ARTIST: Moon Loves Honey
RELEASE: You Drift Away From Me
RELEASE DATE: 17th April 2018
RECORD COMPANY: Unsigned
Danish based dream-gazers ‘Moon Loves Honey’ have just self-released their debut nine track long player entitled 'You Drift Away From Me', the follow up to their stunning 2016 self-released debut EP 'Apart'. Their collective sound comprises of a hazy mix of melodic dream-pop deftly underscored with intricate indie-pop sensibilities, subtle C86 influences and blissfully layered shoegaze. Initially the brainchild of solo multi-instrumentalist Jeppe Dengsø, 'Moon Loves Honey' functions in the studio primarily as a one man band with various players and friends helping out on live duties when required. Jeppe Dengsø played most of the instruments on this album himself except; drums on tracks 1, 6, 7, 8 and 9 by Ludvig Kastberg & backing vocals on tracks 7 and 8 by Stine Drejer. 'You Drift Away From Me' was officially released back on the 17th April 2018 and is available to buy/download right now on various formats including lovely limited availability 12" vinyl via moonloveshoney.bandcamp.com
You Drift Away From Me by Moon Loves Honey
Beautifully translucent progressions announce the arrival of ‘To Be Without You’, the opening piece on this magnificent selection of tracks. Frequencies shimmer and flow through layers of stunning reverberation and the twinkle of synth as it’s melodic vocalisations arrive and instantaneously wash this listener in a wave of blissed out dream-pop interspersed by a glorious C86 haze. The constant pulse of synth, that slow & repetitive bedrock of percussion and those catchy chord structures are lusciously addictive whilst the bubble of cascading bass frequencies are also joy to hear. It’s a very strong opening salvo indeed. Up next, ‘Lonely Day’ fizzes into life straddling a lo-fi percussive swagger as swirling synth and jangling guitars take centre stage, both tumbling gracefully through the pitter patter of reverb and those catchy percussive fills. Instant melody fills the senses as lines of vocal arrive meandering in and out of catchy lines of keyboard with ease allowing the track to breathe. ‘Lonely Day’ leans a little bit into indie-pop territory although there are brilliant passages of dreaminess that simmer just below the mix.
‘You Drift Away From Me’ begins with some lo-fi percussive trickery before opening up into a wall of blissed out instrumentation absolutely drenched in swathes of sticky reverb. It swerves into the ether rocking brilliantly on a repetitive drum pattern as soaring lines of synth ride bouncing bass frequencies and hazy progressions of guitar. It’s verse parts are captivating as the collective instrumentation within envelops another impressive vocal performance and carefully guides us into that massive chord change and on out into the huge verses. ‘You Drift Away From Me’ is endearingly sublime and a definite highlight for me on this release. Up next, ‘Im Falling Out Of Love With You Baby’ swoons gracefully on shimmering lines of synth as ‘Moon Loves Honey’ dive headlong into a dreamy indie-pop haze once more. Riding a catchy drum sequence, this track has some fantastic highs but leans a bit too much into pop for me to comment on. Although those gorgeous chorus changes do introduce us to some fantastic vocal harmonies. The instrumentally aligned and ambient leaning ‘Blâ’ is simply captivating. It inspires images of frost laden landscapes and huge star filled skies whilst ‘Is It Just A Dream’ connects effortlessly as surging synths and pounding percussion unleashes the bands shoegaze side. Soaring guitars ride tempestuous layers of reverb as they accompany stunning lines of vocal out into the sonic ether. Those cascading bass lines are brilliant and they merge meandering lead lines, intricate melodies and some fantastic production. ‘Is It Just A Dream’ is a triumph and possibly my favourite track on this entire release.
