-like calls and humming. Behind the mix, Garcia twists knobs and presses buttons to give the music a focal point, hip-hop like beats guiding the rest of the instrumentation and music along slowly. Although it is a fantastic 90’s-ish track and perhaps even an album highlight, there is something blaringly obvious: this is going to be much denser, louder and wild than 'Under My Skin' (not that that is a bad thing). Somehow Berlin and Garcia follow an album highlight with yet another album highlight: the slower, but still as dense, ‘All the Voices’ utilizes a breathy performance by Berlin, backed up by a borderline industrial soundscape of the instruments behind. All the while as the track plays, brilliant ambiance and drone seeps in through the mix, making things heavier and more beautiful. ‘Rising Up’ stands as another absolutely fantastic track: the guitars again create a wall of technical fuzz and feedback, a drum beat again guides the music, but it's vocals are perhaps the most haunting found on the entire release. Things turn into some sort of wildly dark and exotically evocative dance party: equipped with songs you can dance to and songs you can have a neon-lit knife to at the same time.

‘All I Had’ captures a slower and a somewhat more sensual vocal performance by Berlin; meanwhile Garcia turns things down to a trip hop level, creating a mix of loud, noise filled dream pop-esque music. It's placement on the albums track list is also ace. Perhaps my favourite song on the entire album is the stellar ‘Pearls’ in which the vocals and instruments meet in a beautiful kind of harmonic pairing to create a downtrodden afterthought of dream pop. It’s an emotive mixture of contemplative ponderings and long winded passages of sun covered beaches with the texturally white backing of clouds amongst a blue sky. ‘Who Are You Now?’ is, however, much, much darker… Somewhat evil as well I guess. Its slow trip-hop inspired drum beat is accompanied with a creepy sample of bottles clanging together or something? Ambiance and atmospheric strings also add to the landscape even more thoroughly. ‘Ghosts’ is where things start to taste a little over-done: another slow tempo drum beat with breathy vocals make this song one of the more forgettable on 'Calm'. The more upbeat and soundscape inspired ‘When It Moves’ turns things back around, thankfully, injecting some of the elements that made previous tracks an invigorating , engaging and unique listening experience. ‘Get Lost’ is another album highlight, especially its massive, hi-hat trap inspired chorus, which underpins a sweep of ambiance and sampled noise over another brilliant vocal performance by Rose Berlin. Garcia truly turns up the ambiance on this track, weaving thin and slow instrumental sections with larger and more heavier passages of more colourful sounds.

‘Over’ seems to feature the most heavy percussion on the release: the programming with which the band uses is as thick and heavy as ever before. Behind the beats and vocals lies a bizarrely enjoyable sneaking sound of what could be the introductory music to a British detective series, full of rain, shadows and the occasional dash of neon lights. ‘Hours’ seeps all the atmospheric reverb, noise and ambiance into one melting pot of music; creating a dense and somewhat murky soundscape with which the song plays out. Berlin's voice fits well within the context of this kaleidoscopic tornado of sound, proving her graceful voice is a positive point of originality for SPC ECO.

While some elements of 'Under My Skin' (and perhaps SPC ECO themselves) are evident on 'Calm' (think the atmospheric and somewhat trance-inducing instrumentals, as well as the waveringly beautiful vocals), overall it seems the duo have created something somewhat noisier and denser than ever before. Where 'Under My Skin' relied on the atmosphere of each song (which it did very successfully) 'Calm' instead pulls down any filters that Garcia placed over the music previously; opening a flood gate of wall of sound type feedback, and more intricate and involved instrumentals throughout the album. Because of this, 'Calm' is at times more difficult a listen than 'Under My Skin', and while I champion noise, feedback and wall of sound song writing; I can understand why some listeners just may not connect with the album. Similarly, each tracks basic foundation (with some exceptions) is the same: a slow(ish) programmed drum beat plays over soundscapes while Rose Berlin smoothly dances between her upper register and mid-tone, spoken word style sensual vocal deliveries. Thankfully, I can acknowledge and see where the difference between tracks lies, and furthermore how much skill is required to write such music… I just assume some will not. Garcia and Berlin remain as beautifully beguile as ever: some tracks sound as though they should be on film soundtracks, some tracks sound like they should be played in the most warped and harrowing dance club in the world, others just sound completely and utterly mesmerizing in their beauty. Besides, it all really comes down to the artists and the music: a well seasoned and ridiculously talented producer doing what he does best, accompanied by some of his equally talented and interesting friends… And his daughter, who happens to have the kind of pipes that you can play at a demented carnival or a hypnotic lounge-type dinner party. Together they produce a strong, original and commendable album, achieved through programming, production and sound.

