ARTIST: Kimono Lights
RELEASE: Sugar Loneliness
RELEASE DATE: 21/05/15
RECORD COMPANY: Unsigned
Back in February 2015 Italian based noise merchants 'Kimono Lights' exploded onto the underground music scene with a stunning body of work full of dreampop flair, post rock connotations & touches of shoegaze magnificence. Their debut album 'Imprinting' was a snapshot of a band on the rise. I wrote about 'Imprinting' for The primal Music Blog on its release ( Check It out : HERE ) & at the time I stated that this band had a lot more to give musically! Now the band have dispensed of their beautiful dreampop infused swirls & replaced it with full on shoegazing soundscapes that will have you dazzled with its walls of guitars, angst vocals & impressive musical constructions. There is an air of experimentation on their latest EP entitled 'Sugar Loneliness' & in my opinion this will surely catapult them into many an end of year top EP of 2015 list. 'Sugar Loneliness' is a sonic thrill ride through layers of reverb drenched guitars, pounding drums, throbbing bass lines & impressive vocal arrangements & is a must have EP for any shoegaze fan. The band hail from San Pancrazio, Italy and are made up of Andrea Crispy Smiths - Guitar and Vocals, Manuel Fabbri - Bass, Matteo Sama - Guitar & Enrico Piraccini - Drums and Vocals.
This latest EP opens up with the rather impressive 'Milkshake'. Driving guitars & steadying drums lead the charge until a full on high octane, angst ridden vocal arrangement drags us to a blissful soaring reverb drenched chorus. This is a statement of intent from a band experimenting with their sound. It is addictively sublime. Check it out:
[bandcamp width=100% height=120 album=4212694537 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=2150004652]
Track 2 has touches of the bands brilliant debut album 'Imprinting' all over it. There are hints of their earlier ambient post rock explorations through the intro & verses of 'Give Me' but its in the explosive shoegazing chorus parts that I find solace. This track soars like an eagle through the chorus. Production wise it is immense. The guitars loop & arc throughout with a vocal track reminiscent of early Loop. This is Immense! Check k it out:
[bandcamp width=100% height=120 album=4212694537 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=3512036198]
'Deception' - track 3 on 'Kimono Lights' latest EP offering 'Sugar Loneliness' has a multitude of genre's streaming through its core. I can hear flurries of 80's alternative infused with a melodic dreampop vocal line that sits on top of that infectious, effected drum pattern & screaming reverb laden guitar parts. This track will keep you hooked from its very first note! To me this is something new for us fans of this modern day shoegaze/dreampop revival & it goes to show how hard 'Kimono Lights' are working in studio to release something different. 'Deception' is a triumphant track & one worthy of your ears. Check it out:
[bandcamp width=100% height=120 album=4212694537 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=3978921574]
'Kimono Lights' never fail to impress me! Track 4 on 'Sugar Loneliness' is simply beautiful. 'Cherry' - evokes feelings of loss & emptiness with its infectiously spacious acoustic guitar lines & psychedelic electric touches all swirling around that immense vocal line. It guides you through it's 3 minutes plus of intense beauty until a disturbance in the form of a screaming wall of guitars takes you to another place where love rules & reverberation is king. This is stunning ........
[bandcamp width=100% height=120 album=4212694537 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=2952424443]
The opening bars of 'Sugar' - Track 5 on the latest release from Italian gazers 'Kimono Lights' feels like it shouldn't be here? Im confused at why they would want to put it on this release at all. A complete turn around from the previous 4 monumental tracks, this reminds me of early 90's indie rock? Not my cup of tea but sure to interest the gallery crowd at least.
[bandcamp width=100% height=120 album=4212694537 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=3302104067]
The final track on this EP brings us back to normality. 'Lift To Hell' is 2 minutes of reverb laden instrumentation with the driving guitar swells, impressive drum patterns & swirling psychedelic sounds typical of this new sounding 'Kimono Lights'. Too short to over explore but a fitting end to a blissful EP.
