NEW SINGLE PREMIERE | The Orange Kyte - The Lone Rooster.

Canadian based psychedelic explorers 'The Orange Kyte' have returned with another immense new single entitled 'The Lone Rooster'. This latest single see's the band continuing on with their musical manifesto of releasing one new track per month in varying sonic shapes & sizes and it is the follow up single to the mesmerising 'International Caveman'The band are made up of 'Vancouver based but Dublin born', Stevie Moonboots & a revolving door of likeminded musicians with players on this latest single track listed as: Bass, Acoustic Guitars & Vocals by Stevie Moonboots,  Synths, Electric Guitars & Tambourine by Robbie Brady (Exploding Eyes) & Drums by Dave Mulvaney.  'The Lone Rooster' is available to buy/download right now from:


'The Lone Rooster' humbly begins on sequenced percussive hits and a wonderfully melodic acoustic guitar progression before the vocals swirl into earshot and instantly hook you into a meandering groove.  True to form though, 'The Orange Kyte' majestically launch into a stunning layered psychedelic extravaganza, reminiscent at times to 'The Dandy Warhols & Brian Jonestown Massacre'! 

A bloody masterpiece! 


NEW VIDEO PREMIERE | Blackfawn - Hopes & Dreams.

Berlin based psychedelic noise/goth duo 'Blackfawn' have just announced a brand new single & accompanying video entitled 'Hopes & Dreams'. The band are made of Alexandra & Daniel and they began life nestled within the underground alternative music scene in Malta before the two decided to move to Berlin. 'Hopes & Dreams' is the bands second single and it follows on from February's stunning debut release 'Generations 14'. It is available to buy/download right now from:


'Hopes & Dreams' shuffles on minimalistic sequenced drum patterns and a repetitive glitchy guitar line as hypnotic synth swells & throbbing bass frequencies meander menacingly in and out of earshot, carefully buffering that majestic vocal attack! The accompanying video is simply mesmerising! As it gently pulls you into Blackfawn's golden hued, psych induced underground world. 

Recommended listening!


NEW SINGLE PREMIERE | Tall Pines - The Day Is Gone.

Brisbane based grungy shoegaze trio 'Tall Pines' have unleashed their debut single entitled 'The Day Is Gone' to the masses. With a sound that skips gracefully between quiet melodic passages & dark heavy swathes of reverberating doom 'Tall Pines' are a breath of fresh air to this worn out modern day shoegaze scene. The single is available to buy/download right now from: and is recommended by us lot here at Primal Music HQ.

'The Day Is Gone' gyrates on glorious reverb induced guitar squall as the impressive percussive attack & the intertwining bass frequencies hold a steady hypnotic beat. The melodic duel vocal lines impress as the track explodes into its chorus parts and a towering layered wall of intoxicating guitars pummel the senses.

This is recommended listening! 


ALBUM REVIEW | Dead Rabbits - Everything Is A Lie (Fuzz Club Records).


ARTIST: Dead Rabbits

RELEASE: Everything Is A Lie.

RELEASE DATE: 05/09/16

RECORD COMPANY: Fuzz Club Records

Southampton's ‘Dead Rabbits’ have been wowing us ever since the release of their stunning debut album (The Ticket That Exploded) back in 2013, followed closely by their eponymous follow up (Time Is Your Only Memory) back in 2014. Their meticulous brand of infectious neo-psychedelia, blended perfectly with expressive shoegaze and driving post-punk has permeated down through the many layers of this modern day new school psych/gaze scene, influencing each new emerging band with their heady sonic brew. Now they have returned with brand new musical behemoth in tow. Fantastically titled ‘Everything Is A Lie’, this latest full length album gets its official release on the 5th September 2016 via one of the ‘Go To’ labels in this modern day fuzzy psych/gaze scene, the brilliant London based ‘Fuzz Club Records’.

