ARTIST: The Gentle Cycle
RELEASE: The Gentle Cycle
RELEASE DATE: 24th January 2017
RECORD COMPANY: Unsigned
Swirling San Jose based psych aficionados 'The Gentle Cycle' have just unleashed their debut self-titled full album to the masses. The band are made up of Derek See - guitar/vocals, Maxwell Borkenhagen - guitar/mellotron, Todd Flanagan - bass and Craig Heitkam - drums and they have a unique talent of creating infectiously addictive psychedelic soundscapes by utilising vintage gear and bygone recording methods to birth a swirling, grooving style of rock 'n' roll that's both timeless and relevant. The overall outcome is mesmerising! 'The Gentle Cycle' is available to buy/download on various formats right now from thegentlecycle.bandcamp.com
The Gentle Cycle by The Gentle Cycle
The album begins with the jangling opening salvo’s of ‘Follow Light’, a swirling tremulous affair, filled with blistering 60’s psych connotations massively underscored by thunderous drums and impressive instrumentation. Vocally sublime, ‘Follow Light’ is a well received opening assault on the senses. Up next, ‘Shells And Spells’ meanders gracefully on an undulating wave of fuzzy reverberation and skittish percussion whilst it’s 60’s garage orientated vocal lines shimmer in and out of cascading guitar lines and snaking bass progressions with glorious aplomb. Track three, ‘You Line’, explodes into earshot held fast within a flurry of shimmering hi-hat & cymbal vibrations whilst the off kilter drum pattern keeps a skittish metronomic beat. It’s woozy guitar progressions deftly envelope another impressive vocal performance while that ever present and deeply menacing organ line adds some seriously dark atmospherics.
‘Love Is The Plan’ slows proceedings down a tad but it’s catchy guitar riff’s and steadying drum pattern’s keep this listener interested whilst ‘Way To Decay’ adds a very welcoming (and highly infectious) psych/folk acoustic swagger to the album thus tapping into another brilliant and previously unknown sonic variation that The Gentle Cycle can swerve into when needed. The album starts to grow on me a bit more as we move into the opening drones of ‘Memory Day’, which soon unfurls into trembling guitar squall and on into the tracks subtle prog-rock leanings. Thunderous percussion, throbbing bass lines and wailing guitars circumnavigate that reverb hued vocal line as the track opens up into an explosive wah-wah fuelled lead break and on into it’s grand finale. A pretty impressive track by my reckoning.
‘Far Beyond’ drives effortlessly through a wave of impulsively melodious instrumentation, filled with luscious breaks, duel lead guitar lines, angry cyclonic drones and undulating reverberation. The albums penultimate track however, entitled ‘She Came This Way’, leans brilliantly into 60’s psych/blues with its woozy bass progressions, melancholic vocal lines, busy drum patterns and punchy guitar stabs. It explodes into a fuzzy maelstrom of immense frequential noise as the lead guitar soars into the ether, looping and arcing through an angry reverb induced sky before eventually coming to an abrupt stop. ‘She Came This Way’ is my favourite track on this entire album and a recommendation from me. Do yourselves a solid and pop on some headphones for this one! You will thank me for it. The albums closing piece is a fitting book end to this collection of tracks. ‘New Day’ brings an air of serenity to proceedings as we float on acoustic atmospherics draped beautifully with harmonious instrumental swells and gloriously addictive vocal tones. A fitting end to a marvellous album.
ABOUT THE AUTHOR:
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion (Now On Hiatus). His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
ARTIST: Buried Feather
RELEASE: Mind Of The Swarm
RELEASE DATE: 10th February 2017
RECORD COMPANY: Cobra Snake Necktie / Kozmik Artifactz
With a sound that draws regular comparisons to Dead Meadow & Spacemen 3, Melbourne based experimental psych aficionados 'Buried Feather' have a lot to live up to. Since exploding onto the underground scene back in 2012 the band have unleashed two mesmerising singles and a debut full length filled to the brim with modern experimental psych flourishes and driving kraut rock tendencies all underscored by magnificently addictive mantra like instrumentation. 'Buried Feather' are now set to unleash their full length sophomore follow up to their 2013 self-titled 8 track monolith. 'Mind Of The Swarm' gets it's full official release on February 10th 2017 via Melbourne based indie label Cobra Snake Necktie Records as well as the German based stoner rock imprint label Kozmik Artifactz. It will be released digitally and on limited edition 180g vinyl.