[bandcamp width=100% height=120 album=4212694537 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=666557091]
Overall this is brilliant release from a very competent collection of musicians who are not afraid to experiment with sound. 'Kimono Lights' have the ability to push on and make serious waves in this modern day shoegazing revival. I am seriously impressed at how much they have progressed from their immense debut album. This EP is worth every single second of your time & your music collection will thank you for adding it to its ranks.
ABOUT THE AUTHOR:
Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze Dream Pop Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.
by Primal Music
[bandcamp width=100% height=120 album=573859793 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
With earlier releases from Princess more firmly in the shoegaze camp, the two tracks that make up this latest single see the Dublin duo trip the light fantastic into Stereolab territory. Black Window’s insistent and mathy guitar goes in satisfying circles. The scuzzed-up vocals and high-pitched feedback that plays at the edge of our hearing evokes 90s noise – that’s compounded when the whole thing erupts in fuzz and chaos. There is more than a soupçon of Laetitia Sadier evident as composure is regained towards the end.
On Sick Ties, vocal layers upon vocal to a reach velvety crescendo, before the bass and drums drives droning into a krautrock groove. Keening guitar breaks the spell and calls us back to somewhere much more clean and crystalline.
Aside from the Dublin connection and some sonic sympathies, Princess appear to share Kevin Shields’ love of the studio, suggesting their forthcoming album will be an ambitious affair.
Black Window is out now on CD and download at www.thatsoprincess.bandcamp.com
AUTHOR: Sarah Cuthbert-Kerr
There was an subtle air of anticipation in the Loft venue of Dublin's Grand Social as two of the hottest underground live acts today came together for one epic live experience. There's a well deserved buzz surrounding both bands with electro rockers Makings having recently accrued a distribution deal for their very impressive debut album 'Cognition' & Scottish shoegazers Wozniak on the verge of releasing their second EP and subsequently playing their debut gig in Ireland. The online threads were awash with talk of this gig and there was plenty of music bloggers in the venue on the night waiting anxiously to give their account of how this gig would go down live. These two bands may be on the opposite ends of the musical spectrum with where they sit in their respective genres but they are both equally immense live! This gig had been organised by the brilliant Pinkman PR & Management who I might add are a shining example of how to treat artists / music reviewers & gig goers alike. If there were a few more setups like these guys in the Irish music scene today we'd probably have the best live scene in Europe. Their attention to detail was second to none & its only fair that I mention them in this live review.
With both bands getting an equal share of stage time it was up to Wozniak to open the proceedings. In a haze of reverb laden brilliance the shimmering sounds of this Edinburgh based 4 piece awakened the docile Grand Social crowd with their full on shoegazing experience. Projected cinematic visuals, flashing strobe lights & the thundering opening track 'Columbo's Car' heralded the arrival of a musical behemoth! Simon & Sarah worked their magic on board's of effect pedals to create a psychedelic wall of sound while James hypnotised us with his addictive bass lines & the ever steadying qualities of drummer John Sinclair brought fire & brimstone to the eardrums of the waiting crowd.
The band brought new tracks with them to play tonight alongside their already amazing arsenal of musical soundscapes and these new compositions did not disappoint! Snow Effect, Wings Of Pegasus, Gospel of Infinity & Hester & Zelda are taken from the bands forthcoming & highly anticipated new EP entitled 'Auster' & they are absolutely huge live! Add into the mix Columbo's Car, Kreuzberg & El Maresme (from their debut EP Pikes Peak) & their ever brilliant latest single 'Five Star' and what we have is a band on the verge of something big! Wozniak are truly an immense live musical outfit. Im glad that everyone present tonight In The Grand Social got to experience this fact live and I hope we get to see them again on our shores soon.