‘Before I Crash’ begins with a single atmospherically repetitive synth line that quickly builds into a melee of beautifully layered sonic frequencies. This track explodes with melody as it’s soaring guitars, driving percussion and cascading lines of synth loop and arc throughout, deftly circumnavigating those blissfully ethereal, light and airy vocalisations. The albums penultimate piece comes in the form of ‘Should Have Waited’. A beautifully entrancing keyboard line pulses on a wave of reverb and it instils a kind of calmness over proceedings before this track explodes into a cloud of kaleidoscopic sonic waves and washes over the listener completely. Dual vocalisations filled with pockets of harmony swirl and ebb alongside shimmering guitars and busy percussion as the throb of addictive bass frequencies glide alongside glorious lines of lead guitar and the constant twinkle of synth. The instrumentation on this track is excellent and it crashes against layers of glistening reverberation with ease allowing those vocals to breathe gracefully. ‘Should Have Waited’ is another album highlight for me. The album closes out with the ambient stylings of ‘Replaced’. Coming in at a whopping ten minutes long this track falls headlong into a pool of swirling reverb as Jeppe Dengsø injects different layers filled with the beautiful melodics of C86, dream-pop, the subtle haziness of shoegaze and lashings of alternative atmospherics. There are highs, lows and some little psychedelic flourishes here also that bubble up from time to time and I can’t help but feel that this track was written to highlight a relationship breaking down or some lost love or other. Either way, it’s an absolutely magnificent ending to a wonderful debut album.
ABOUT THE AUTHOR:
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream-pop, postpunk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: East / West
RELEASE DATE: March 15th 2018
RECORD COMPANY: Buh Records / Recoop
Hailing from Ecuador, 'Sexores' have been major players on the underground music scene for quite some time. With various releases spanning over eight years the band have continuously evolved and continuously shed their sonic exo-skeleton to bring us some of the most incredible selections of music to ever have graced todays independent music scene. Their influences are wide ranging and span a multitude of music genres with relative ease. From electronic dream-pop to dark atmospheric shoegaze, modern psych rock to new wave and synth-pop to retro-wave, 'Sexores' continue to amaze with each evolving release. Now the band have returned with a massive double album entitled 'East / West', a collection of tracks that touches on many of the afore mentioned music genres whilst continuing to remain a standalone beacon of hope in this muggy and overly diluted modern underground scene. Split into two parts, 'East / West' opens with eight unabashed cuts of what are primarily synth-pop tunes touched with undercurrents of dream-pop, subtle atmospheric shoegaze and bubbling new wave whilst part two is a journey into sonic experimentalism that touches on dark psychedelics, menacing electronics and synth driven sonic futurism. 'East / West' is carefully balanced on knife edge and takes several listens before the listener finally realises just what 'Sexores' are trying to achieve. It's an album of evolutionary change by a band who are in a constant flux with music. 'East / West' was produced by Daniel Pasquel & co-produced by Sexores. It was officially released back on March 15th 2018 via 'Buh Records' & 'Recoop Records' respectively and is available to buy/download on various formats right now via sexores.bandcamp.com
East / West by Sexores
The albums a-side opens up swirling into luscious synth-pop territory as ‘Bluish Lovers’ shimmers and dances through bounding electronic percussion and the constant whoosh of synth. Twinkling layers of reverb stick to fizzing electronics and balance precariously on top of those deep penetrating bass frequencies as wonderfully blissful vocalisations are pulled along with the collective instrumentation. It’s a marvellous opening salvo. Up next, ‘The City That Sorrow Built’ pulses into audible range lurching on a massive metronomic themed percussive assault as tumbling progressions of synth carefully cushion another beautiful vocal performance. Catchy lines of cascading synth meld brilliantly with tricky electronic sequences to highlight changes in progression thus allowing the vocals to soar skywards whilst ‘When I’m In Your Eyes’ is the clearest sign thus far that ‘Sexores’ have evolving their sound. It’s sequenced percussion and swirling electronics are at times nauseating but it has definite plus points too as it’s subtle undercurrents of dark-wave and those brilliantly executed vocal lines help to raise it’s profile immensely.
