ARTIST: Children Of Leir
RELEASE: Children of Leir (3rd Album)
RELEASE DATE: 5th September 2016
RECORD COMPANY: Unsigned
Following on from their impressive single release entitled ‘Shades’ back in July, Hamburg/London based experimental psych/drone aficionados ‘Children of Leir’ have self-released their magnificent third album to the masses. The bands sound melds together repetitious motorik percussive patterns with swirling synth drones, snaking hypnotic guitar progressions and intense vocal lines to collectively create a musical melting pot of acid drenched sonic reverberations that will enthral both new and old listeners alike. The ‘Children Of Leir (3rd Album)’ is available to buy/download on various formats right now from childrenofleir.bandcamp.com
On a cacophony of synth drones and a thunderous percussive assault the albums opener ‘Bad Little Woman’ erupts into ear shot dragging with it a growling meandering guitar line steeped in swathes of glorious reverberation. The track shifts gears as the metronomic drum pattern takes off at marching pace, all the while haunted by swirling synth swells and the ever present lead guitar line. Vocally sublime and utterly addictive ‘Bad Little Woman’ is a stunning opening salvo! Track two begins with a menacing synth drone thats pierced with beautiful frequency laden melody. ‘Questions’ builds momentum as it ploughs a sonic furrow through proceedings, opening the door for a repetitive drum beat coupled with layers of reverb laden guitars. The vocals are melodious & hauntingly fuzzy, but broken intermittently at times by the snaking lead guitar line that seems to circumnavigate the entire track, pulling the remaining instrumentation with it as if some unseen sonic gravitational pull is at play. ‘Questions’ is nine minutes plus of magnificent psychedelic experimentation and is probably my favourite track on the entire release. You really need to listen to it via headphones to experience its sonic intensity in glorious technicolour.
Tremulous guitars announce the arrival of track three, the overtly 60’s sounding ‘Hate’. This is two minutes plus of charging experimental 60’s psych pop thats full of swirling organ swells and hypnotically charged vocal lines purposefully arranged to attack the senses and wash a glorious golden tinge onto its listeners. The albums lead single arrives next on a wave of fuzzy frequencies. ‘Shades’ is a dark fuzzy ball of glistening sonic energy that drones as it skips along its designated path, deliciously perched upon a skittish bed of motorik-driven percussive patterns. The swirling mass of reverberating noise carefully circumnavigates that addictive duel vocal attack as those organ crescendo’s tease and the hypnotically charged instrumentation instils both giddying excitement & atmospheric trepidation all at once.
The albums penultimate track entitled ‘Young Man’ shakes into existence on a meandering drone and an addictive vocal line. Reminiscent at times to seminal UK experimental psychonauts ‘Spacemen 3’, ‘Young Man’ purrs like a well serviced engine as you become transfixed on its sparse percussive tempo, swirling psychedelic synth swells and atmospheric guitars that add weight to the over all hypnotic swing that the track produces. A thoroughly enjoyable and deliciously addictive soundscape from start to finish. The albums closing piece entitled ‘Sirene’ is a triumphant maelstrom of sonic noise with its driving repetitive motorik percussive patterns, layered guitars, soaring drones and reverb laden sequenced synth progressions. The vocals sit atop a chariot of beautiful noise like some sonic god wading into an epic battle where musical frequencies bend and shape themselves at will allowing it to cut a sonic furrow through the entire track. This is a masterpiece. In my opinion ‘Sirene’ should be the next single as it can hold its own with some of the best experimental psych tracks currently gracing the underground scene today.
A monumental return to form! Recommended.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years not only fronting popular experimental Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.