Up next were local heroes Makings! With the crowd getting fidgety & the late arrivals pushing to get in to see the band they took to the stage. And after a guitar change we were ready to experience another band on the verge of something big! Makings have an enormous live sound. In fact, its the most complete sound that I think I've ever heard from an underground Irish band to date. Rick Burns ever present vocal is absolutely stunning as usual as they open up with 'Only Time'. Im constantly amazed at how good these guys are as musicians!
Each individual member of the band sings live (A rare occurrence on todays live circuit). Barry Shock & Rick Burn are a musical tour de force on guitars while Raul Marcos skips through his baselines with aplomb. Its in the engine room where this band fascinates me though. Paddy Reynolds on drums is as good a drummer as I have ever heard in Ireland. What he does throughout a Makings gig is nothing short of magical. His drum patterns are second to none and it adds to Makings immense overall sound. It's a well oiled machine with every member of the band knowing exactly where he should be at any given time. They never fail to blow me away with their overall sound & as front men go Rick Burn is ominous as he drags this band kicking and screaming to the ears of every single audience member. Their setlist tonight included tracks from their debut album 'Cognition' & some new tracks including Only Time, Dig, Man On Fire, 46a, The Wool Gatherer, iClone, Mythomania, (Editors note: My Favourite Track) - Heart Attack, Suffocate & Human Nature.
Ive said this before but Makings are a band on the rise. Their next live stop is a gig with Wozniak again but this time in Edinburgh. They have the complete package as far as Im concerned. Go and check out their debut album 'Cognition'. This is a sonic confession from a band who's sound is destined to play in stadiums ..........
Del Chaney - Dublin 2015.
Michigan based dreampop/shoegazers Great Black Night return with another immense single entitled 'Stalker'. This haze of shimmering brilliance is the follow single up to their amazing debut EP 'The Smoke Is Rising'. Stalker open up with a traditionally sounding post punk bass line intertwined with that Great Black Night string section. We're then introduced to a wall of reverb laden guitars, thundering drums & throbbing basslines caressing another brilliant vocal arrangement. This is good stuff from Great Black Night and we can't wait to hear what comes next. Check it out:
[bandcamp width=350 height=470 album=2485761019 size=large bgcol=333333 linkcol=e32c14 tracklist=false]
Stalker is available to buy/download from Bandcamp: gbnlovesyou.bandcamp.com/album/stalker-single
What can we say about Wozniak that hasn't already been said? Signed to the epic 'Morningside Young Team Records' & producing powerful, atmospheric & blissfully emotive soundscapes that sweep through numerous sonic plains depositing high grade shoegaze creations onto the everyday humble folk who follow this band with intent - Wozniak are an immense outfit. After the release of their first single 'MFMB/New Hampshire' back in August 2013, second single 'El Maresme' in June 2014 & then their epic debut EP 'Pikes Peak' also in June 2014 the focus of the underground shoegazing world was set firmly on this 4 piece from Edinburgh, Scotland & they did not disappoint! On 12/11/14 they unleashed their brilliant new single '5 Star' onto the world alongside a remix of the same track by none other than London based noise merchants 'In Violet'. Add into the mix their inclusion in the epic worldwide shoegaze compilation - Revolution - The Shoegaze Revival released jointly by Ear To Ear Records & Gerpfast Kolektif plus an impressive cover version of the classic RIDE track 'Time Machine' for the recently released RIDE covers compilation 'Leave Them All Behind - A Tribute To Ride', from 'The Blog That Celebrates Itself Records', plus their inclusion in the joint EP from Scottish blogs - Scottish Fiction and Almost Predictable & you have a maelstrom of serious expectation's for what will come next from this amazing band. We caught up with them as they prepare to visit Dublin in what will be their debut live show in Ireland & asked them a few questions on playing live, playing with Irish rockers Makings & future plans. Check it out:
[bandcamp width=100% height=120 album=614658595 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
1) TELL US ABOUT YOUR BAND? WHERE ARE YOU FROM? FORMATION? BAND MEMBERS?