‘Tropical Nest’ is a blissed out slice of endearing electronic dream-pop filled to the brim with shimmering instrumentation and magically overpowering chord changes that both captivate and mesmerise all at once whilst the opening bars of ‘Underneath’ are steeped in melancholy before those wonderfully deep piano stabs give way to bouncing 80’s themed dreamy electronica and those catchy chorus changes soar skywards strapped to twinkling lines of repetitive synth. ‘Evil Drivers’ delivers another slice of synth-pop as big bass heavy frequencies meld with soaring lines of synth and the repetitive tap of sequenced percussion to deliver that absolutely immense vocal line whilst ‘Berlin’ leans into a more industrial feel with it’s pulsing bass frequencies, floating lines of synth and the metronomic tap of percussion. There’s an in your face rawness to the accompanying vocal line that helps it to sit perfectly in amongst the repetitiveness of the instrumentation here and that helps to keep things very interesting indeed. ‘Rigel’ is absolutely huge in scope. It’s massive lines of instrumentation pummel the senses as those dreamy vocal lines intertwine with sequenced electronics and the ever constant pitter patter of reverb hued synth. It’s a wonderful track and a definite highlight for me on this release.
‘The Great Blue Hole’ erupts into a swirling instrumental cloud of synth and reverb as subtle twinkles of electronics bubble to the surface and meld with hushed vocalisations. Massive chord changes usher in a dark kind of atmosphere as we tumble through layers of hazy production drenched in swathes of sticky reverberation and we float effortlessly through clouds of frequency laced brilliance. The next two tracks are utterly mesmerising. The opening salvos of ‘Dazed’ are big and brash sounding. Droning synths and brilliant production values hog the limelight here as Sexores turn their sound on it’s head once again and inject some dark experimental psych into proceedings whilst ‘#nsfk’ is totally atmospheric in it’s approach. Dark penetrating drones twist and morph into something altogether menacing as subtle samples and fizzing electronics whip and arc through layers of deep black reverberations.
We float into the albums distinctly atmospheric b-side with the brilliantly cinematic ‘Neon Hearts’. Sounding like it belongs on a 70’s sci-fi soundtrack, ‘Neon Hearts’ swirls and flows with ease alongside soaring layers of synth and majestically executed lines of twinkling keyboard and those huge chord sequences reminiscent at times to those early electronic pioneers like Vangelis or Jean-Michel Jarre whilst ‘6th Floor’ is a mass of pulsing synths, frequential sequences and pre-destined electronics. ‘Tibidabo’ is beautifully atmospheric in it’s approach. Surging lines of synth accompany cascading electronics and subtle vocal samples into a melee of reverberation and catchy production until we’re introduced to the albums penultimate piece. Swirling electronic drones buffer and fizz as ‘Luna’ unfurls its sonic tendrils and reaches out to engulf the listener in a haze of glitchy synth and dark atmospherics. This menacing track builds like a steam train, is absolutely sublime and definitely worthy of your ears. ‘East/West’ closes out with ‘This Is Not My Way Home’, a punishing slice of sonic experimentation. Menacing electronic drones meld with dark sonic manifestations to bring us something altogether animalistic in stature and closes out an exceptional album of deep sonic experimentalism. ‘East/West’ is most definitely an album of two opposing sonic halves but totally captivating none the less.
ABOUT THE AUTHOR:
ARTIST: the Autumn Sighs
RELEASE DATE: 10th February 2018
RECORD COMPANY: Dreams Never End Records
Immense German-based trio 'The Autumn Sighs' have returned with a stunning brand new five track release entitled 'Green' the follow up to their mesmerising 2016 released EP 'Branches'. With a sound that meanders gracefully through melodious and dreamy swathes of blissful dream-pop infused shoegaze coupled with soaring chorus progressions, thunderous drum patterns and addictively hazy instrumentation, 'The Autumn Sighs' have released what is quite possibly one of our favourite EP's of 2018 so far. The band are made up of Katha - guitars/vocals, Ulrik - guitars/effects/ebow, Denis - drums and Florian Malicke appearing on bass for this release. The 'Green' EP was officially released back on February 10th 2018 via 'Dreams Never End Records' and is available to buy/download on various formats including lovely 12' vinyl right now from both dreamsneverend.bandcamp.com & theautumnsighs.bandcamp.com respectively.