Dust by Buried Feather
The album explodes into earshot swirling deftly on a wave of growling guitars, powerful percussion and those hypnotically charged organ lines that collectively circumnavigate around the woozy vocalisations. ‘I Would Miss You’ trembles on repetitious bass frequencies as it effortlessly meanders through sonic peaks and troughs, all the while surging on entrancing psychedelic vibrations and waves of fuzzy reverberation. Up next, the albums lead single buzzes into earshot on a revolving wave of colourful droning frequencies. ‘Dust’ spirals repetitively, held fast in a sonic whirlwind filled with throbbing bass lines, whirring organ swells and screaming wah wah filled lead lines as it’s metronomic drum pattern conjures up hallucinogenic incantations with great aplomb. Probably my favourite track on this entire release, ‘Dust’ is a thing of sonic beauty.
‘The Stranger’ undulates into the ether on repetitive guitars and pulsating drum patterns as menacingly hypnotic vocal lines intertwine with churning instrumentation and top notch production to produce a flood of psych induced compressions and rarefactions whilst up next, the burgeoning tones of ‘Mind Of The Swarm’ fills the senses with a slow repetitive chord progression, underscored by menacingly good reverberating drones and rhythmic organ fills. The vocals swoon on waves of delayed reverb, leading the listener on a trance like procession through walls of throbbing bass frequencies and punishing lead guitar. The opening bars of ‘Sunshine’ lean favourably into garage/psych territory with it’s pounding drums and effected fret board theatrics until the instrumentation gathers pace and injects a hit of swirling hypnotics. The track builds into a raging cacophony of noise as before filtering out into a droning synth laden whirr. Up next, 'Endless C' is slice of sunshine in a revolving cauldron of infectious sound waves. It’s deliberate swagger entices the listener in and you quickly float away on it’s addictive chord sequences, warbling vocalisations, motorik drum patterns and those mind numbing organ swells.
‘Regular Creep’ is a heavy sonic beast. The repetitious thump of percussion echoes with almost military precision as the angry growl of guitars melds fluidly with unrepentant drum cadence. It’s snaking organ lines meander in and out of another impressive vocal take as we’re led from static verses through to noisy chorus runs, explosive breaks and on into the tracks turbulent finale. The albums penultimate piece however, has futuristically themed experimental stylings as it’s hazy synth lines ride tempestuous sequenced drum patterns, deftly enveloping that addictive vocal line. ‘Screen Dreamer’ glides on noisy guitars, electronic atmospherics and the continuous hum of bass frequencies, building as it undulates into a grand exit filled with unwavering production skills. The albums closing piece shudders into life on a bedrock of off kilter drum patterns, tumbling bass lines and the rise & fall of massive swathes of fuzzy instrumentation. ‘Well Wishes’ tumbles through the ether held fast in a swirling maelstrom of heavenly noise. A fitting ending to a brilliant sophomore release.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for the now on hiatus Sound Of Confusion music blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
Fantastic Leeds based experimental alt-psych collective 'Jellyskin' have unleashed their latest single entitled 'Milk Of Magnesia' and it's dark accompanying video to the masses. Formed in 2016, 'Jellyskin' are made up of Will, Zia & Olly and they spent months writing and recording before announcing themselves as a band. They exploded onto the underground psych/gaze scene back in June 2016 with the release of ‘Grey Glass Hat’ which garnered serious online attention for the band. The track has since been re-released on tape via Blak Hand Records. 'Jellyskin' create stunning musical soundscapes that gracefully meander through shoegaze, dream pop, psych rock and it's many sub genres.
