ARTIST: Your Friends Polymers
RELEASE: v chuzhoi strane
RELEASE DATE: December 12th 2017
RECORD COMPANY: Unsigned
The clear choir-like vocals on the latest release from 'Your Friends Polymers' seem to evoke the most quintessential illusions of English village life. In fact, the four piece are from Samara, Russia, which is altogether more intriguing. Following on from the shimmering 'Chudesa EP' from December 2015, the 6 track 'V Chuzhoi Strane' was released last month and is constructed from lustrous summery sound. The EP is available to buy/download right now via yourfriendspolymers.bandcamp.com
v chuzhoi strane by your friends polymers
Opening track 'Bees' flows between a swell of swooping guitar, before the pace slows and the vocals soar, inducing a very pleasing wooziness. The 90s jangle of 'No Dice' has the Sweetness and Light of Lush and pops along dreamily. Delicate delayed guitar coaxes 'Little Box' into life, contrasting with the insistent drums which push along. The chorus has a melody that is fit for a cathedral. Title track 'V Chuzhoi Strane' is a collection of icy shards catching the light with angular beauty.
The frosty electronic taps of 'At The Depths Of The Gulf Stream' soon melt into a melodious concoction topped with a sweet refrain. The bass sets the groove of the instrumental '48' which ends this EP with a breezy air - appropriate as it has brought some much needed light and air to this dark January.
ABOUT THE AUTHOR:
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
by Primal Music
RELEASE: Starwheel EP
RELEASE DATE: December 16th 2017
Derby based quartet 'Starwheel' embrace and meld sounds and genres effortlessly. From subtle shoegaze to jangling psych pop, indie to alternative rock this band instil a surreal calmness to their their overall collective sound that is highly addictive and deeply hypnotic. The band released their debut double A-side single 'Drip Feed/Broken Glass' to the masses back in April 2016 and followed it up in 2017 with their stunning second single 'Sit Down/Through My window (Parts 1 & 2)'. Now the band have returned with their stunning self-titled debut four track EP and they do not disappoint. The EP was released back on the 16th December 2017 and it is available to buy/download right now via starwheel.bandcamp.com
Starwheel EP by Starwheel
Swirling organ sounds announce the arrival of track one 'Replica' and it's accompanied by bounding percussion, jangling guitar and the rambling of bass frequencies. Stunning vocals meander in and out of accomplished instrumentation permeated at times with subtle flourishes of catchy lead guitar, luscious reverberations and lines of slight backing vocals. Up next, the instrumental 'Radio Love' slows things down a tad as shimmering slide guitar draped in oodles of reverb and laid back guitar progressions wash over this listener. Slow methodical percussion dances underneath ferrying deep melodic bass lines with ease and allowing jangling lead lines to intertwine with fantastically hypnotic psychedelic frequencies.
The EP's penultimate piece entitled 'Veins' is filled to the brim with intense melody. The swirl of organ melds effortlessly with cascading bass lines and the gentle jangling strum of guitar. Steady percussion rattles below as the vocal track weaves a magical spell as it dances and moves in ands out of the collective instrumentation. It has catchy hook laden breaks that catch you off guard allowing you to soar skywards, if only for a short time, before you get pulled back into the mesmerising mix of dazzling sonic frequencies. 'Veins' is a triumph and quite possibly my favourite track on the entire EP. 'Safari' closes proceedings with a sweet little psych-pop gem. Boundless bass lines rush beneath sporadic percussive hits and rambling lead guitars run and meander in and out of breathless vocalisations. It's a wonderful little track and a brilliant ending to a marvellous EP.