4.5/5

LINKS:

spceco.com

facebook.com/Spc.Eco

twitter.com/SPCECO

spceco.bandcamp.com

ABOUT THE AUTHOR:

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.


Flashes- Rzev - Featured Image - (700x700)

EP REVIEW | Flashes - Rzhev

Flashes - Rzhev - Post Image - (300x300)ARTIST: Flashes 

RELEASE: Rzhev

RELEASE DATE: 21st July 2107

RECORD COMPANY: Unsigned

Cornwall based heavy shoegaze quartet 'Flashes' inject driving alt-rock and dreamy melodies into their collective sound as the listener is dragged head long through sonic peaks and troughs filled to the brim with powerful lysergic energy and hazy melancholic reflections. Their latest five track EP entitled 'Rzhev' was released back on the 21st July 2017 and it blew us away here at Primal HQ. It's available to buy/download right now via flashesband.bandcamp.com

A surge of tremulous hook laden guitars permeate the sonic ether as ‘Summation’ slowly enters audible range drenched in a sticky post-rock hued reverberation. Sparse percussion intertwined with the throb of bass frequencies swirl effortlessly around that dreamy, lysergic tinged vocal track as psychedelically charged instrumentation loops and arc’s throughout, churning up stunning, almost incantational sound waves that build into that immense melodic finale. Up next, ‘Paintbrush’ creeps into view stuck fast to a glistening instrumental drone as it’s haunting vocalisations undulate through turbulent clouds of hazy reverb. Driving percussion then enters the arena accompanied by twinkling synth progressions and addictive lead lines that tumble and vie for space within soaring chorus changes as ‘Flashes’ lure us into a false sense of security. Before long the entire piece explodes into a riot of thunderous grunge tinged instrumentation sullied by screaming vocalisations and overdriven guitars.

‘The Upset’ rocks precariously on lines of sequenced electronic percussion and Nine Inch Nails esque vocalisations that builds rapidly, winding themselves up into a coiled sonic behemoth. Atmospheric fret noise and hunting vocalisations pull addictive guitar progressions into the mix doused in reverb, sampled theatrics and melodically charged instrumentation before ‘Obliterator’, the EP’s penultimate piece, swirls and undulates through wavy guitar signatures, atmospheric fret noise, busy percussion and a brilliant vocal line that collectively explodes into a raging wall of turbulent grunge hued noise. The EP closes out with ‘Dream Fuzz’, eleven minutes plus of repetitive percussive electronics, swirling synths, fuzzed out guitars and reverb hued vocalisations that merge brilliantly into an explosive and atmospheric, fuzzed out, alt-rock leaning monster! A fitting end to a rather interesting EP.

4/5

LINKS:

flashesband.bandcamp.com

facebook.com/flashesband

twitter.com/flashesband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Ask For Joy - A Blow And A kiss - Featured Image - (700x700)

EP REVIEW | Ask For Joy - A Blow And A Kiss

Ask For Joy - A Blow And A kiss - Post Image - (300x300)ARTIST: Ask For Joy

RELEASE: A Blow And A Kiss

RELEASE DATE: 10th September 2107

RECORD COMPANY: Unsigned

Texas based Aaron Rossetto aka 'Ask For Joy' has been wowing the underground shoegaze fraternity for quite some time with his fuzzy blissed out musical compositions deftly filled with inspired melancholic subject matter. His ninth release aptly titled 'A Blow And A Kiss' is an immense five track EP that had it's official release back on September 10th 2017. The EP is available to buy/download right now via askforjoy.bandcamp.com

In a haze of shimmering guitar frequencies, ‘Under A Breaking Wave’ washes effervescent swathes of reverberation over this listener and pours ripple after ripple of immense atmospheric sound waves out into the ether. Melancholic vocalisations ride the melodic wall of sound as bubbling bass notes hum and throb alongside repetitive drum patterns and soaring synth swells making ‘Under A Breaking Wave’ a triumphant opening salvo. Up next, ‘Luna’ swirls into audible range tumbling gracefully through layer after layer of blissed out sonic waves as it’s heavenly vocalisations float effortlessly on pulses of sparse percussion and cascading instrumentation. Catchy hook laden chorus progressions pull beautifully intense chord sequences into view, allowing those stunning vocal lines to soar blissfully out into the ether.