Wozniak formed in Edinburgh in 2012 with a vague mission to create a lot of noise and use as many pedals as possible. We are Simon (guitar and chief pedal hoarder), James (bass), John (drums) and Sarah (guitar, vocals, occasional keys). We formed after Simon, John and I had played in a covers band a few times, but we quickly decided that we'd be better off doing our own thing, whatever that might be. We were amazing at a few indie classics though. And, in case you are wondering, we ARE named after Steve Wozniak.
2) DESCRIBE YOUR SOUND?
It's always so tricky to describe the sound, we're a bit of a cocktail of shoegaze, post-rock and noise. I guess there is some good, old-fashioned rock and roll in the mix too. It's loud and densely textured. We are huge fans of the holy trinity of gaze - reverb, distortion and delay - which will be obvious to anyone who's listened to our stuff. Where there are vocals, they're buried in reverb and fuzz too, which is probably a blessing for all involved. It is always surprising to hear the comparisons that other folk make, but someone recently said we reminded them of Band of Susans, which was fine with me.
[bandcamp width=100% height=120 album=240472769 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
3) WHO ARE YOUR INFLUENCES?
We've got a wide range of influences, which is one of the reasons that I think Wozniak works so well. Otherwise all our songs would just be 20 mins of squalling feedback. Obviously, there is a lot of first generation shoegaze in there - MBV and Slowdive, some Sonic Youth, Warpaint, AC/DC, some Queens of the Stone Age. A heady brew of rackets, which uniquely combine to create our own racket.
4) DESCRIBE YOUR LIVE SOUND?
Our live sound can be pretty intense. We like to play loud, with feedback wailing. We are ALWAYS getting told to turn our amps down. Volume, though, is an important part of the Wozniak experience. We want you to leave with your ears ringing and (maybe) your heart soaring. A soundman once said that we were 'brutal, in a good way'.
5) WHAT DO YOU LIKE ABOUT PLAYING LIVE?
Playing live is a lot of fun, but not without its stresses - will all the pedals work, will anyone turn up (you'll note the order of these concerns)... But when people do turn up, well, that's pretty cool. The best thing about playing live is when the audience are really into it. It doesn't have to be a big crowd, but when you can sense they are on your wave length, it's a great feeling. I also love checking out the other bands - we've played with a few of Primal Radio's favourites - Inuit, who got top album in your end-of-year show last year, We Came From The North & In Violet. All very talented, all very ace people. And venues - there are lots of great venues. We loved the Sebright Arms in London, and Bloc in Glasgow is great. In Edinburgh, Sneaky Pete's, the Wee Red Bar and Opium are all worthy of note.
6) BEST LIVE GIG YOU GUYS HAVE PLAYED SO FAR?
I think the best live gig so far has to be our only show so far of 2015 at the Sebright Arms. It was just such a great adventure as we hadn't played in London before. We had the van, and the '100 greatest indie hits ever'. We were playing with In Violet and Degree of Arc who are awesome bands. The show had come about because In Violet and Wozniak got played on the same radio show in May last year and we got in touch over Twitter. They said, come to London, so Goodsoul Promotions got involved and got it sorted out. It was a brilliant venue, great people and a really good crowd. Plus, Mike Goodsoul and his awesome mum Norma made us breakfast. So much breakfast.
I also enjoyed playing at Edinburgh University's Rock and Goth Society - that was ages ago but it sticks in my mind as a good show. I think we were the band with the least amount of tattoos/ eyeliner ever to have played, but they were right into it.
7) ARE YOU LOOKING FORWARD TO PLAYING DUBLIN WITH MAKINGS?
We are amazed to have been asked to Dublin to make noise. I've decided to call it our European Capital Tour. First London, then Dublin, and then who knows where? I don't know a great deal about the Dublin scene, but I have high hopes as I imagine it is party central... Huge thanks are due to you, Del Chaney for making it happen. A few pints will be coming your way as a thank you!
8) WHAT'S NEXT FOR WOZNIAK THIS YEAR?