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting genres of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
RELEASE: Spectroscope EP
RELEASE DATE: June 1st 2017
Barcelona based 'Vymaanika' is a drone-heavy experimental prog & space rock collective with a sound thats underpinned by motorik krautrock and swirling psych. Consisting of Benjamin Mahoney - guitar/vocals/synths, Carles Esteban guitar/vocals/synths, Jose Jünemann - drums/synths & Andrés Paniagua - bass this magnificent quartet come from different parts of the globe with varying degrees of experience from playing in bands such as sansoma, juneorjuly, jinkovilova & palaciomalson. They released their debut two-track EP entitled 'Spectroscope' back in June 2017 and it's available to buy/download right now via vymaanika.bandcamp.com
Spectroscope EP by VYMAANIKA
The EP's title track 'Spectroscope' swirls menacingly on a repetitive guitar line that pulses through layers of deep reverberation. Explosive progressive percussion builds from beneath the mix pulling cavernous synth swells, swirling instrumental drones, pulsing electronics and a magnificent vocal line with it as it melds brilliantly with turbulent guitars and the throb of luscious bass frequencies. Heady atmospherics accompany the instrumentation as they collectively dive headlong into a cyclonic sonic behemoth filled with motorik percussion. Coming in at ten minutes plus, 'Spectroscope' is a white knuckle thrill ride into a heady world of wide eyed sonic abandonment and a serious recommendation from us. Dive in!
The EP's closing piece offers a somewhat calm introduction. 'Golden Void' unfurls it's sonic tendrils and attaches itself to the strum of tremulous guitar and the swoosh of percussion. Slow moving at first, it builds momentum with each bar pulling different instrumentation with it as it slowly spirals skywards and out into the sonic ether. Hypnotically charged vocal lines ebb and flow through offbeat drum hits and layered reverb underpinned by repetitive progressions and mantra like qualities. But it's the immense instrumental break at five minutes in that catches this listener out as ''Vymaanika' inject a kind of lysergic energy into the mix pulling space rock, neo-psych and rolling waves of heady vibration into play, moulding the entire sonic concoction into one singular pulsating entity right up until it's turbulent finale. It's a really good ending to an immense EP. Hopefully we will hear more from these guys going forward. Recommended!
Del Chaney has spent the last five years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Ultra Sound by Citrus Clouds
Immense Pheonix based desert-gaze trio 'Citrus Clouds' have returned with the second single to be taken from their stunning recently released seven track EP 'Ultra Sound'. The aforementioned EP was officially unleashed back on the 22nd September 2017 via Custom Made Music with it's second single entitled 'You Loved Me First' available to buy/download right now via citrusclouds.bandcamp.com
'You Loved Me First' fizzes into life held fast in an addictive shoegaze orientated cloud. Beautifully melodic duel vocal tracks meander through warbling guitar stabs and humming bass lines as that steady percussive swagger holds perfect time. Catchy chord structures and hook laden instrumental sequences mark this track out as a favourite of mine and let's not forget that impressive lead break and its soaring reverberations.
ARTIST: Shoe Shine Six
RELEASE DATE: January 5th 2018
Noisy alt-shoegaze quartet 'Shoe Shine Six' inject a melodic edge to their sound that is very hard to shake off. Beneath the sullen post-punk hued vocalisations are layers of instrumentation that collectively meld into a highly addictive blissed out melee of shimmering sonic noise. The band hail from Yekaterinburg, Russia and consist of Katarina Voronina - vocals, Paul Alimpiev - guitar, Mike Tulubaev - bass & Serge Markoff - drums. Their debut four track EP entitled 'Sunday' had it's official release on the 5th January 2018 and is available to buy/download right now via shoeshinesix.bandcamp.com
Sunday by Shoe Shine Six
'Sunday' unfurls it's fuzzy tendrils with 'Rainfall', it's opening salvo. It rocks brilliantly on a busy percussive assault whilst swirling melody driven guitars breach layers of reverb as they weave and dance on top of throbbing bass frequencies. Katarina Voronina's melodic vocals are instantly enjoyable, adding dark-wave inspired layer over proceedings and cutting a wedge through the noise thus adding sublime clarity to the overall track. It's a fantastic opening track. Up next, 'Daze' begins in quiet refrain, building slowly through it's opening verse before exploding into a cacophony of fuzzed out noise and explosive drum patterns. Catchy chorus changes and soaring lead lines help to lift this track skywards as laid back verse progressions ebb and flow with relative ease allowing the vocal track space to breathe.
'Ocean', the EP's penultimate piece is deeply melancholic as the band lean heavily into their shoegaze side injecting melody and swathes of reverb into the piece whilst steady percussion rumbles and bass lines throb in unison allowing layer after layer of guitars to soar into the ether enveloping what I believe is the best vocal performance on the release. 'Ocean' is absolutely breathtaking and probably my favourite track on the entire EP. 'Green' closes proceedings out delving more into alt-rock than the previous three tracks. There are, at times, subtle hazy moments courtesy of layered reverberations but for the most part this track rattles through a well worn alt-rock path. 'Shoe Shine Six' are definitely ones to watch throughout 2018 and it'll be interesting to hear what comes next.