'Milk Of Magnesia' is intensely addictive. It moves slow, is draped in swathes of psychedelic reverberation and is deliciously repetitious. It will have have you hooked from the off with it's burgeoning percussive pattern, layers of stunning atmospherics, swirling synth swells and luscious lead licks. It has subtle eastern esoteric vibes underscored by droning instrumentation coursing through it's inner core that envelopes those sublime duel vocalisations with visceral aplomb. 'Milk of Magnesia' is a stunning track from start to finish making 'Jellyskin' the ones to watch in 2017.
ARTIST: Holy Monitor
RELEASE: Holy Monitor
RELEASE DATE: 17th February 2017
RECORD COMPANY: Primitive Music Records / Blackspin Records
Stunning Athens based experimental psych/kraut rock collective 'Holy Monitor' have announced their debut self-titled full length release filled to the brim with luscious soundscapes that skip through a multiple of different sonic disciplines with blistering aplomb. Not content to have wowed us with last years 'Ongakubaka Records' release 'Golden Light/Aeolus', a compilation containing both of the bands previously released (only digital & in a ltd edition cassette) EP's, 'Holy Monitor' have returned with a ten track monolith that will literally blow your mind. Released via 'Primitive Music Records' in collaboration with 'Blackspin Records' the album is available to pre-order digitally right now from holymonitor.bandcamp.com
Physical copies are available to pre-order in two limited editions of high quality clear-copper & blue-white marbled vinyl, 200 copies each:
Holy Monitor by Holy Monitor
Swirling into the ether on a repetitious instrumental drone we jump off into the unknown just as 'Halcyon' powers up it's atmospheric core and washes us in subtle fret noises, serine lead lines and reverberating swells of sonic delight. 'Nemesis' arrives just as we're getting comfortable and we're soon dragged with it as it's motorik percussive swagger spews forth cascading organ lines, throbbing bass frequencies and the delicious whip of lead guitars. Otherworldly vocalisations arrive, riding a wave of screaming guitars and malicious synth swells as the sonic tension builds into a raging tremulous beast. Up next, 'Holy Monitor' unleash a full on psych behemoth in the form of the albums lead track, the mind altering, mescaline charged 'Bed Of The Earth'. Hypnotic lead guitars gently caress whirring organ swells as steadying drums and a humming baselines carry another impressive vocal performance. 'Bed Of The Earth' meanders deftly through sonic peaks and troughs until eventually exploding into a mesmerising lead break filled with electronic trickery, explosive percussion and the constant swirl of the organ all collectively awash with swathes of reverb. It's haunting vocals swirl and soar, peppered at times by delectable backing lines that seem to morph into one big throbbing behemoth tumbling gracefully through the ether like some new gravitational sonic phenomenon.
'The Vine' undulates and spirals as it floats into earshot circumnavigating itself in a peaceful haze of chandiramani percussion & shimmering tambourines before the hypnotic tendrils of it's utterly addictive guitar progressions take over, whirring above melodious baselines, the cascading plink of brilliantly constructed organ progressions and hauntingly good vocalisations. Before we can float away in a melancholic bliss however, the opening bars of 'Golden Light' (appearing here again and originally released back on 2015's 'Golden Light' EP) grace our ears and we're soon awash with it's eastern esoteric influences, menacing organ swells and stunning reverberations that loop and arc throughout, painting sonic pictures and instilling a blast of shimmering atmosphere. Up next, 'Αφροδίτη' gyrates into audible range trapped in a swirling synth drone before pounding drums and incessant organ stabs metronomically lead the charge accompanied by throbbing bass frequencies and constant barrage of lead guitars that leaps in and out of those blissful vocalisations with aplomb. Electronic theatric's announce the arrival of 'Bend The Tree's' (appearing here again and originally released on 2015's 'Aeolus' EP) and it gracefully glides on a droning synth progression and a highly addictive guitar line. This track bathes in swathes of stunning reverb as its hushed vocalisations take centre stage continuously urging the instrumentation to keep up with the pace.