We've had a pretty busy start to the year, first featuring on the awesome Revolution - The Shoegaze Revival compilation from Ear to Ear Records and Gerpfast Kolektif, then we did a cover of Ride's 'Time Machine' for a tribute album from Brazil's 'The Blog That Celebrates Itself', and we've just featured on a joint EP from Scottish blogs, Scottish Fiction and Almost Predictable. Almost. If you haven't already, you should check all of those out.
Other than that, we've been in the studio a fair bit this year with the plan of making an album. However, that's quite an undertaking and it's going to take us a while to make it happen. So, we've decided that we're going to issue a four track EP in the meantime. It'll be out in June and we'll let you have all the details as soon as we know more ourselves. We've got a few shows lined up in Scotland around that and beyond that, we are open to offers...
[bandcamp width=100% height=120 track=2237234896 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
Photos Used With Permission: GabbyStonePhotography.co.uk.
RELEASE: Out Of Your Ego
RELEASE DATE: 28/04/14
RECORD COMPANY: Seahorse Recordings
Italian dreamgazers Clustersun have flitted at the periphery of my consciousness for awhile now, but after reading a positive review of their work in Big Takeover Magazine and hearing them on the now defunct Flyweight show on college station WZBC, I knew I had to check them out. They also appeared on a compilation I reviewed recently called “Revolution - The Shoegaze Revival”, where they trotted out their trippy band of post punk on a song that also opens this album called “Hipgnosis”.
[bandcamp width=100% height=120 album=2070568991 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
The opening bars of "Hipgnosis" wouldn’t be out of place on an early Pink Floyd album, though the vocals are uniquely Clustersun’s. “Meteors” starts off with an almost trademark ominous bass line (which I dig), but that cold wave feeling is quickly nixed by Marco Chisari’s upbeat vocals. “Be Vegetal” is a fine piece of post punk that could have been released anytime in the past 30 years, betrayed only by modern production methods. “Planar I” (is anyone sensing a space theme here?) is a long, spacey song punctuated by trippy electronics and swirling psychedelia. By the 5:30 mark, it transforms into something else altogether, a veritable sonic feast with many layers. The excellent “Nebula” sounds a lot like the great English band, Sad Lovers and Giants, at least vocally. Maybe it’s a question of mood too, as the band brandishes melancholia freely. “Floating” is also in this vein, with some very nice atmospheric guitar work. Then we have “Planar II”, which also has that English post punk vibe, guitar work sliding into Chameleons territory. The song is short but dense, and sweet in the way that good music always is. The band closes the album with the self-titled “Clustersun”, a simmering space rock instrumental. I could actually see them opening a show with this!
In any case, this album has been out for a year and the band sings solely in English and they go well beyond the sometimes limited realms of shoegaze. It’s a really cool record from a promising young band who just finished up their US tour. Let’s hope they come see us again!
ABOUT THE AUTHOR:
Music has always been a driving force for Elizabeth Klisiewicz, which she days "continues to define my existence". During and after her college years, she ran a weekly radio show at WMUA FM Radio and also at a community station in Springfield, MA, in addition to writing music and concert reviews for the college newspaper. At present, she writes for The Big Takeover Magazine and The Active Listener Blog, and recently began producing a semi-regular Mixcloud-based show called The Kitchen Sink. In the real world, when not writing technical manuals, she gets her thrills from reading mysteries, birdwatching, and can always be found with a camera and a maxed-out storage card full of music.
'Makings' are a tour de force on the Irish music scene right now. They are changing the perceptions of Irish music not only on the live circuit but with the songwriting and soundscapes that the band are creating in the studio. With wide musical influences coursing through every single track the band have a canny knack of sounding relevant, but a new relevant!