The album opens up with the stunning ‘Everything Is A Lie’. This is a gargantuan warbling beast who’s percussive assault shudders and pulses on a reverberating wave of sonic delight. Its bass lines are addictive, underscored with soaring synth swells and melodic vocalisations that are all held fast within the whirlwind by shimmering layered guitar progressions. ‘Honestly’ arrives like a sullen child. It’s bass lines are incredible and full of post-punk promise whilst vocally this track is sublime and reminiscent (dare I say it?) of late 1980’s Shaun Ryder (Happy Mondays). It’s a masterclass in song creation and probably my favourite track on this entire release. Up next is the albums lead single! ‘Get Me Over There’ rumbles and growls on a bed of fuzzy jangling guitars, swirling pulsating bass frequencies and skittish percussion as the howling vocals ride a raging sonic twister into the ether. It’s one of the best tracks this year by far and definitely recommended listening.

The album takes a subtle swerve into experimental territory on ‘All Your Little Lies’. Pounding drums and screaming surf-psych guitars take centre stage as those brilliantly executed vocal progressions meander in and out of the hazy instrumentation. ‘Someday’ jangles into earshot on stabs of reverb induced guitars as melodious snaking bass frequencies creep between the drum hits like some huge stalking animal. Vocals wail as synths soar throughout the chorus parts, building in momentum as they rise, leading us into a surging sonic finale. The metronomic swing of ‘I Don’t Want To Die Today’ hypnotises us as it works through its musical gears, deftly building and adding to each sonic layer as it climbs. Vocally sublime and explosive at times ‘I Don’t Want To Die Today’ surges and culminates into an incredible maelstrom of sound.

The albums penultimate track is ‘That Was Then But This Is Now’. Melodically repetitive guitar lines meld with dark pulsating bass frequencies before another impressive vocal performance cuts through proceedings, dragging the steadying drum track with it. Swathes of reverb induced guitars attack the chorus as swirling, droning synth patches lurk menacingly beneath. ‘That Was Then But This Is Now’ thunders through the sonic landscape cutting massive swathes through layer after layer of expertly constructed reverberation. Screaming guitar squall and blistering feedback heralds the arrival of the albums closing track before we’re treated to pounding drums, melodic bass lines, soaring golden synth swells and a glorious vocal track. ‘You Already Know’ is a tremulous beast that takes no prisoners as it beats down on the senses and hypnotises you into submission. A stunning finale to an absolutely immense album.

Bravo ‘Dead Rabbits’......


'Everything Is A Lie' gets its official release on the 5th September 2016 and is available to pre-order right now from Fuzz Club Records.




Del Chaney has spent the last four years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, DreamPop, PostPunk, PostRock & PsychRock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.

EP REVIEW | Teen Brains - Translucent EP.


ARTIST: Teen Brains

RELEASE: Translucent EP

RELEASE DATE: 12/09/16

RECORD COMPANY: Witchgirl Recordings (UK) / Citrus City Records (US).

Teen Brains eponymous 2015 EP was one of the most wondrous releases of the year. Steeped in a nostalgic beauty, it was endearingly fragile and at times uncertain. This year’s follow up 'Translucent' sees them in an altogether more confident frame of mind. There’s a strong psych sensibility throughout which gives the record more focus, although there are still plenty of pleasing whooshing noises.



'In a Haze' sets off on a phaser-fuelled psych journey. It meanders, but only just. Someone, somewhere has this all planned out. Glorious reverb ushers in 'Isolation' which is the kind of jangly jaunt that is earning Diiv many plaudits at present. The lush melodies are a marvel. There’s a hint of a darker 80's edge on 'Wash Away' with its flanged guitars and intricate guitar lines. The psych influences come out strongly in the rhythm section, adding an insistence to the track. Its big chorus surely means it will shortly usurp Tame Impala from mainstream radio playlists soon?

Closing track 'Translucent' is more contemplative in pace. Its woozy wahs and undercurrent of fuzz and delay create a hazy feel, but this is definitely at the more muscular end of the gaze spectrum. The chart countdown sample maybe gives a hint of where Teen Brains hope to head – straight to the top of the charts. They certainly feel like a band with a plan.

'Translucent' is out on 12th September via Witchgirl Recordings in the UK and Citrus City in the US.





In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.

ALBUM REVIEW | SPC ECO - Anomalies (Saint Marie Records).