Ecuadorian dream-gazers 'Sexores' have released the first single entitled 'Bluish Lovers' from their highly anticipated third album 'East/West'. The album gets its full release on Vinyl & CD via the Latin American based independent record label 'Buh Records' on March 15th 2018 with digital distribution being handled through 'Recoop', a brand new Ecuadorian based record label and production company. This time around 'Sexores' have experimented with different sounds to meld their traditional shoegaze/dream-pop values with a more modern twist by injecting synths and electronic futurism into eight dreamy tracks to create something sonically fantastic.
'Bluish Lovers' swirls and bounces on layers of bright shimmering synth as sequenced percussion pulses underfoot championing dark humming bass lines and captivating vocalisations that wrap themselves effortlessly around cascading electronics drenched in swathes of luscious reverberation. Majestic in its flow, highly infectious and mesmerising in its entirety, 'Bluish Lovers' is a triumph and this in turn only bodes well for the entire album.
ARTIST: Psychic Lemon
RELEASE: Frequency Rhythm Distortion Delay
RELEASE DATE: January 12th 2017
RECORD COMPANY: Tonzonen Records
London based psych aficionados 'Psychic Lemon' inject swirling space rock, well drilled prog rock and motorik krautrock into their overall sound that is both hypnotic and addictive all at once. This impressive three piece (previously a quartet) have been ploughing a deep sonic furrow into the underground psych collective since the release of their self-titled debut album back in 2016 but I have to admit that I hadn't heard of the band up until receiving the press release for their brand new album. I've since rectified that issue. Entitled 'Frequency Rhythm Distortion Delay', this immense collection of five tracks is explosive, exquisite and quite possibly one of the best albums that I've heard in some time. At times sonically transcending, 'Frequency Rhythm Distortion Delay' breathes new life into a collective of genres that have been very much diluted beyond hope over the past few years. 'Psychic Lemon' strip these genres back to their base components before collectively reimagining them into a huge singular sonic entity. 'Frequency Rhythm Distortion Delay' gets it's official release on January 12th 2018 via tonzonen records and is available to buy/download on various formats including lovely vinyl from psychiclemon.bandcamp.com
Frequency Rhythm Distortion Delay by Psychic Lemon
The swing of African themed drums pulls humming bass frequencies into audible range as ‘Exit To The Death Lane’ winds itself into a coiled sonic behemoth and prepares to strike. Swirling guitars ride turbulent waves of reverberation enveloping an impressively mantra like vocal line thus adding hypnotic circumventions to the piece as it manipulates sound waves and bends notes at will before erupting into a massive wall of fuzzed out psych induced melody. This is something altogether mesmerising. It’s a mix of space rock, modern psych and fucked up rock and roll all packed up into a huge opening salvo to whet the sonic appetite with. Up next ‘Psychic Lemon’ unleash their garage-psych side as ‘Hey Droog!’ explodes into pulsating percussive assault accompanied by throbbing bass lines and the swirling sounds of organ delectably drenched in sullen reverberation. Wailing lead guitar deploys a raging wah-wah pedal that meanders in and out of tempo driven drum patterns, unleashing a holy sonic war of attrition and laying waste to all before it. It's another massive assault on the cranium and bloody masterful in its approach. ‘You’re No good’ tumbles into the ether riding a krautrock like percussive pattern as it's repetitive nature keeps metronomic time allowing addictive lead lines to permeate the mix, sitting precariously on top of gravity defying bass patterns. The musicianship on this track is impressive and it’s vocal lines although sparse are very effective. Listen out for that magnificent break half way through and the brilliant introduction of saxophone. It will suck you into a mesmerising world of psychedelically charged experimentation.