[bandcamp width=100% height=120 track=2699033355 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
Having recently finished up recording their debut album 'Cognition' and then managing to get one of the top producers in England Chris Potter who has previously worked with The Verve, Blur & The Rolling Stones, to pick over the production details the band have been working tirelessly on the live circuit perfecting their sound to hopefully catapult themselves skyward and breathe new lifeblood into the Irish music Scene and its fans. With that in mind we caught up with the band just after the announcement of the forthcoming gig in The Grand Social Dublin with Edinburgh based atmospheric shoegazers 'Wozniak' & we asked them a few questions on Music, Playing Live & Future Plans. Check it out:
TELL US ABOUT YOUR BAND? WHERE ARE YOU FROM? FORMATION? BAND MEMBERS?
Makings came together when Rick, from Louth (lead vocals, synth, guitar) & Shock (lead guitar, vocals) started to exchange ideas. After a few jams they realized they were in the need of Mr. Reynolds (drums, percussion, vocals), a friend of Shock from Donegal. The typical powerful rock sound of the band was born. While the band was carving a more electro sound they tried several bass players until they found Raul Marcos all the way from South America, Buenos Aires, Argentina.
[bandcamp width=100% height=120 track=2807816565 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
DESCRIBE YOUR SOUND?
We enjoy the fact that people have difficulty describing our sound, because we do too. We like rock and other genres like electro and dance music so in our music you get a fusion. Creating a banging electro beat with live drums on top, vocal harmonizations and raging guitars creates 'Makings' signature sound.
DESCRIBE YOUR LIVE SOUND? WHAT CAN PEOPLE EXPECT IN MAY AT THE GRAND SOCIAL?
Insanely powerful. Our live sound is an authentic experience. We play for ourselves, to have a great craic and dance to the beat. The groove gets into the crowd and you can see that our live shows are proper electro rock parties.
WHAT DO YOU LIKE BEST ABOUT PLAYING LIVE?
The connection we get with the crowd, everybody's dancing, going wild and we get lots of energy that fuels our performance.
BEST LIVE GIG THAT YOU GUYS HAVE PLAYED SO FAR?
Definitely the gigs in the Grand Social. We love the venue , the people that go there and the bands we played with. We fill the place and have great nights smashing the dance floor during and after the gig.
ARE YOU LOOKING FORWARD TO PLAYING DUBLIN WITH WOZNIAK?
Cannot wait!!! We dig their sound and the fact of doing gigs in Scotland & Ireland with them is really great. It will be a great experience :)
[bandcamp width=100% height=120 track=88601677 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
WHAT'S NEXT THIS YEAR FOR MAKINGS?
Grand Social in May, UK and Ireland tour in June, and preparing the second album...
Big thanks to the guys from Makings & Pinkman Promotion & Management for taking the time to answer the interview questions. Makings play The Grand Social Dublin with Wozniak on 16th May 2015. The Primal Music Blog will be there in force covering every aspect of the gig.
New York based shoegazing noise merchants 'Honeymoon' came to our attention last month when we reviewed their epic debut EP release 'I Wanna See Everything'. With a sound full of shoegazing tendencies intertwined with the tenacity of the traditional noise pop fraternity & an infusion of subtle dreampop swirls this band are uniquely modern in todays shoegazing circles. We caught up with them & asked them a few questions on music, shoegazing, future plans & recommended listening. Check out their rather short answers below:
We're a fairly new band, having only formed in the Autumn of 2014. We're based in Brooklyn, NY. Cait sings and plays guitar, Rob plays guitar, Nate plays bass, and Ryan plays drums.
We're somewhere in the realm of shoegaze and dream pop, with a heavy dose of brit pop and punk influence.
[bandcamp width=100% height=120 track=3023365442 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
WHO ARE YOUR BIGGEST INFLUENCES?
When we were writing and recording I Wanna See Everything, we were listening to lots of The Smiths, Beach Fossils, and My Bloody Valentine. All of us grew up on punk rock and hardcore music, going to DIY shows in our hometowns and playing in garage bands and all that.
DESCRIBE YOUR LIVE SOUND?
We're a bit heavier live than we are on record. The gain is cranked up a bit and we tend to play faster.
