Drifting Sand by Toast of Botswana
French based alt-psych duo 'Toast of Botswana' have unleashed a swirling sonic behemoth in the guise of their latest single aptly named 'Drifting Sand'. Steeped in hazy reverberating psychedelic incantations their sound echoes through layers of hypnotically charged instrumentation, noisy swathes of percussion and that intensely fragile vocal. Released back in December 2016 'Drifting Sand' is the bands third single and it follows on from 'Vimto' their deliciously psych folk leaning second single released back in August 2016. Definitely ones to watch in 2017.
You can get your hands on 'Drifting Sand' right now by heading over to: toastofbotswana.bandcamp.com
by Primal Music
Danish based noisy alt-psych duo 'ZRN' have released a crawling sonic behemoth in the form of their latest single 'Deep End', lifted from their forthcoming EP entitled 'Swim' penned in for release sometime in April 2017. 'ZRN' are a side project of monstrous Danish psych rockers 'Tales Of Murder And Dust' and their sound has gone from meandering, atmospheric almost slowcore/shoegaze leanings on their 2015 full-length release 'Animous' into a more of a menacing noise rock orientation on these new tracks. In the bands own words 'Deep End' is "a feminist battle hymn" and it was recorded with the backdrop of the US elections hanging over all of our heads. It deals with some very real & dangerous subject matter, focusing on the bleak outlook of a polarized society, where the basic respect for a woman's body and rights is under attack.
'Deep End' is immensely infectious! It undulates and snakes on layers of dark, noisy bass frequencies supplemented with repetitive lead lines, shimmering tambourine shakes and a heavy sense of sonic foreboding. It's vocal lines glide and snake in and out of the instrumentation, under constant bombardment from whirring lead guitar lines and atmospheric production theatrics. There are sublet hints of 'Sonic Youth, Lydia Lunch' and seminal UK noise gazers 'Cranes' pulsing through Deep End's inner core that are incredibly addictive. Roll on the full EP!
Finnish based noisy shoegaze quartet ‘Mumrunner’ have unleashed a stunning new video to accompany their latest single entitled 'Cascais'. The track is lifted from their most recent five track EP 'Gentle Slopes' originally released back in September 2016 via ‘Wolves And Vibrancy Records (Vinyl)’ & ‘Soliti Records (Digital)’. Mumrunner's collective sound embraces melodious, reverberating tones, seductive otherworldly musical progressions & beautifully ethereal dream pop flourishes and intertwines them all with driving swathes of shoegaze inspired alternative rock to collectively bring something magical to the sonic table. The video for 'Cascais' was directed by Otto Heikola and with the use of old 16mm archive footage, newly recorded imagery using an actual 1960's era camera and some amazing technical wizardry, it places the band members into the particularly violent events of World War II. It's a really cool video and actually very hard to distinguish between the archived footage or the newly filmed sequences.
'Cascais' explodes into earshot held fast within a captivating maelstrom of glorious reverb laden guitars, intricate lead licks, driving bass lines and thunderous drums. It uses it’s stunning vocal progressions to cut through the monumental instrumental noise to inject patches of serine ethereal clarity into proceedings.
You can get your hands on the full 'Gentle Slopes' EP by heading over to wolvesandvibrancyrecords.tictail.com, Soliti Records or via mumrunner.bandcamp.com
RELEASE: You Are Here Now
RELEASE DATE: 21st January 2017
RECORD COMPANY: Unsigned
'You Are Here Now' is the debut album from Pennsylvania based atmospheric post-rock outfit 'Heron'. It’s an album that defies the genre in such a way that to describe it to you, the reader, would never do it justice. In fact, I feel that 'You Are Here Now' is one of the best pieces of post-rock music I’ve heard. Perhaps rivalled only by pro bands from Iceland or the fantastically minimalist hush of 'Star of Heaven' and their mini album/EP 'Vinter'. 'You Are Here Now' stands tall through mostly the intense and wild song writing, but has its advantages with the professional mixing and mastering, done so by pros from the Seattle music scene. This, coupled with the smooth and hypnotic performances, make 'You Are Here Now' one of the most refreshing and beautiful post-rock instrumental releases going around.
You Are Here Now by Heron
'You Are Here Now' opens with ‘Shores’, a sensational slow rolling track that may be the best on the entire album. Its simplicity and nostalgic feel give it a fantastic and dreamy quality that adds true emotion to the music. It’s not just a clever note or a chord progression that makes you go ‘aw’; it’s a truly emotive piece of music that begins to build around the three minute mark to encompass a more ‘fuller’ feel. After a few more passages of skilled guitar playing and a return to the original intro passage of music, the band build the song into a transcendent piece of music. Utterly fantastic. ‘Ender’ turns the music back into a more rock orientated sound and utilizes a fantastic and inventive drum and guitar resonance that travels through the undercurrent of the song. Just as ‘Shores’ travelled over the eight minute mark, ‘Ender’ brings in the music to a seven minute epic; dipping and diving with a slow, sweet bass driven section in the middle of the song.
‘Stillness’, another amazing song, begins with the lazy, rear view mirror brilliance that held ‘Shores’ up to a breathtaking point. Its beginning centres on a wavy guitar riff that eventuates into a deeper and more melodic guitar/drum/bass sound. And just like following an alluring circle, the song falls back into its reminiscent tone just in time to lead into another song ‘Drop’, that holds a similar, if not perhaps more minimalist intro. It then climbs higher and more ambitious; its outro seeping into a more intricate vision of its opening. The title track serves as a gentle, low key ambient interlude that still sounds better and more inventive than some regular tracks I’ve heard from other artists before. ‘Archives’ rivals the opener in that it could just well be the best song on the album. Unlike the more relaxed ‘Shores’ the crescendo like ‘Archives’ builds upon itself with several very impressive performances. Sonically, the music bellows out into a musique concrète discussion and noises; showcasing the bands more experimental qualities. ‘Before the War’ is an epic piece of instrumental phrases and passages that lends from the albums previous songs in a brilliant and larger scale pictorial piece of post-rock. The outro especially deserves special mention; its winding, trance like, soulful and heavy presentation makes the song sound even more epic in the context of the album. As a testament to the band, ‘Before the War’ fills all the right fantastic spaces.
After a few listens of 'You Are Here Now' I began to feel like each song on the album is representative of a place, a destination or a feeling. ‘Shores’ and ‘Stillness’ evoke a sunny, cool beach with yellow grained sand and deep blue ocean in a way that dream pop does with its great injection of nostalgia. ‘Archives’ sounds like it could accompany a whimsical train ride through the country side of a picturesque landscape. ‘Before The War’ seems like it somehow captures the mood of a place rather than a geographical place itself. Altogether the album strings these evocations into an almost movie like listening experience… And what a beautiful film it is; packed with things I can’t really write down or capture in mere words. All I can recommend you do is listen to it. And listen to it thoroughly, from the beginning. It’s not really music so much as an experience shining through a vast array of other musical mediocrity to sound cleaner and more pure than most others do. The production is some of the greatest I’ve heard in a while with special praise going to the mixing and mastering. The performances are also top notch, woven into one another to sound as grand and beautiful as post-rock music can. Blah blah blah, go listen to it! For its greatness is of another fantastic standard, achieved through production, playing and sound.
ABOUT THE AUTHOR:
Cam Phillips is a writer and above all, a music lover, who seeks to gain experience through writing and listening. He is also an avid film viewer and art and literature junkie who enjoys creative writing. His most recent published work was featured on the Australian heavy music blog, I Probably Hate Your Band.