The highlight of the album for me and it’s penultimate track comes in the guise of ‘Interstellar Fuzz Star’ and it does exactly as it says on the tin. A raging wall of turbulent instrumentation rides a pounding wall of percussive noise collectively enveloping an absolutely magnificent marauding bass line whilst lead guitar lines whip the entire track to within an inch of its life. ‘Interstellar Fuzz Star’ is a fuzzed out white knuckle sonic ride straight to heart of the sun and it’s explosive ending will blow your fucking mind. The album closes out with ‘Satori Disco’, a melody infused spaced out gem that sits on a bed rock of rolling drums and the consistent throb of bass frequencies. Angry strummed guitars hold court here as lead lines dipped in reverb meander in and out of the piece pulling hypnotic Saxophone and wailing wah-wah with it as it rides it's turbulent pre-destined sonic course. This is a bloody impressive track and a fabulous ending to what is for me a masterpiece of an album. Seriously recommended.
RELEASE: Past, Preset and Future
RELEASE DATE: January 23rd 2018
RECORD COMPANY: Self Released
It's been quite some time since we've had any music from brilliant San Francisco based experimental shoegazers 'Echodrone'. Their impressive 2015 released long player 'Five' caught the ear of the venerable 'Saint Marie Records' and marked a significant change sonically for the band. It was released at a time when the resurgent underground scene was booming and shoegaze was a buzz word on the lips of passionate scenesters. It was also met with rave reviews upon release and is still spoken about today as being a landmark album from that year. Now the band have returned with a brand new thirteen track opus entitled 'Past, Preset and Future'. Self -released, this massive compendium of tracks swirls and dances through a multitude of music genres such as shoegaze, dream pop, post-punk, electronica, post-rock and indie-rock with relative ease and is sure to stir up the hearts and minds of the underground faithful once more. The album gets it's full release on January 23rd 2018 and will be available to buy/download from that date via all of the bands usual outlets.
A swirling tremulous drone pulls jangling instrumental progressions filled with shimmering guitars and wide scoped reverberations out into the ether as ‘Threaded Barrel’ unfurls it’s glistening tendrils and reaches out to pull the listener inside. Giddy percussion rides the wave of blissed out sound waves as hazy vocalisations meander in and out of deep laid bass frequencies. Catchy lead lines stick to the sonic concoction like glue as we’re pulled into a marvellous chorus surge and swept away on a wave of beautiful noise. ‘Threaded Barrel’ bounces and moves like clock work and is a massive statement of intent. Up next, ‘Failure’ glides into audible range trapped in a melancholic dream-pop hue underpinned with stunning instrumentation and an immense vocal performance. Chorus parts soar skywards on layers of streaming guitars and pounding drum patterns as the throb of bass envelopes walls of outstanding production. The albums title track ‘Past, Present And Future’ begins with a busy sequenced synth progression that clutches noisy guitars, swirling electronics and a metronomic percussive beat. Electro styled bass lines spiral through the melee instilling a post-punk kind of edge to proceedings thus allowing us to take breath and prepare ourselves for the monstrous instrumental build ahead and it doesn't disappoint. It's sublime, absolutely spellbinding and definitely one of my favourite tracks on the album.
‘Open Your Mind’ swirls into action tumbling through instrumental drones, building slowly and announcing another marvellous vocal track. It’s guitar parts bubble through layers of synth swells, humming bass lines and solid production before exploding into a cacophony of intense noise all wrapped around a stunning chorus progression whilst the opening bars of 'Dystopian Story' has ambient intentions with it’s swirling electronics and twinkling production. It opens up into captivating guitar progressions that swoop and circumnavigate hazy vocalisations as catchy melody filled chord changes and hook laden atmospherics add ethereal like connotations to the entire piece. It is absolutely beautiful from start to finish and I recommend that you pop on some headphones to experience it in full. Up next, ‘Save Me’ begins with punchy post-punk hued guitars before you get sucked into that beautiful vocal and fall head long into pools of heady reverb. Electronic theatrics bubble and dance just below the mix as steady drum patterns keep the tempo just nice allowing cascading synth lines and the addictive throb of bass to wash over you.
‘Below From Above’ has that 80’s post-punk sound reminiscent of ‘The Cure’ or ‘Siouxsie Sue’ but with a modern dream-pop twist. Twinkling electronics meander deep within the mix catching the ear in between vocal breaths as driving guitars, surging synths and reverberating bass notes create a heady sonic brew that is highly addictive and keeps the listener focused on the track whilst ‘Rock Waltz’ uses backwards instrumentation and slow moving production to great effect. The entire track reminds me of early ‘Deus’ and I can’t quite put my finger on wether that’s down to the vocal track, the use of vocal sampling or the overall layering of instruments? Either way it’s a stunning piece of music. ‘Land Of Nothingness’ jangles on a wave of bass frequencies and lo-fi vocalisations. Hi-hat heavy percussion keeps things simple as we weave and bob through shimmering guitars and heady experimental production values building brilliantly through each interconnecting sonic part before unfolding into a blissed out chorus progression with relative ease.
