As there is no live show this week for RadioAktiv // Underground i decided to put together a 15 track Podcast showcasing some of the great music that I've found over the past few months from different artists who have either been in touch with the show or that I've found myself. These artists come from all over the globe and i believe that they deserve support from not only me but also from anybody with an interest in what I do here on 'The primal Radio Show'. So below is the podcast playlist. Ive picked 15 tracks that i think you should hear! Ive uploaded them to the Mixcloud page so as you can listen to them on the go!! Theres no innate warbling's from me on this episode, just bloody great music. Enjoy!!!
The Primal Radio Show - 15 Tracks You Really Should Hear Podcast - November
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1) Stella Diana - Edward Teach
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2) Wozniak - Five Star
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3) Thud - Lime
4) I Am Your Captain - Sharp Intake Of Breath
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5) Blush Responce - Dead Air
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6) Holy Science - Fire Speaks
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7) Marbles Jackson - Serenity Prayer
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8) Keep - Cry
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9) La Casa Al Mare - M
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10) Luna Ghost - The Sea
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11) Magic Love - Growing Organism
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12) Mt Mountain - Ring Dove
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13) Flyying Colours - Like You Said
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14) Follow The Sea - My Horse Friend
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15) 93 Million Miles From The Sun - Drinking Bleach
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by Primal Music
It takes seven songs from start to finish to bring this listener on a rollercoaster of emotions and eventually float back down to earth on a cosmic vapour of happiness. The sometimes ambient, sometimes gaze heavy & sometimes-loud musical tendencies of Glaswegian post-rock/shoegaze outfit ‘INUIT’ demonstrate their innate ability to change the listener’s mood as you listen to their amazing album ‘don’t forget you’re here forever’. Listening to this epic album is like looking out of the window of a train, steaming across country, where every blink of the eye brings you something new to take in and wonder at. It’s a sharp intake of breath in a musical genre full of pretenders these days.
With quiet, almost reflective, sequences of music counterbalanced with gratifying loud explosions of Post-Rock, Shoegaze streaked goodness, this instrumental outfit are well versed in the art of song writing and song crafting and hold nothing back from the listener. They cut close to the bone with atmospherics, gaze laden guitars and add brilliant vocal arrangements during quieter moments thus adding to the already immense power that they can create as musicians. In layman’s terms ‘This is Music’.
The opening track ‘The Staybright’ is in its own right, a creeping monolith of a score that begins with the sweetest of guitar lines, then builds into a monster! This is my favourite track on the album and one that I continuously play on my radio show.
The second track ‘Are you taking pictures of my stories’ is a cinematic masterpiece. Opening like the soundtrack to a natural world documentary and building like a steam train thus bringing the listener to places that they can only go to in daydreams! It’s a beautiful piece of music with pounding drums and a piano line to die for. In my opinion this track is the cornerstone of the album and one to be listened to over and over again.
Track three, ‘Don’t forget’, is two minutes fifty-one seconds of pure gaze. It does just enough to hold you in suspense, and then it takes your hand and helps you float in suspended animation with its addictive vocal lines and hazy guitars. It’s another beautiful track.
Then it’s on to ‘Fraserburg’. This track hits you like a hammer and then it’s off, stalking its prey like a lion on the hunt. It’s alluring vocal line keeps you interested until it takes off like a jet plane with pounding drums and guitars before settling down to finish on a lighter note with soothing guitars and a steady beat. This is my second favourite track on the album, after ‘The Staybright’.
Track five; ‘You’re here forever’ is a side step! It’s a moment of peace to gather yourself and your thoughts before the introduction of track six on this epic album! ‘Get that face off your face’ completely destroys the peaceful respite of before! It starts with a beautiful floating guitar line, leading into a dreamy drum beat, before a wall of sound knocks you off your feet, picks you up and shows you a total eclipse, sonically! It then breaks and calms, into a dreamy vocal as Inuit’s Shoegazing tendencies take over and again we float on layers of guitars and drums until we’re softly placed back on terra firma and into the waiting arms of the albums closing track.