'Icarus' builds rapidly, trapped in a turbulent instrumental drone, haunted by atmospheric guitar squall, reverberating fret noises, subtle sonic swells and the constant thump of the incessant bass drum. This track glides and arc's through a dark and malicious psych induced world filled with howling vocalisations that twist and morph into many different frequencies at will. Up next, the albums penultimate piece swings deliciously on a bedrock of driving kraut/motorik percussion and repetitious instrumentation. 'Ice Giants' conjures up hypnotic hallucinations of 70's sci-fi b-movie aliens aligned with a modern day sonic twist. The albums closing piece (appearing here again and originally released on 2015's 'Golden Light' EP) charges into ear shot on a bedrock of pounding drums, swirling guitars and soaring synth swells that are constantly building in tempestuous fashion and continuously circumnavigating that fragile vocal track. 'Cacti' builds from the off adding layer after layer of stunning instrumentation as it deftly skips along its chosen sonic path. A fitting ending to wonderfully creative album. Apart from the noticeable & previously released track inclusions, 'Holy Monitor' have put together a serious collection of impressive soundscapes that are sure to attract both new and old listeners alike. My favourite track on this album however has to be the highly addictive 'Bed Of The Earth' and it's driving cacophony of delectable psychedelic sounds.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for (the now on hiatus) The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: The Underground Youth
RELEASE: What kind Of Dystopian Hellhole Is This?
RELEASE DATE: 15th February 2017
RECORD COMPANY: Fuzz Club Records
Fuzz Club Records mainstays and Berlin (via Manchester) based dark psych/post-punk outfit The Underground Youth have announced their highly anticipated eight studio album brilliantly titled 'What Kind Of Dystopian Hellhole Is This?'. The album is penned in for a February 15th 2017 release date with various formats officially up for pre-order via the ever reliable www.fuzzclub.com
In a melancholic haze of tattered guitar frequencies and growling atmospherics the opening chord sequence of ‘Half Poison, Half God’ drags itself into the ether and proceeds to wraps itself around infectious vocalisations before swaying awkwardly on the sudden injection of a sparse percussive pattern. ‘Half Poison, Half God’ splashes into a swirling pool of reverb laden noise as repetitive guitar progressions cut through barking bass frequencies to collectively hold time with the metronomic swoosh of echoing tambourine hits. Up next, ‘Alice’ surges effortlessly with dark sullen energy as it’s melodiously fuzzy bass frequencies weave & bob in and out of hypnotic lead guitar lines. Subdued percussion and hauntingly good synth swells add tons of atmosphere as Craig Dyer’s vocal holds court, keeping you transfixed on it’s impressive gothic tone.
The heavy repetitive thump of plodding drum rudiments coupled with the engrossing twang of atmospheric guitars heralds the arrival of ‘You Made It Baby’ and we’re instantly thrown into a world of desolate landscapes, isolation and wild frontier towns. Swirling desert like reverberations envelope everything as subtle instrumental drones echo behind Dyer’s tendril like vocals and aid in the undulating sway of it’s sonic proceedings. The track eventually pulses into a turbulent mass of fuzzy noise before dissipating back into the repetitive plonk of fret noise and salubrious percussion. ‘Beast (Anti War Song)’ does exactly as it says on the tin as it strides into earshot like some plucky teenager on a first date. Driving bass lines ride a steadying drum pattern as soaring lead licks whip noisy frequencies up into a sonic frenzy, building exponentially through the angry verse parts only to then soar effortlessly through those impressive instrumental chorus progressions before fizzing out into nothingness.
Jangling atmospherics underscored by droning organ swells swirl gracefully around the vocals as the constant tap of subtle percussive hits keep a kind of rag tag timing rattling repetitively in the background. ‘A Dirty Piece Of Love For Us To Share’ tip toes magically through glorious guitar progressions and brilliant production to bring a sullen acoustic swerve to proceedings. Up next, ‘Amerika’ drones into earshot accompanied by twinkling instrumentation, whirring feedback and the hollow thrum of sequenced percussion. It stalks and skulks in a densely oppressive sonic fog as it’s vocals swirl menacingly in the musical ether whilst next, ’The Outsider’ instrumentally builds from the off echoing in harmony with the effected vibrato of the vocals and the swirling underscore of synth drone. ‘Persistent Stable Hell’ howls into existence on squally instrumental feedback and the pulsing vibrations of a repetitive kick drum. The vocals arrive held fast within a hazy swirl of reverb as throbbing bass frequencies hum and undulate underneath screaming lead guitar licks and dark reverberation. The addition of female vocals add hauntingly good atmosphere here as all around them pulses and moves in a cacophony of blissful noise.