The EP’s lead single entitled ‘Corsets’ bounces into ether and quickly unfurls it’s sonic tendrils. It tumbles headlong through layers of shimmering reverb as it’s sparse percussion resonates through the swirl of guitar and the echo of simplistic vocalisations. There’s a subtle hint of post-punk nestling under the surface of this dreamy track as it meanders and arc’s brilliantly along a luscious predestined verse/chorus route before ‘Ask For Joy’ dismisses with the intoxicating haze and allows it to explode into a veritable melting pot of shimmering instrumentation that includes the addition of a brilliant trumpet line making this track my favourite on the entire release. ‘Deep Into The Night’, the EP’s penultimate piece, explodes into a kaleidoscope of colourful sound waves before driving into the ether on a thunderous percussive pattern intertwined with swirling guitars. Throbbing bass frequencies add a lysergic kind of atmosphere that envelopes an impressive vocal take as cascading synth progressions tumble and fall through masses of reverb and a hazy wall of melodic guitars. ‘Rebirth’ closes proceedings swirling gracefully through dreamy sonic incantations filled with glistening synth swells and addictive guitar progressions. Repetitive drum patterns hold everything together spectacularly as those totally addictive vocalisations pull you in with them as they begin a spiralling journey of luscious sonic discovery. A brilliant ending to a wonderful EP.

4/5

LINKS:

askforjoy.com

bandcamp.com/askforjoy

twitter.com/askforjoy

facebook.com/AskForJoy

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


When The Sun Hits - Immersed Within Your Eyes - Featured Image - (700x700)

EP REVIEW | When The Sun Hits - Immersed Within Your Eyes

When The Sun Hits - Immersed Within Your Eyes - Post image - (300x300)ARTIST: When The Sun Hits

RELEASE: Immersed Within Your Eyes

RELEASE DATE: 22nd September 2017

RECORD COMPANY: Saint Marie Records

Nottingham based 'When The Sun Hits' unleash their debut six track EP entitled 'Immersed Within Your Eyes' to the masses on September 2snd 2017 via the good people over at 'Saint Marie Records'. With a great name and a deeply melodic sound that echoes through swathes of luscious reverb and delay, 'When The Sun Hits' write catchy hook laden soundscapes that both mesmerise and amaze all at once. The EP gets it's full release on various formats over the next few weeks with all information available via saintmarierecords.com

A meandering sonic drone ushers in track one ‘The Last Light’ as ethereal fret noise swirls through the ether underscored brilliantly by the repetitive hit of percussion and the surge of swirling reverb hued guitars. Floating vocalisations ride a wave of glistening sound waves that loop and arc throughout, adding another layer of intense frequencies into the already burgeoning mix thus allowing this track to have a melodic way point to focus on deep within the massive wall of noise. Up next, ‘Lie To Me’ ambles into audible range on a wave of tremulous guitars and a melodic hum of cascading bass frequencies. Yearning vocal lines add atmosphere as the track builds and builds into a thunderous chorus break filled with incredible swathes of reverb and skittish percussion.

80’s inspired sequenced synth lines announce the opening salvos of the instrumentally inclined ‘Twilight’. They build in intensity adding reams of ambient melody before buffering into obscurity and allowing a beautiful guitar progression to fill the sound space as my favourite track on the entire release 'Stereopium' unfurls it’s sonic tendrils and envelopes another stunning vocal take. Atmospheric synth swells bubble from far below melding effortlessly with that repetitive guitar progression, the steadying drum pattern and the brilliant production values. The EP’s penultimate piece entitled ‘Lovedead Town’ charges into the ether on explosive percussion and turbulent reverberation. Beautiful vocalisations take centre court here as raging guitars intertwine with the throb of bass and subtle hint of synth to collectively tumble into a maelstrom of beautiful noise and as the chorus break kicks it drags this listener with it into swirling cacophony of blissed out sound. The EP closes out with a slice of swriling instrumental shoegaze. ‘Coopers Secret’ rides a wave of instrumental noise that loops and arcs through swathes of shimmering reverberation. An ambient inspired ending to a rather interesting EP.

