ARTIST: E GONE
RELEASE: The Third Is A Mountain Which Holds A Dagger
RELEASE DATE: 13th February 2017
RECORD COMPANY: Unsigned
Swedish based experimental psych/folk aficionado 'E GONE' aka Daniel Westerlund has unleashed a surprise seven track album entitled 'The Third Is A Mountain Which Holds A Dagger'. 'E GONE' melds together various musical stylings including electronica, psych, post rock, oriental, dub, raga, ambient and psych folk to create a stunning cacophony of mesmerising soundscapes. This latest album follows on from the recently re-released 'Advice To Hill Walkers' and is available to buy/download right now from egone.bandcamp.com
The Third Is A Mountain Which Holds A Dagger by E GONE
The album opens up with 'No Audience, No Metronome', a deeply serine instrumental piece centred around a wonderful progression held in a blissful cloud of sampled rain fall and reverberating fret noise. Up next, my favourite track on the entire album swirls into earshot on beautifully translucent acoustic waves peppered with swathes of driving banjo progressions and a brilliantly executed vocal track. 'A Decoy For the Hunt' draws you in on strings of atmospheric vibrations, metronomic percussion and intense cinematic flair. A sublime track and one that you listen to via headphones. You will thank me for it in the end. 'E GONE' is the master of atmospheric intent and as 'The Tellurian Omega' undulates on repetitive instrumental drones and the twang of stringed instruments I can't help feel slightly uneasy as the track winds its way through dark cloudy reverberations and the atmospheric plink of repetitious bells. Shimmering frequencies ride a turbulent drone as a peaceful hue descends on this listener and we're led into the opening bars of 'Rogue Diplomat', an eastern esoteric themed thrill ride through busy percussion and swirling instrumentation that evokes visions of those 1970's middle eastern based spy movies. A thoroughly enjoyable piece steeped with brilliantly psychedelic vibrations.
Up next, 'E GONE' melds a stunning banjo progression with intense synth swells as 'Habit Hides You' works through its sonic repetitions before the albums penultimate track spins into earshot. A massive wall of vocals erupts into the ether accompanied by the twang of banjo and underscored with sullen synth swells. 'I Have Been Given Much' is deeply melancholic and filled with heart felt connotations and the ever present hue of sonic experimentation that I've come to enjoy whilst listening to E GONE's impressive soundscapes. The albums closing piece however is seven minutes plus of swirling instrumentation riding a subtle instrumental drone and interspersed at times by soaring lead guitar theatrics and massive walls of intense atmosphere. 'Give' is a magnificent ending to a wonderfully unique collection of songs.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
Munchausen by Tall Pines
Brisbane based grungy shoegaze trio 'Tall Pines' have unleashed a brand new single entitled 'Munchausen', the follow up to their very impressive 2016 debut single release 'The Day Is Gone'. The bands sound skips gracefully between quiet melodic passages & dark heavy swathes of reverberating doom dragging a plethora of music genres with it as it meanders through sonic peaks and troughs at will! 'Munchausen' is available to buy/download right now with two b-sides from: tallpines1.bandcamp.com
'Munchausen' opens up swirling deftly in a flurry of dream pop inspired vocal tones and sequenced percussive patterns as it's noisy guitars are toned back to a sullen hook laden growl. The track floats effortlessly along its predestined route but there's an undercurrent of dark malice lingering around those beautiful vocal tones that interests me the most! It's not long before the track shakes loose it's dream pop hue and explodes into a maelstrom of thunderous drums, throbbing bass frequencies and angry reverberating guitar noise thus underling just how good 'Tall Pines' actually are.
ARTIST: Stupid Cosmonaut
RELEASE DATE: March 2017
RECORD COMPANY: Drone Rock Records
UK based sound manipulators ‘Stupid Cosmonaut’ release the next chapter in their impressive sonic catalogue this coming March via Drone Rock Records in the form of their deliciously entrancing four track monolith 'Algol'. Their sound permeates the outer reaches of ambient psych-rock whilst it’s inner core is full of dark, atmospheric synth swells, beautifully produced percussion and swathes of minimalistic drones that collectively create music to immerse your entire being into until you float away on sonic ripples of shimmering ambience. The band are made up of Steve McNamara – synths/bass, Sam Read – synths,/guitar, Andy Hunt – drums & Mark Hawnt - synths. The album is available to pre-order right now on lovely vinyl (colour Side A / Side B effect in black and grey/limited to 250 copies) via dronerockrecords.com
'Algol' unfurls it's sonic wings and swirls into earshot on a wave of hushed voices, haunting bass frequencies and repetitive fret board theatrics. 'Solitary Stasis' floats through the ether on clouds of sweeping synth swells and ambient reverberation coupled with intense atmosphere and the constant chattering of samples vocalisations that seem to come and go in and out of earshot at will. A stunning opening track indeed. Up next, 'The Demon Star Pilot' announces itself on indignant guitar tones and swirling synth swells. coming in at a whopping sixteen minutes plus I quickly realise that I have to strap myself in for the long haul. Senses pummelling frequencies underscored by dark swathes of unrelenting synth lines quiver and wail in a visible mass of atmospheric reverberation as we're swept up and advanced into what I now firmly believe deep space actually feels like. Alone and frightened the arrival of a metronomic percussive thrill and something solid sonically to focus on is a welcome reprise. That's not to say this isn't enjoyable, I'm simply referring to the brilliance of 'Stupid Cosmonaut' and their use of dark atmospherics to stimulate the senses. 'The Demon Star Pilot' rumbles on through massive walls of shimmering synth and soaring lead guitar lines as the ever present cadence of drums, addictive bass thrills and droning instrumentation loops and arcs all over the entire track, helping the listener to experience the full on sonic arsenal that this band can unleash at will. Let's not be fooled here, this track is absolutely immense! You need to listen to it via headphones to experience total sonic immersion.
The album moves on with frightening pace as the albums penultimate piece 'Passing Between Dancing Giants' enters into audible range spiralling menacingly in seething synth lines, echoing reverberation and the constant thump of repetitive drum progressions. 'Passing Between Dancing Giants' is so good it belongs on a sci-fi movie soundtrack. It is huge in scale and moves like a monstrous tidal wave through the ether pulsing instrumental drones, sound waves and frequential noise through swathes of dark reverberation, deploying expansive deluges of sound into every single facet of being. Its a triumphant piece and one that I will keep coming back to again and again. The album closes out in a flurry of psych induced guitar progressions, surging synthetic drones and turbulent glitchy sound waves. 'Barus' is absolutely immense! Swirling atmosphere builds rapidly from behind the dark oppressive instrumentation as hauntingly good production holds court dragging this behemoth into the ether, pulling with it sparse percussion and the dark throb of bass frequencies. Synth swells bob and weave a steady path, intertwining with the twang of guitars but dodging the explosive drum patterns as 'Stupid Cosmonaut' unleash the heaviest track on the entire release. Gone are the ambient stylings of previous tracks to be replaces by a monolithic modern day space rock anthem! 'Barus' is a fitting end to a bloody marvellous album!
Bravo 'Stupid Cosmonaut' ..... we've just pre-ordered this one on vinyl!
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