WHAT DO YOU LIKE ABOUT PLAYING LIVE?
It's a trip, man.
[bandcamp width=100% height=120 album=3827266534 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=1753969267]
BEST LIVE GIG YOU GUYS HAVE PLAYED SO FAR?
It's too early to really pick a favorite, but we managed to sell out our first gig. That was very exciting.
WHAT DO YOU LOVE ABOUT SHOEGAZE?
Shoegaze is like a warm blanket that might make you deaf.
IS IT A SHOEGAZE REVIVAL OR A REBIRTH? WHAT DO YOU THINK ABOUT THE NEW FILM 'BEAUTIFUL NOISE' AND REUNIONS OF SUCH BANDS LIKE RIDE, SWERVEDRIVER, MEDICINE & SLOWDIVE?
I haven't seen the film, but shoegaze never really went away in my opinion - it just sort of changed forms. I always saw post rock bands like God Is An Astronaut or This Will Destroy You as being an evolution of what bands like Slowdive and Ride were doing. And now you've got bands like Nothing and Whirr who take post rock and shoegaze and mix it with sounds that you'd expect from Neurosis or Isis or something. Hell, there's even Deafheaven who are a black metal band that clearly owe something to Loveless.
WHY IS IT IMPORTANT FOR THE WORLD TO HEAR YOUR MUSIC? WHAT KIND OF MESSAGE WOULD YOU LIKE TO SHARE WITH OUR INTERNATIONAL READERS?
I'd prefer to play music instead of having a day job, so please. For all our sakes. Give us a listen, won't ya?
MUSICALLY WHAT ARE YOUR BANDS PLANS FOR THE NEXT YEAR?
Writing, potentially recording a short single soon, and some light touring.
[bandcamp width=100% height=120 album=3827266534 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small]
CAN YOU NAME SOME BANDS FROM YOUR COUNTRY OR ELSEWHERE AS RECOMMENDED LISTENING?
Wildhoney. They're one of the coolest bands on the planet right now.
Philadelphia based 'The Morelings' have re-created that late 80's post-punk & dream-pop infused shoegaze sound that hark's back to oldschool musical stalwarts such as The Cure, Cocteau Twins, Secret Shine & For Against, with relative ease. With stunning vocal arrangements sitting on top of epic wall's of effected guitar's, throbbing bass line's and solid drum's they exploded onto the already amazing underground Philadelphia based post-punk / shoegazing live scene & raised the bar with their epic soundscapes. 'The Morelings' self released their stunning debut EP 'No Sign' to the masses on January 8th 2015 and it instantly became a firm favourite here at Primal Music & Radio. They have just announced a plethora of live shows throughout May, June & July with some brilliant artists such as: Winkie, Intimatchine, Creation Myth, Exiles, Modern Merchant, Spirit System, Lubec, Myrrias, Lightfoils, New Canyons, Tiny Fireflies & 800beloved and we are very pleased to announce The Primal Music Blog's premier of their brand new video directed by esteemed film maker Bob Sweeney for their amazing track 'Less' & we also caught up with the band and asked them about the video's inception, direction & their future plans. Check it out:
CAN YOU SAY SOMETHING ABOUT HOW YOU DECIDED WHAT DIRECTION TO TAKE WITH THIS VIDEO & WHAT INFLUENCED ITS STYLE?
When we first met up with filmmaker Bob Sweeney, the conversation began with Jean-Luc Godard. We knew we wanted to work with Bob, but had no idea that we shared an interest in French New Wave cinema, so we were thrilled with that. Films like Breathless and Last Summer in Marienbad entered into the discussion. Jean Vigo’s 1930s L’Atlante informed the process as well. We weren’t interested in a linear narrative for this song and we knew we didn’t want singing.
YOU USE A PINHOLE EFFECT AND A MONOCHROMATIC BLACK AND WHITE PALETTE FOR THE VIDEO. WHAT IS THE THOUGHT BEHIND THIS?
