ARTIST: Singapore Sling
RELEASE: Psych Fuck
RELEASE DATE: 30th November 2015
RECORD COMPANY: Fuzz Club Records
Formed in Reykjavik back in 2000, persuasive psychedelic explorers Singapore Sling have spent 16 years creating impressive ripples within the sonic ether. Their influential brand of experimental fuzzy psychedelic rock has touched nearly every fabric of this modern day underground psych scene and their sound continues to inspire up and coming young talent with its swirling infectious, heaving soundscapes. ‘Psych Fuck’, the bands eight release to date via the immense UK based Fuzz Club Records was unleashed back in November 2015. This twelve track monolith of immense proportions is stunningly sublime from start to finish.
The opening track ‘Dive In’ is a dark chunk of infectious psych rock. Its shuffling drum patterns, driving guitars and that highly addictive duel vocal attack will floor you. The track shifts through its sonic gears with ease, building into an intense swirling whirlwind of beautiful hypnotic noise as it goes. Track two ‘Let It Roll, Let It Rise’ heaves and trips through its musical progressions with ease, reminiscent at times of early ‘Jesus And Mary Chain’ but with an injection of 60’s surf psych. Those dark, repetitive jangling guitars, impressive drum sequences and that insanely addictive tambourine seems to protectively circumnavigate the vocal lines thus keeping them held in a sonic stasis! Up next ‘ÆJL’ is a fuzzy melodic ball of noise and reverb that just makes sense whilst ‘Na Na Now’ is a slice of 60’s psych goodness with its shimmering tambourines, repetitive drums, jangling reverberating guitar progressions and those highly addictive vocals. ‘Try’ is a distorted, dark, crawling soundscape with a hypnotic guitar line that grabs you by the throat and makes you listen intently to it while ‘The Underground’ is a serine slice of electronic drums, throbbing bass frequencies & infectious vocals that are all intertwined with that melodically creepy guitar line (think country psych, if thats even a musical genre?).
Track seven ‘Dying Alive’ stalks into audible range on a wavy bed of sequenced electronic drums, awkward synth stabs and sampled voices before building to a sublime cacophony of sonic sound waves. ‘Give Me Some Other’ is a throbbing, repetitive, psychedelic beast whilst track nine ‘Glitter’ shimmers and rotates on its sonic axis as it works itself out of a coiled state to unleash a sublime slice of 60’s infused psych rock. ‘Astonaut’ shakes and shudders as it rumbles through its psych tendencies until we’re introduced to the mellow opening tones of ‘Shithole Town’ and those reverb laden guitars, delayed vocals & electronic drum patterns brilliantly reminiscent of The Velvet Underground.
The albums closing track ‘The Shadow Of Foronicity’ is a glitchy affair, full of distorted frequencies that swirl around the droning vocal line, stunning organ progression and that shuffling percussion track. A fitting end to a fantastic album.
Recommended listening from a new fan!
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish based electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.