4/5

LINKS:

saintmarierecords.com

facebook.com/whenthesunhitsmusic

whenthesunhits.com

twitter.com/wtshband

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Close Encounters - First Light - Featured Image - (700x700)

EP REVIEW | Close Encounter - First Light

Close Encounters - First Light - Post Image - (300x300)ARTIST: Close Encounter

RELEASE: First Light

RELEASE DATE:12th July 2017

RECORD COMPANY: Look Up Records

Smooth smooth smooth are the guitar tinkerings, strums and jazzy drums at the beginning of Seattle based dream-gaze band 'Close Encounter'. Their debut EP entitled 'First Light' is influenced and inspired by pysch-rock just as much as it is influenced and inspired by shoegaze, dream-pop and alt-rock. Across the EP, the band utilize the much more layed back and ‘soft-rock’ side of dream-pop and smooth trip-hop-esque soundscapes, equating to a relaxing and pleasant listening experience that is to often forfeited by other artists under the belief it tampers with ‘high artistry’. The band are made up of Bill Darksoft, Bobby Sydney, Cameron Lambert & Matt Conlen. 'First Light' is available to buy/download right now on various formats from closeencounterband.bandcamp.com

'First Light' begins with ‘Lumina’, soft jazz-like drumming plays over the top of soothing guitar tinkering and the backing strum of another reverbed guitar. The vocals, when introduced, are as laidback as the music; creating a communal sense of freedom and loose-ness in the music. Altogether, it conjures into a beautiful and whimsically intelligent soft rock, dreamy ballad-ish tune… Only to be eclipsed by the track that follows it. That track is ‘Fade Away’ which instrumentally presents itself much more upbeat, and whose guitar passages are more weaving and involved than on ‘Lumina’. Lyrically, things seem as day-dreamy and soothing as ever, with a darker undertone of questioning the concept of wandering through things. It is too often easy for dream pop tracks to appear nostalgic and contemplative in their presentation of beauty and warmth, but 'Close Encounter' manages to capture that mood with a more interesting and engaging form of song writing. ‘See The Sun’ turns down the reverb and instead goes for a more alt-rock feel: while the drums pad away in the background, forming the structure of the song, a keyboard plays a fantastically catchy line of music before the band dive into a jangle pop inflused type of dream pop. Although there are exceptions, the lyrics on ‘See The Sun’ are somewhat weaker and sound more throw-away compared to on previous tracks. The second half of the track turns into more pysch-rock territory, maintaing the aforementioned upbeat feel.

Things stay as mellow ever on ‘Reappear’, an EP highlight complete with soaring vocals and melodic drumming. The song is also backed with what sounds like the ooze and breeze of a synthesizer, adding a whole other dimension to the track. If the previous tracks on First Light could be played at the beach while the sun set, ‘Reappear’ would be an applicable track to play on your way back from the beach; the cars roof recedes, the sun sets, hair flows; a kind of nostalgia-laced relief blows in the wind. ‘Tuff Time’ slows down things to a speed akin to the opener ‘Lumina’, drifting on the back of a neat bouncing cymbal performance by the drums and the distant strumminngs of the guitars. A small but extremely pleasurable solo sneaks its way into the song somehow as well. One of the only songs that sounds like a true album filler, or perhaps a B-Side kind of track, is the song ‘Halo’. While attempting to touch upon more slowed down psych elements explored previously on the EP, the band become background music in the most bland way, rendering the track less impressive than some of the other engaging yet relaxed gems on the EP. ‘Channels’ turns things more to an indie rock spectrum, and while crafting a nice and rhythmic tune, it sort of recedes into the background of the EP as a whole.

'First Light' has many beautiful and enjoyable qualities about it. And much in the same way as 'Pastel Coasts' music does, the thematic elements of deep and care-free yearning seem to loom around the bands music (in a good way.) There is an easy way to put it: this is beautiful music… And while the EPs second side becomes lacklustre at times in comparison to the first, it nevertheless shows a band that are well versed in crafting a tune, painting a picture and performing admirably together. These things are achieved swiftly through production, performance and sound.

4/5

LINKS:

closeencounterband.bandcamp.com

closeencounter.band

ABOUT THE AUTHOR:

Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.