RELEASE: Anomalies

RELEASE DATE: 19/08/16

RECORD COMPANY: Saint Marie Records

Wow, another release from the prolific SPC ECO, the father-daughter duo consisting of Dean Garcia (Curve) and his daughter Rose Berlin. Let’s get one thing out of the way, OK? The band can’t help but remind listeners of Curve; it’s in Dean’s bones, he’s never really escaped from his musical past. And that’s cool, because 'Curve' was an amalgamation of shoegaze with psychedelic-drenched dance beats, and nobody else did it better. So now we have the current project, and it contains less of the hard edges you’d expect from this team, and more of the softly blurred dream pop that they do so well. And thankfully, not a voice synthesizer in sight. I have to mention that, because they erred in messing with Rose’s beautiful voice on last year’s Dark Matter.

So what do we have here? Another solid, darkly inflected release of dreamy trip hop. “Out of My System” is an obvious single, with its catchy melodies and spacey sonic backdrop. It’s the most like their earlier material, which means total ear candy, but it’s not a big step forward. Whereas “Incomplete” is richly layered melodic architecture, slow and sultry as Rose’s breathy vocals roll over the musical waves. It’s quiet and slightly sinister, and ever so beautiful. “Bare To Lie” is bleak dark wave, yet at its core it’s a stunning piece of work. I could totally see this used as a film score, it has that noirish feel I love so well. “Your Own Way” is gorgeous, gauzy dream pop, another killer tune that you need to hear immediately. This is yet another example of how perfectly suited this pair would be for film scoring. “Silent Maybe” reminds me of vintage Curve, and please know that is the highest compliment from me. It’s all about the heavenly vocals and the nearly symphonic landscape that Dean paints around Rose’s voice.

“Think Twice” is icy, slow burning and could be the soundtrack for your favorite spy flick. The lyrics are empty and sad, and leave you wondering what it’s all about. “Revived” is alive with bubbling synths and an upbeat feel, despite the feeling that it’s about the aftermath of a break-up. “All In Time” is heavier synth pop under a starry sky, bits of light sprinkled against velvety darkness. “Lost In a Crowd” closes out this set of songs, and it’s much quieter than the other songs, a great showcase for Rose’s lovely vocals. It’s all rather solemn and almost like a chant. So, what you can expect is another really good album from this duo with a variety of tones, beats, and moods.

'Anomalies' will be available to buy/download on the 19th August 2016 via:





Music has always been a driving force for Elizabeth Klisiewicz, which she days "continues to define my existence". During and after her college years, she ran a weekly radio show at WMUA FM Radio and also at a community station in Springfield, MA, in addition to writing music and concert reviews for the college newspaper. At present, she writes for The Big Takeover Magazine and The Active Listener Blog, and recently began producing a semi-regular Mixcloud-based show called The Kitchen Sink. In the real world, when not writing technical manuals, she gets her thrills from reading mysteries, birdwatching, and can always be found with a camera and a maxed-out storage card full of music.

EP REVIEW | hideanyway - If You Were Here I Wouldn’t Be Miserable.


ARTIST: hideanyway

RELEASE: If You Were Here I Wouldn’t Be Miserable

RELEASE DATE: 08/07/16



Screeching feedback plunges us into Ferret, the opening track of this EP by Denver four piece Hideanyway. It’s a short squall that’s fuzzy and ferocious, like its namesake. The pure gaze of 悲しい アロハ has added texture from the acoustic guitar that strums along. Free Fall is the centrepiece of the collection, full of melancholy melody and multi-layered distortions. Return again melds acoustic guitar with a track of feedback and mournful vocals. The band, who describe themselves as emo/ grunge/ shoegaze/ dreampunk, have already released an album in 2016 - Grieve Quickly. That’s pretty prolific for a self-confessed ‘sad band’. If You Were Here I Wouldn’t Be Miserable teases the imagination, and never over-indulges.





In her time, Sarah Cuthbert-Kerr has attended raves and rock clubs. She enjoys pedals, pizza and spy dramas. Sarah also plays guitar in Edinburgh-based noisemakers Wozniak and is co-founder of Morningside Young Team who put on gigs and put out records for discerning audiences who enjoy fuzz and confusion.