We were aiming for something artistic, something both beautiful and ethereal, but also timeless and placeless. We wanted to build a layered dreamscape that was not unlike entering into a memory again and again. The pinhole and the particular monochromatic tint of the film helped to frame that, creating a kind of constrained, fragmented view and a dreamlike feel.
NOW THAT YOU HAVE YOUR DEBUT EP OUT & A VIDEO UNDER YOUR BELT WHAT ARE YOUR PLANS FOR THE SPRING / SUMMER?
We make our NY debut next week (May 14) at a new venue called Alphaville with a killer lineup: Winkie, Intimatchine (L.A.) and Creation Myth. In June we have another NY show at Cake Shop with Exiles and Modern Merchant. Then we will head down to North Carolina to join Spirit System for their EP release show just prior to stepping into the studio for a week to begin tracking our first LP. In July we’ll be in Chicago with New Canyons, Lightfoils and Tiny Firefiles and then, before heading back east, we’ll play Detroit with 800beloved. We’re beyond excited to get on the road and share the stage with these extremely talented bands.
RELEASE: I Wanna See Everything
RELEASE DATE: 16/03/15
RECORD COMPANY: Unsigned
There is a wealth of postpunk / shoegazing / noise rock talent coming out of New York and surrounding environs at the minute. New York based 'Honeymoon' have a distinct sound full of expressive, layered guitar arrangements, addictive vocals, pounding drums and reverberating bass patterns. Their shoegazing & noise pop tendencies are evident in every track on this latest release but theres a subtle undertone of ethereal dreampop surrounding their vocal effects & arrangements that is absolutely divine and for me it makes them stand out from their peers. They released their debut EP 'I Wanna See Everything' back in March & it actually took me by surprise on my very first listen. The band are Ryan Barnes - drums, Nate Patterson - bass, Rob Scheuerman - guitar & Cait Smith - guitar and vocals. Below is a review of Honeymoon's latest 4 track release - 'I Wanna See Everything'.
The opening track on this 4 track release from New York based ‘Honeymoon’ is nothing short of sublime. The hauntingly beautiful vocal tones of ‘Cait Smith’ surrounded by a maelstrom of effected guitars, steady drums and pulsating bass lines will introduce you to this immense musical outfit and leave you wanting more. At 2 minutes 34 seconds ‘Halo’ is a stunning introduction for anyone new to this band. Check it out:
‘Leaves’ is my favourite track on this release. It has a solid shoegazing / noiserock foundation through its pounding drum pattern and screaming guitar lines but if you listen closely to the vocal arrangement it has a subtle dreampop infused flair, albeit very faint, gracing the tips of its arrangement. It’s another short track but it packs a serious punch and again its expertly executed.
[bandcamp width=100% height=120 album=3827266534 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=3210548226]
Track 3 ‘No Danger’ is explosive and I love how the guitar effects are the main protagonist in this tracks structure. They are immense! The guitars loop, arc & swell with aplomb. Again ‘Cait Smiths’ vocals are addictive and carry this track as it moves through sonically brilliant layers of pounding drums and guitars with ease. This is sublime! Check it out:
[bandcamp width=100% height=120 album=3827266534 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=959072003]
The closing track is a subdued affair. ‘I Wanna See’ is an emotive sonic rollercoaster of impressive guitars, hauntingly beautiful vocal tones & steady drum pattern that doesn’t really veer from its opening trajectory at all. It stays solid throughout. It’s a great closing track but I cant help feeling that this band have a lot more in them in terms of songwriting & I cant wait to hear what comes next.
[bandcamp width=100% height=120 album=3827266534 size=large bgcol=333333 linkcol=e32c14 tracklist=false artwork=small track=1257787070]
Del Chaney has spent the last two years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, Dream Pop, Post-Punk & Post-Rock genre’s of music from all over the globe & reviewing them for this blog - The Primal Music Blog. His other arm - Primal Radio - has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.