A Thousand Hours - Sleep - Featured Image - (700x700)

ALBUM REVIEW | A Thousand Hours - Sleep

A Thousand Hours - Sleep - Post Image - (300x300)ARTIST: A Thousand Hours

RELEASE: Sleep

RELEASE DATE: 22nd July 2017

RECORD COMPANY: Vesper Records

Alaskan based shoegaze/post-punk aficionado Red Collier aka 'A Thousand Hours' released his latest ten track sonic opus entitled 'Sleep' to the waiting public back on the 22nd July 2017. 'Sleep' is the highly anticipated follow up to January 2017's insanely good 'Endless Grey' and was mainly written and composed by Collier himself with the addition of Demi Haynes on a few tracks, backing vocals by Nadi Mack and additional arrangements, synths and drums by Saad Khan. The album was released via Vesper Records and is abvailable to buy/download right now from onethousandhours.bandcamp.com

The album's opening track begins very brightly indeed before quickly nosediving into a mix match of genres. ‘Shipwreck’ is an EMO filled slice of alt-rock, infused sporadically with dreamy garnishes of melodic instrumentation and very precise guitar work; sufficed to say that I can't get my head around bands covering all angles generically and it seems to be the in-thing with most bands in this scene nowadays, a tactic used not only to keep the same circle of inner scenesters happy but more often than not deployed for PR purposes to catch the ears of as many blogs, online radio fanboy podcasts and webzines as is feasibly possible. As opening tracks go however (and I have to be brutally honest here), ‘Shipwreck’ unfortunately doesn't float my boat one bit and reminds me of those god awful mind numbing naughties era bands like ‘Paramore’ or ‘Dashboard Confessional’ although it’s one saving grace is it’s powerful vocal track. Up next ‘Christine’ shimmers on waves of ethereal joy as ‘A Thousand Hours’ redeem themselves ten fold. This track glistens on beautifully intense frequencies as it’s tumbling dual vocal lines swirl beautifully in an effervescent hue. Trembling guitar progressions ebb and flow effortlessly on subtle lines of synth and sequenced percussion, resonating brilliantly through sticky clouds of reverb all the while accompanied by some stellar music production whilst 'A Stillness In The Moment' is a mesmerising snap shot of late 80’s ‘Cocteau Twins’ with it’s post-punk inspired percussive attack and those beautifully intense vocals intertwined with soaring synth swells and the twang of tremulous guitar. Simply breathtaking. ‘Bleach’ ambles into the ether on a simmering cloud of droning instrumentation and jangling reverb hued guitar progressions. Sporadic percussion adds a heavy atmosphere allowing that stunning wall of vocal tracks to penetrate the gloom and drench this listeners ears in glorious sonic joy. ‘Bleach’ is another triumph on an increasingly impressive collection of tracks.

Up next, ‘The Understudy’ is instrumentally reminiscent of those seminal early 90’s stalwarts ‘Cranes’ with it’s experimental piano stabs precariously positioned on soaring lines of synth and echoing reverberation. It’s vocal lines are subdued and melancholic, weighed down by sequenced percussion and it’s dark ambient atmosphere whilst ‘Sleep Of Angels’ screams of ‘Siouxie Sioux’ with it’s breathtaking vocalisations, the thrum of bass and the deep punch of percussion intertwined with cascading synth and those swirling guitars. ‘Clutch’ soars into audible range on hazy lines of synth used primarily to drive those impressive vocals. Sparse experimental percussion clunks and bangs under the mix like some unheard track lifted from the recording sessions of ‘Massive Attacks’ masterpiece ‘Mezzanine’ as those heavy lines of synth loop and arc through catchy hook laden instrumental progressions, collectively streamlined into an impressively dreamy ambient hued behemoth. The albums penultimate piece entitled ‘It’s Rumoured’ is simply divine. Shimmering vocals absolutely drenched in reverb fizz through luscious synth progressions and jangling guitar signatures as those slow metronomic drum patterns keep a well grounded bedrock of frequencies churning underfoot. The addictive sequences of cascading keyboard keep this listener interested as they lead us to the tracks finale and on into a decent cover version of ‘Crushed’ by the fantastic ‘Cocteau Twins’. I'm not one for cover versions appearing on albums so I’ll let this one slide. You can make up your own mind on it though by listening to the album in full.

