RELEASE: Sooner EP
RELEASE DATE: TBA
RECORD COMPANY: Unsigned
Brooklyn based alt-shoegaze quartet 'Sooner' have announced their debut self-titled EP to the masses over on their bandcamp page. Their sound hovers somewhere between hazy shoegaze & driving alt-rock with a splattering of beautifully intense dream pop courtesy of it's stunning vocalisations. The band are made up of Federica Tassano - vocals, John Farris - guitar, Tom Wolfson - drums, Ehren Brenner - bass and although the EP isn't available to buy/download just yet there are tracks available to listen to over at soonermusic.bandcamp.com
Full EP out soon by Sooner
Jangling guitars drenched in shimmering reverberation announce the opening salvos of ‘Evil To Me’, track one on this impressive release from Brooklyn based alt-shoegaze quartet ‘Sooner’. The arrival of cascading bass frequencies hugging lazy percussion add depth as beautifully melodic vocalisations courtesy of Federica Tassano float into the ether and cling effortlessly to the collective instrumentation. ‘Sooner’ inject soaring hooks into their chorus progressions that catch this listener off guard as they sweep me up before floating away into gloriously hazy sound waves. Up next, ‘Shadower’ begins in a haze of swooning guitars before exploding into a blissful conduit for another impressive vocal performance. This track meanders through it’s verse parts with ease before unleashing a stunning chorus progression that drives into the atmosphere held fast in a cyclical ball of golden instrumentation that deftly circumnavigates that beautifully intense vocal.
‘Juniper’ is beautiful in it’s simplicity with its stripped back acoustics allowing the vocals to take centre stage, underscored by subtle droning lead lines that meld effortlessly with the twang of acoustic guitar whilst ‘About The Blue’, the EP’s penultimate piece, has shimmering dream pop tendencies intertwined at times with fuzzy summery vibes and intermittent layered shoegaze highs. The EP closes out with ‘Dust’ and it begins with a blissed out jangling guitar progression riding a busy drum pattern that’s underpinned by reverberating swells of hazy production and throbbing bass frequencies. Lead guitar lines whip up a frenzy at times as the track changes tempo but its the collective instrumentation as a whole that acts like a sonic chariot purposefully created to carry those blissed out melodically charged vocal lines. A great ending to a rather interesting EP.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: This Other Kingdom
RELEASE DATE: 21st April 2017
RECORD COMPANY: Wrong Way Records
Dublin based neo-psych/garage powerhouse 'This Other Kingdom' have announced their latest full length release in the guise of their stunning ten track sophomore opus entitled 'Rêveur' penned in for release on April 21st 2017 via Wrong Way Records. 'This Other Kingdom' are made up of Del Kerton - vocals/keys, Declan Dunne - guitar/vocals & Git Sweeney - drums and they are no strangers to this modern day psych scene having previously supported some serious international heavy hitters like 'Holy Wave, The Cult of Dom Keller, TAU, Radar Men from the Moon & Yuck'. 'Rêveur' is available to pre-order right now on translucent orange vinyl with purple splatter, CD and download via wrongwayrecords.bandcamp.com
Rêveur by This Other Kingdom
On a wave of steadying percussion wrapped deliciously in throbbing bass lines and the constant strum of angry guitars ‘This Other Kingdom’ unleash the opening salvos of ‘Common Colours, Common Sounds’, track one on their brutish sophomore album. It undulates and heaves through layers of glorious reverb, oscillating brilliantly around that impressive vocal line as it weaves through sonic peaks and troughs with blistering aplomb. This is a stunning opening track. Up next, ‘Eye Do Eye’ shimmers as it enters into audible range held fast in an instantly addictive 60’s psych vibe sonically peppered at times by a harder swirl of driving garage psych. The instantly recognisable vocalisations of Del Kerton holds everything together here and keeps this listener focused as surging guitars & pulsating percussion meld effortlessly with throbbing bass frequencies and driving production.
‘Telescopic State Of Mind’ bounds into earshot tumbling through repetitious drum patterns and hypnotically charged lead lines as the constant hum of bass notes add atmosphere whilst ‘Comatosed’ impresses with it’s driving guitar signature and catchy organ hooks. ‘Chemikle’ shimmies into the ether on a cloud of golden hued eastern esoteric flair as it’s droning instrumentation and lumbering percussive attack lurch and wobble on wave after wave of tremulous reverberation. This track moves and undulates collectively as one huge monolithic chunk of sonic energy acting solely as a conduit for that impressive vocal line. Up next, ‘Rays For Days (When The Sun Did Shine)’ is a repetitious behemoth that leans heavily on the constant twang of mechanical guitar and shimmering (cymbal heavy) drum pattern whilst ‘Hellion’ is a driving sonic triumph and probably my favourite track on this entire release. It pulses menacingly on a stunning drum pattern as billowing instrumentation underscored by a stunning lead guitar line licks and harasses the vocal to within an inch of its life.
‘Réveur’ takes a welcoming mellow turn next as ‘Morning Skies’, it’s penultimate piece, enters the sonic arena slowly revolving in a haze of turbulent reverberation. Creeping percussion holds a steady beat here as Del Kerton’s haunting vocalisations keep a kind of fixed holding pattern in the eye of a billowing sonic storm. Up next, the cinematic ‘नई दिल्ली सात’ pulls some esoteric vibes back into play and melds them brilliantly with impressionistic neo-psychedelia to create a beautifully intense acid blotched instrumental sonic trip. The album closes with the atmospheric ‘Valley Of Nowhere’, a dark slab of modern tinged psych rock that builds and undulates on waves of fuzzed out guitars and explosive drum patterns that jostle and push it’s vocal boundaries until they howl and wail like a primordial animal on the hunt. A fitting ending to a rather interesting album.