green by The Autumn Sighs
In a swirling haze of instrumental drones, hushed progressions and layered reverberations the dreamy opening tones of ‘Intro’ wash shimmering frequencies out into the sonic ether. This wall of blissful noise accommodates haunting vocalisations that swoop and arc throughout as repetitive progressions of guitar billow and swirl at will. Up next, ‘Green’ twinkles and purrs as it’s jangling guitars pull beautifully entrancing progressions out into audible range. ‘The Autumn Sighs’ channel their inner Slowdive here as those immense vocal lines ride the waves of pulsing reverb and that instantaneous injection of noisier guitars. Rumbling percussion bubbles up from below the mix as the throb of enticing bass frequencies lull you into a blissfully hazy dream state and you guided into that huge wall of beautiful noise. ‘Green’ is absolutely entrancing and probably one of the best tracks that I think I’ve heard so far this year. It’s a monumental highlight for me on this entire release.
There’s a subtle air of post punk emanating from the opening bars of ‘She’s His’ that is instantly addictive. The hypnotic pull of the intricate guitar structures accompanied by dancing lines of lead and the throb of cascading bass progressions are collectively fantastic. Haunting lines of vocal meander and tease us as they float in and out of catchy chord structures, leading us gracefully by the hand until we eventually fall headlong into massive swathes of noisy reverberations only get dumped out the back end into tremulous layers of golden sonic frequencies. Up next, the EP’s penultimate piece floats into the ether held fast in a sullen kind of atmosphere. ‘Adorable’ sways gently on a slow moving metronomic tap as the jangle of guitars echo and swirl through heady clouds of reverb. Resonating frequencies wrap themselves around that beautiful vocal and cling to it as it tumbles into shimmering pools of exquisite production. We’re guided effortlessly through a melancholic sonic haze as if watching someone’s dreams get played out in front of us until eventually we drop into an angry sonic attack and the whole feel of the track changes. Distorted guitars soar skywards, that addictive bass line rises and falls just below a noisy percussive assault and we’re dragged into a raging sonic behemoth, churned around it’s insides until eventually we’re pulled into the tracks gentler finale. ‘Adorable’ is a stunning melding of sounds reminiscent at times to Slowdive & The Cranes or the downright rebellious nature of JAMC all wrapped up into one almighty sonic monolith. Its a triumph and a definite highlight on this release.
The EP closes out as it began. Swooning gracefully on beautiful instrumentation and the guiding reverberations of that immense guitar sound. Slow moving hi-hats tremble as jangling guitar strums usher in waves of instrumental drones and another impressive vocal performance. ‘Three’ is absolutely gorgeous and it welcomes you into it’s inner core with open arms and tells you a story. It makes you sit and listen to every single hushed word, makes you feel every twist and whirl of that soaring drone and lifts you up with it as you glide through the sonic ether and pulse through layers of ethereal joy. It's a brilliant book end to a completely entrancing EP.
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
Hailing from the north-east of England, experimental art-rock outfit 'Dose' have just unleashed a stunning new video to accompany their debut single 'Furniture', a hypnotically addictive slice of noise-rock underpinned with subtle flourishes of melodic shoegaze, slowcore and mesmerising passages of cinematic ambiance. Having decamped to Suburban Home Studio's and under the tutelage of MJ from the awesome 'Hookworms', this Newcastle based five piece have released something rather special indeed. The band are made up of Sean Turland, Ewan Barr, Matthew Collerton, Sam Campbell & Joe Donkin and they've shared the stage with some fantastic live acts such as Sunflower Bean, Menace Beach, Ulrika Spacek & Soviet Soviet as well as headline shows in Leeds and York supported by fellow noise-rock artists Drahla and Colour of Spring.