In closing, ‘Sleep’ will take a few listens before the penny drops and you realise just how good it actually is. It’s god awful beginnings eventually flower into a blossoming procession of impressive tracks that fit neatly into one another and leave a lasting imprint on the listener. Will it be in any ‘end of year’ lists? Only time will tell, but ‘A Thousand Hours’ have definitely placed themselves on the right path sonically. They just have to avoid those 90’s EMO comparisons!

4/5

LINKS:

onethousandhours.bandcamp.com

facebook.com/axthousandxhoursx/

twitter.com/xThousandHours

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Fuss - Fuss - Featured Image - (500x500)

EP REVIEW | Fuss - Fuss

ARTIST: Fuss

RELEASE: Fuss

RELEASE DATE: 1st September 2017

RECORD COMPANY: Modernsky UK

Liverpool based psych-pop aficionados 'Fuss' release their sublime debut self-titled four track EP on vinyl via Modernsky UK on September 1st 2017 just in time for their appearance at 'Liverpool's International Festival Of Psychedelia' on the 22nd September. The band are made up of David Baddeley, Tony Dixon, Karl Byrne, Bobby Reardon & Cormac Gould and they've previously shared the live stage with some serious sonic heavyweights such as the fantastic Psychic Ills, Ulrika Spacek and The Vryll Society. The 'Fuss' EP is available on lovely vinyl via Modernsky UK and digitally over on iTunes and Spotify. 

Jangling melody driven guitars intertwine with swirling synth lines and throbbing bass progressions as 'Fluff' unfurls it's sticky sonic tendrils and washes this listener in simmering reverberations. Addictive vocalisations float into the ether held fast to sticky instrumentation, rocking slowly on a bedrock of steadying percussion and lysergic vibrations that build effortlessly into a kaleidoscope of sonic colour. Up next, 'Human Music' fills the ether with sparking guitar riffs, cascading bass lines and slow metronomic drumming as fizzing electronics and bubbling synths envelope another impressive vocal take. Lead guitars loop and arc in and out of catchy hook laden chorus progressions that float and undulate on magical psychedelically charged sonic frequencies.

'Life Forming' bubbles on a slow moving bass line as subtle organ stabs shimmer beneath the surface allowing the tinkering guitars to dance and move along that addictive drum pattern. Laid back vocals lead the listener on a sonic journey, keeping them focused on meandering guitar hooks and shimmering lead lines that circumnavigate the entire piece brilliantly. Thoroughly enjoyable, 'Life Forming' is my favourite track on the entire release. The EP closes out with it's lead single. 'Coma' enters audible range on a swirling guitar riff and simmering sampled vocalisations before exploding into a cacophony of instrumentation. It's fizzing synth lines hold court, strapped to a busy percussive pattern and the throb of magnificent bass frequencies as swirling psych induced guitars lick and whip those impressive vocal lines to within an inch of their life. 'Coma' is an absolutely absorbing piece of music and a fitting end to a marvellous debut EP. Definitely ones to watch going forward!

5/5

LINKS:

facebook.com/fussband

twitter.com/fussband

soundcloud.com

modernsky.uk

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)

Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.


Retrieval - Sleep Cycle - Featured Image - (700x700)

ALBUM REVIEW | Retrieval - Sleep Cycle

Retrieval - Sleep Cycle - Post image - (300x300)ARTIST: Retrieval

RELEASE: Sleep Cycle

RELEASE DATE: 21st July 2017

RECORD COMPANY: Unsigned

Tunisian based shimmering dream-gaze duo 'Retrieval' unleashed their latest album entitled 'Sleep Cycle' to the masses back on the 21st July 2017 and as far as we're concerned this instantly catapulted them into the 'Best Of 2017' category in the process. Their previous incarnation stood firmly in indie rock territory but boy are we glad that they decided to step outside that generic melting pot and turn their attention to pastures new. Their collective sound now swirls effortlessly through hazy 90's era shoegaze but is definitely underscored with modern instrumentation & production techniques that lifts their sonic footprint to new heights. The band are made up of Omar Chouikha - vocals/guitar/drums/ synths & Tima Savchenko - vocals/guitar/bass/synths and 'Sleep Cycle' is available to buy/download right now via retrieval.bandcamp.com