Swirling guitars announce ‘Home’ and we’re again pulled into a mesmerising vocal performance reminiscent at times to seminal USA based dream-gazing outfit ‘Whimsical’. Soaring chorus progressions take your breath away as they glide skywards on streaming jets of beautiful melody, layered guitars, luscious synth and senses tingling percussion whilst ‘Low’ keeps things almost ethereal. Guitars drone effervescently, drenched in reverb and twirling through percussive shakers before pulling trembling guitar progressions into the mix enveloping another fragile vocal line perfectly. It’s another stand out track for me on an album filled with great songs. ‘Abstract Thoughts’, the albums penultimate piece, is a slow moving atmospheric affair with sparse percussion, jangling bass lines, surging synth swells and another beautiful melancholic vocal collectively pinned to twinkling guitar progressions drenched in stunning reverberation whilst the album closes out with ‘Snow Drift’. Ghostly vocalisations ride steady drum patterns and meandering guitar progressions as the pull of deep cascading bass frequencies wrap themselves gracefully around swirling lines of synth. This track explodes into a marvellous cacophony of reverb and noise as the chorus progressions launch themselves skywards into a glistening sonic ether closing out what is another immense compendium of tracks by a band who have been sorely missed from the underground music scene.
ARTIST: The Kepler Mission
RELEASE: End Of An Era
RELEASE DATE: November 21st 2017
Riffs, riffs, riffs… Come and get your riffs! 'End of an Era' is the debut full length release from L.A. based progressive rock outfit 'The Kepler Mission'. From the storming chugs of melodic prog-rock/metal to the small but sweet passages of texturing, 'End of an Era' is the kind of album that sounds as thought it could have been the backing to a mammoth rock opera or theatrical production. The riffs are tight and heavy, the music is pulled together by a sense of momentum and the whole thing delivers imagery straight to the listeners mind. It was released back on November 21st 2017 and is available to buy/download right now via music.thekeplermission.com
End of an Era by The Kepler Mission
‘Totem’ opens the album with a neat crunching riff, before dipping into something quitter and more restrained. The vocals than enter are clean and on pitch, singing lyrics that you would expect to find in a post-rock/prog song. The closing instrumentation is the tracks ultimate highlight… The lowlight however, is the cringe-worthy lyrics at the end of the song, as well as the somewhat generic realms the song touches on. ‘Night Walker’ is much more interesting, the time-signature and suitable voice paints an enjoyable picture for the listener. A beautiful section just around the two minute mark that leads into the chorus captures a great texturing that when utilized by the band, highlights the greatest aspects of their music: their ability on their instruments, and their talent to sequence instrumental passages together. ‘Epona’ opens with chugging guitar and a clever synth and guitar passage that meshes its way over the top, the vocals again sound suitable for the tracks, the lyrics, however, seem to seep back into the cliched tone of ‘Totem’. Around the four minute mark, a reverse breakdown of sorts leads into a chilled out guitar performance, backed carefully by the well written drum backing and the ambience that backs the song up. ‘UFO’ follows a similar trail, the slow burn of the verse, the somewhat moan-y tone of the vocals, the loud and heavier parts.
‘Running Away’ is by far the most interesting track on the second half the release, opening with a massively loud, downtrodden guitar strum and cymbal bash. Followed by a slower more melodic section, the track builds up again and showcases the clean and crisp production of 'End of an Era'. The inclusion of what I believe to be acoustic guitar also makes a noteworthy addition, as does the string-instrument-sounding guitar that dances around in the background of some sections of the song. The lyrics are also much more strong, hinting at a narrative but maintaing the same type of mystic poetic language from previous tracks. The outro, with the high notes of the lead singers pipes meshing well with the crescendo-type mingling of the instruments creates the most awe-inspiring moment of the whole album. ‘As You Wish’ is also a truly enjoyable track, offering a kind of contemplative breath of fresh air: the instruments, light and playful, mix well with the softly powerful vocals. The track also summarises perhaps the strongest characteristic of the album: the performances.