The albums penultimate piece heaves and breathes on a bedrock of sequenced synth lines, sporadic drum patterns and fuzzy bass frequencies. ‘Your Sweet Love’ swirls in a spiralling sonic whirlwind filled with noise, shuddering reverb and sullen gothic flair. It's vocalisations are trance like as they hypnotically revolve and billow in the heady psych induced stew, modulating wildly until they become one with the instrumentation and eventually throb in a series of sonic pulses. The albums closing piece strums acoustically into the ether as the plink of a piano line echoes & melds brilliantly underneath, constantly harassed by subtly aggressive lead guitar lines. ‘Incapable Of Love’ is laced with darkness as Dyer’s speaking parts venomously spit out a dystopian narrative steeped in atmosphere whilst languishing brilliantly in a bourgeoning musical juggernaut. This is a marvellous ending to a magnificent album.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for (Now On Hiatus) The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
ARTIST: Andrew Younker
RELEASE DATE: 16th December 2016
RECORD COMPANY: Hidden Bay Records
Detroit-based Andrew Younker's created a dreamy collection for what seems to be his debut EP. Out on Toulouse's Hidden Bay Records, Younker self-recorded the five songs in his dorm room. Skillfully fusing acoustic guitar, beats and reverby layers, it's warm and soft like a dreampop duvet. But, that's not all, Younker's got an interesting approach with structure and arrangements that at first seem simple, but closer listening reveals a greater complexity.
Brainchild by Andrew Younker
The record opens with acoustic guitar providing melody and propulsion, but soon Pink Slip blooms with synth bass, phased drums and some beatiful ambient swells. The song seems to breath in and out. The warbly delay of Being Stuck wraps this wee track up in a warm cosy glow, ahead of the arrival of Brainchild. The EP's title track has a bit more muscle than what we've heard so far. The bass pushes the track along, dropping back and building to a furious finish.
Acoustic guitars layer upon sparkly layer on Dunning-Kruger Effect, and Younker's voice glides along on top. 'I need a melancholy ending', he sings. They Were Only Pictures is a hypnotic beauty, with layers of chiming accoustic guitar weaving woozy melodies, so simple and sixties. A glitchy beat kicks in and brings us bang up to date.
An intriguing start to 2017. Brainchild is available now on tape and download.
In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.
Fix Myself by Todavía
LA based multi instrumentalist Rhyan Riesgo aka Todavía typifies why this modern era dream pop/shoegaze scene has dumfounded the critics and lasted as long as it has. She plays all the instruments - (keyboard, guitar, drum triggers, vocals), records, produces, mixes, masters and releases her music from a little bedroom just outside Los Angeles without any label or PR support whatsoever. Her sound swoons effortlessly in a dreamy translucent haze filled with sequenced electronic percussion peppered by hushed synth swells, swirling guitars and shimmering reverberation that all circumnavigates that impressive vocal tone. Her latest single entitled 'Fix Myself' is lifted off the forthcoming full length album 'Shyness', penned in for release later this year and we think it's absolutely gorgeous.