The albums opener bounds into the sonic arena in a rush of percussion and hazy reverberation. ‘Away’ soars through the ether on waves of turbulent guitar and throbbing bass frequencies, deftly circumnavigating impressive dual vocalisations. Up next, my favourite track, ‘Sleep Cycle’ screams into audible range with it’s soaring guitar signatures enveloping fragile vocalisations as it’s steady almost metronomic drum patterns keep everything strapped down. Intricate chord structures make way for catchy hook laden chorus changes allowing haunting vocal tracks to shimmer and undulate through layers of mesmerising production whilst ‘Calling’ floats effortlessly on a slow melodic frequency laden guitar progression accompanied by those stunning vocal tracks and an explosive percussive swagger. ‘Waves’ opening bars tremble on crisp acoustic frequencies before the track explodes into a melee of hazy instrumentation that is absolutely drenched in stunning reverb. Slow and ambling drum patterns guide this soundscape through meandering psychedelic impressions as it’s ghost like vocalisations float along in close proximity, rising and falling with every single chord change wrapped in luscious lines of lead guitar and the constant twang of acoustic vibrations.

‘Costal Life’ swirls into earshot on atmospheric samples, subtle fret noise and wavy instrumentation before ‘Bones’ erupts into a cloud of fuzzy splendour as it’s lumbering vocal tracks cut a v-shaped wedge into a massive wall of beautiful noise. Lead guitars wail as bass frequencies throb, collectively rocking on a bedrock of heady noise, synth and precision drum tracking. Up next, ‘In The Frame’ is a noisy modern day shoegazing beast with powerful guitars and post-metal like vocal tracks whilst ‘Shut Down’ loops and arcs through massive swathes of stunning reverb as it’s wispy vocalisations magically intertwine with bass frequencies, soaring lead guitar, bubbling synth swells and beautifully atmospheric production. The albums penultimate piece entitled ‘Luna’ is steeped in an ambient hue with subtle sonic reflections that swirl momentarily through layers of tumbling psychedelia before noisy guitars, plodding bass progressions and pounding hi-hat heavy percussion take over, dragging the track kicking and screaming into a melding of post-rock or post-metal with a dollop of soaring shoegaze for good measure. It’s all very confusing instrumentally but deeply satisfying all the same. The album closes out with ‘Lessons’, a droning malicious entity filled with noisy guitars and overfed pedal boards. Melodic vocal lines twist themselves around fuzz filled frequencies as hazy production swallows up any chord changes crazy enough to pop their head over the sonic parapet. Again there is a definite post-rock edge to this track as it undulates through the ether on an atmospheric and percussion-less voyage. A fitting end to a rather interesting album.

4/5

LINKS:

facebook.com/Retrievaltn/

retrieval.bandcamp.com

soundcloud.com/retrievaltn

ABOUT THE AUTHOR:

Del Chaney - (Author Photo)
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing  writer for The Sound Of Confusion (Now On Hiatus). His other arm  - Primal Radio -  has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.

Ask For Joy - Corsets - Featured Image - (700x700)

NEW SINGLE PREMIERE | Ask For Joy - Corsets

Sublime Austin based dream-gaze aficionado Aaron Rossetto aka 'Ask For Joy' has unleashed a stunning new single entitled 'Corsets' lifted off his forthcoming five track EP 'A Blow And A Kiss' penned in for release on the 10th September 2017. For those of you who are new to his music, Aaron has an uncanny ability of creating musical standards that swim in lush, shimmering & dreamy reverb that wraps itself effortlessly around the exoskeleton of every single track that he writes, leaving every one of his listeners blown away with the final results. 'Corsets' is available to buy/download right now via askforjoy.bandcamp.com

'Corsets' unfurls it's sonic tendrils tumbling through layers of shimmering reverb as sparse percussion resonates through the swirl of guitar and the echo of a simplistic vocal line. There's a hint of post-punk bubbling under the surface of this dreamy track as it meanders and arc's brilliantly along a luscious predestined verse/chorus route before 'Ask For Joy' dismisses the haze and explodes into a blistering melting pot of shimmering instrumentation including the addition of a trumpet line that fits into this piece effortlessly. This track  is impressive, the sonic experimentation on it is most definitely inspired ... roll on the full EP!

Recommended!

LINKS: 

askforjoy.com

bandcamp.com/askforjoy

twitter.com/askforjoy

facebook.com/AskForJoy