There are certainly elements of 'End of an Era' that somewhat taint its aspirations and thus flattens the heights that the band reach for. Such elements are mainly the lyrical content, the over-produced super clean production, and the same re-used dynamics that mostly occur through the middle of the album. But to say these things tarnish the album would just not be true. For the most part, 'The Kepler Mission' play to their strengths: tight and brilliant performances, well textured songs and a good relationship between the vocals and the other instruments. I’m sure it will appeal to many; its entertaining, its tight and it’s a nice melding of sound.
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on Baeble Music and Culture (USA), Sounds and Colours Magazine (Latin America, London), Easterndaze (Latvia) and the Australian based heavy music blog, I Probably Hate Your Band.
ARTIST: Stupid Cosmonaut
RELEASE DATE: 5th January 2018
RECORD COMPANY: Drone Rock Records
Back in March 2017 UK based sonic experimentalists 'Stupid Cosmonaut' wowed us lot here at Primal Music by unleashing the dark and brooding ambient psych beast that was 'Algol', their first full release on the brilliant 'Drone Rock Records' and one of their most impressive albums to date. Now the band have returned with a six track second outing on the aforementioned label. The totally immersive 'Digitalis' leans heavily into an ambient lunar world filled with hazy electronics, swirling drones, meticulous sequencing and massive swathes of reverberation to bring us something altogether immense. 'Digitalis' gets it's official release on January 5th 2018 with vinyl copies available right now via dronerockrecords.com and digital downloads available from stupidcosmonaut.bandcamp.com
Digitalis by Stupid Cosmonaut
Deep pulsating bass notes, exquisitely sequenced and overlaid with cascading rock fall electronics announce ‘Field Trip’, the albums immense opening salvo. Swirling reverberations cradle huge sprawls of synth that collectively surf ambient atmospherics effortlessly allowing soft percussive patterns to balance precariously atop repetitive claps, tingling lines of keyboard and the consistent surge of blissed out sonic abandonment as we’re swept along on a wave of intimate sonic bliss. Up next, ‘Rephlex’ bounces into audible range tumbling along brilliantly with a thinned out electronic pulse that holds this track together allowing swirling synth swells caught in massive patches of reverb to float and eddy freely. ‘Rephlex’ has martian like atmospherics that hang in suspended animation deftly tied to a beautifully ambient sonic construction. At thirteen minutes long it’s a magical sonic journey, reminiscent of that masterful ambient electronic wizard ‘Vangelis’ and definitely one for the headphones. ‘Offline’ permeates the ether on a melancholic wave of synth and creeping percussion. Off timed drum hits add intense atmosphere as the track builds, introducing deep penetrating waves of breakbeat drenched in reverberating electronic theatrics and dancing lines of warbling synth. It’s a well thought out track that loops and arcs brilliantly through waves of ambient psych.
‘Post Human’ screams 60’s sci-fi as it unfurls shimmering lines of addictive synth drenched in atmosphere. Sequenced percussion runs the gauntlet as instrumentally we move skywards through rings of sonic enrichment, attached to a bouncing bass line and swirling swells of reverb that coalesce as one sentient being before massive chord changes add a kind of ethereal hue to proceedings. This is a majestic track and a firm favourite of mine on the album. Up next the albums penultimate piece enters the sonic arena. ‘Digitalis’ is a fuzzy brute that in it’s opening bars rides a punchy drum pattern drenched in a kind of post-punk hue. Busy sequenced synth lines add turbulent windswept atmospherics just below the mix as those twinkling lines of piano dance and skirt atop deep stabs of synth and fizzing electronics. The album closes out with ‘Sadness And Euphoria’. Melancholic guitar lines meander effortlessly through hazy sonic channels filled with shimmering synth and catchy chord changes as the track builds ever so slowly, adding intense atmosphere with every added musical layer. ‘Sadness And Euphoria’ is deeply ambient and is underscored at times with subtle hints of post-rock and brilliantly executed electronic psychedelia that raises it’s head at precise moments and catches the ear before melding back brilliantly into the mix. It’s a thoroughly enjoyable ending to marvellously executed release.