'Fix Myself' ia available to buy/download right now from todaviamusic.bandcamp.com
Asphalt Ocean by The Mites
San Antonio based noisy dream pop quartet 'The Mites' have announced a brand new single entitled 'Asphalt Ocean' lifted off their forthcoming three track EP of the same name. The band fuse riotous, fuzzy guitars with swooning vocals to create a powerful no nonsense brand of dream pop that leans somewhere near alternative rock whilst doffing a well trimmed cap to those early 90's shoegaze sounds. 'Asphalt Ocean' follows on from 2015's five track release 'Bellows' and will be released on 7" vinyl via Painter Man Records in Seattle. If you want to get your hands on the vinyl, pre-orders have now opened via paintermanrecords.bigcartel.com
Formed in 2013 between Bologna & Florence, noisy Dosso Del Liri based alt-gazers 'Human Colonies' have just unleashed the stunning lead single entitled 'Big Domino Vortex' (and it's brilliant accompanying video), lifted from their forthcoming seven track debut EP of the same name penned in for release on 23rd January 2016 via MiaCameretta Records & Lady Sometimes Records respectively. Their sound languishes around the fuzzier end of the shoegaze spectrum with driving 90's alternative rock tendencies deftly underscored by melodious swathes of layered reverberation and punchy vocalisations. The band are made up of Giuseppe Mazzoni - vocals/guitar, Sara Telesca - bass & Claudio Palo - drums and 'Big Domino Vortex' follows on from 2015's seven track release 'Calvary'.
'Big Domino Vortex' lurches into earshot on a wave of swirling feedback before exploding into the ether on a bedrock of driving percussion and melodious, throbbing bass frequencies. It's verse progressions swoon as those up front vocal lines ride a fuzzy sonic tidal wave before we're treated to those explosive chorus parts and it's luscious lead lines. Punchy, smooth and to the point 'Big Domino Vortex' only whets the appetite for what's to come on the full EP!
ARTIST: Glass Horses
RELEASE: Glass Horses
London based alt/shoegaze quartet 'Glass Horses' have unleashed a veritable feast for the ears with the debut four track self-titled EP. Their overall sound is distinctly modern with slight nod of respect to the originators of the genre with influences such as Ride, Novella, Siouxsie and the Banshees, Froth, and L.A Witch being bandied about. Personally speaking, I can hear Cranes, Secret Shine & Boston based noise junkies The Swirlies surging through their sound with a slight doff of the cap instrumentally to the repetitiveness of the modern day psych scene. The band are made up of Noga Shatz - vocals, Terry Hale - guitar/keyboards, Pat Paxton - bass, James Walker - drums and the 'Glass Horses' EP is available to listen to in full over on the bands Soundcloud page. You can also pick up a copy of the lead single 'Little Tricks' for a small fee over at: glasshorsesband.bandcamp.com
Little Tricks by Glass Horses
Swirling melodious guitar noise and sparse percussion heralds the arrival of 'Little Tracks' and I'm instantly transfixed on gorgeous vocalisations of Noga Shatz. Instrumentally this track is faultless as droning guitars and the constant throb of cascading bass frequencies meld effortlessly with those repetitive synth lines. The entire track seems to envelope the vocals perfectly. Up next, I'm sort of led into a false sense of security as 'Low' creeps into audible range. It starts slow and builds into a psychedelically charged monster as those almost post-punk sounding bass lines meander in and out of explosive percussion and charging reverberation. The sneaking lead guitar lines mimic those impressive duel vocal's as the track drags itself through explosive chorus progressions with relative ease. A pretty cool track and possibly my favourite on the entire release.
The EP's penultimate piece wouldn't look out of place on a modern day psych rock compilation. 'Honey' is a brooding, atmospheric brute with 60's sounding psych connotations and swirling instrumentation all circumnavigating a melody driven bass line and those addictive vocalisations courtesy of Noga Shatz. The production on this track is brilliant and I know the band self produced this EP so credit where credit is due! The closing piece on this release is absolutely stunning. 'Blue Lights' screams UK noisy experimental shoegaze outfit 'Cranes', with its pulsating rhythmic patterns, quiet verse progressions followed by explosive instrumentation and those hypnotically sounding synth swells. There's a subtle 80's post-punk edge to this track to that is completely addictive and worthy of your ears. All in all this is a pretty special collection of tracks.
Del Chaney has spent the last four years dedicating his time to uncovering the best artists in the unsigned or small independent label based shoegaze, ethereal dream pop, post punk, post rock & modern psych rock from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has helped him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.