We've previously reviewed the single in full HERE
'Furniture' gets it's full release on April 27th 2018 via cult indie label A TURNTABLE FRIEND RECORDS as a two track 7" vinyl single backed with 'Opaque' and is available to pre-order right now on various formats via dosencl.bandcamp.com
RELEASE: Medistation EP
RELEASE DATE: April 20th 2018
RECORD COMPANY: Fuzz Club Records
Eric Strand is no stranger to Stockholm's burgeoning underground psych scene. Having already established himself in The Orange Revival (hands down one of the best neo-psych outfits out there today) Eric has just announced the self-titled debut EP release for one of his other musical projects, the mesmerising 'Medistation'. Hailing from Stockholm, Sweden, 'Medistation' create a visceral sonic palate filled with fizzing, alternative led, noise-pop drenched in swathes of shuddering reverb and swirling feedback. It collectively spotlights that truly epic early 1990's melodic neo-psychedelic sound, a sound that can sometimes get lost within this modern underground scene. The EP is a collaborative effort, with guest vocals from Jake Garcia (The Black Angels), percussion from Cobian Modeste (The Buttertones) and grand piano from Max Groundstroem (Samling/Valp). It gets it's official release on April 20th 2018 via those London-based purveyors of all things meaningful 'Fuzz Club Records' with pre-orders now available on various formats via fuzz club.com
Medistation by Medistation
The EP opens up trapped in an air of fizzing atmospherics as that fuzzy guitar progression pulls throbbing bass frequencies, hypnotic stabs of melodic lead and swirling electronics into the mix collectively enveloping an always impressive vocal courtesy of Jake Garcia (The Black Angels). 'Pool Of Blood' is absolutely sublime and is at times reminiscent of Ian Astbury's stint with UK-based 'UNKLE'. A marvellous opening salvo indeed. Up next, 'I Never Knew' undulates into earshot strapped to a slowly moving blues-fed guitar line underpinned with deeply hypnotic acoustic frequencies. Meticulous percussion shimmers just below the mix as humming bass frequencies meander and pulse through melodic vocal lines before we float away on swirling waves of resonating lead & slide guitar allowing the sickly sweet tinge of reverberation to evoke musical reminiscences such as Spiritualized, JAMC and the ever brilliant Lupine Howl.
'The World Is Weeping' explodes into the ether on a screeching feedback laden wave that quickly melds with repetitive guitars and addictive shakers. Lead lines whip and cajole the piece to within an inch of it's life as a throbbing bass line bounces alongside a giddy percussive assault, enveloping a brilliantly executed vocal line and those distinctly addictive neo-psych sounds loop and arc throughout. The EP's penultimate piece entitled 'Anything For You' floats effortlessly on a cloud of repetitive guitars and the soft pulse of bass. Twinkling synth and beautifully entrancing electronics dance and flutter alongside another impressive vocal performance as it's woozy effects disappear in amongst golden hued acoustics and that ever present injection of fuzz. 'Anything For You' is beautiful and a definite highlight for me on this release. 'Medistation' closes out with 'The End'. Steeped in reverb, the hypnotic pull of strings and that repetitive guitar signature melds brilliantly with swirling electronics, melodic synth and the strengthening air of atmosphere. Slide guitar meanders in and out of those pulsing frequencies as this brilliant instrumental builds into a melody strewn finale. A fantastic end to a rather interesting EP.
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He was also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Judder by jellyskin
Whilst perusing this track you'd be checking the web address right now to see if you'd landed on the right music blog but don't fret as this is Primal Music and NO! ..... we haven't gone full dubstep on you all. The latest single from Leeds-based noisy duo 'Jellyskin' has arrived and they've decided to side step away from their usual sonic fare to bring us something undisputedly experimental. 'Judder' melds slow moving dubstep with noisy industrial tinged electronics, intricate guitar progressions and gritty but abrasive production whilst dispensing with the dreamier psychedelic side of this bands impressive sonic arsenal. Marking it as a change of direction, 'Jellyskin' have completely turned their sound on it's head whilst endeavouring to keep it very, very interesting indeed.
Formed in 2016, 'Jellyskin' are made up of Will & Zia and they exploded onto the underground psych/gaze scene with four consecutive single releases, each one absolutely sublime. Their self-titled EP, a correlation of the aforementioned singles, was released back on the 28th June 2017 and appeared in Primal Music's 2017 year end round up of best releases. This latest single 'Judder' was officially released on April 6th 2018 and is available to buy/download right now via jellyskin.bandcamp.com