Track seven, and the closing track on ‘Don’t forget you’re here forever’, is immense! Entitled ‘I’m no sun expert,’ it flitters between Post-Rock and Shoegaze with aplomb. It swoops and soars above every other track on the album and is a fitting, closing track to already jam-packed debut album. Ending with a vocal sample of famed physicist Richard Feynman, this track oozes confidence. It stands as a testament to a band with the knowledge of their craft and a clear path forward to continue on the road to success.
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Signed to the brilliant independent record label ‘Good Grief Records’, Inuit have blown me away ever since I first heard of them. They epitomise all that is great and good with the juggernaut that is, the Post-Rock/Shoegazing scene of modern times and I wish them every success going forward. I can’t wait to hear what they do next.
Del Chaney – The Primal Radio Show – Dublin October 2014
Release Date: 20/02/15
Record Company: Unsigned
It is difficult to walk around Dublin these days and not find a live band in some pub or another banging out the same sounding alternative rock and not thinking to yourself that you've heard this all before! Ireland has been rehashing the same old, same old musical trite for years with varying musical success and a lot of musical failures. It's music scene is very circular in nature and doesn't react kindly to change. In fact, in some cases it doesn't know how to react to 'NEW' sounding bands, with new musical ideas! Makings are one of those 'NEW' bands that are changing the perceptions of Irish music, not only on the live scene, but with the songwriting and soundscapes that the band are creating in the studio. With wide musical influences coursing through every single track, the band have a canny knack of sounding relevant, but a new relevant!
Having recently finished up recording their debut album 'Cognition' and then managing to get one of the top producers in England, Chris Potter, who has previously worked with The Verve, Blur & The Rolling Stones, to pick over the production details, the band have been working tirelessly on the live circuit, perfecting their sound to hopefully catapult themselves skyward and breathe new lifeblood into the Irish music Scene and its fans.
On first listen to the Dublin based four piece's debut album 'Cognition' you can hear what they're trying to achieve. It is packed full of influences and, yes, it shows off the bands diversity in song writing and song structure but it also shows that these guys actually listen to their musical influences and they take on board what is needed to connect all of these influences together to make something interestingly 'NEW' sounding which is a very difficult thing to do these days. I can hear 70's Bowie and T-Rex in all its Glam Rock finery, 80's Depeche Mode with their electronic drums and Synths, theres's 90's Creation Records experimental layered guitar sounds in there with new millennium Primal Scream pulsing through its veins! Theres also a nod to the modern day Dance Music Scene with the bands brilliant use of sequencers and samplers and the bands use of vocal harmonies, both in their live sets and in the studio, are second to none! Every member of the band sings on this album! Put simply, it has something for every single music fan, but it stands outside the box on its own merits too. Very few bands can say that in the modern Irish music scene. Which is something great and 'NEW' in my opinion.
The first track on ‘Cognition’ is iClone. Opening with a distinct, infectious Synth pattern, this track is the bedrock of the album and sets Makings Electro-Rock stall up with an assault on your senses from the off. The vocal arrangements by the band on this album are amazing and lead vocalist; Rick Burn’s vocal range is immense. You can hear why his vocal style has been compared to the brilliant lead singer from ‘Faith No More’, Mike Patton. But it’s the bands clever use of sequencers and keyboards, just sitting under the mix, that catch this listener’s ear. This is a welcome theme running right the way through ‘Cognition’ and should hold the band in good stead going forward. It’s very different to what’s going on in Ireland at the minute. It’s ‘NEW’, ingenious even? But this type of sound only works when you have accomplished musicians to carry the production either live or in a studio setting and Makings have them in spades. From Drums to Guitars, Bass and Keys, every section of the band knows exactly what they are doing at any given time and are hard working. That’s the difference.
You can pick any one of the tracks on this album and not find a flaw. Maybe that’s down to the production work of Chris Potter, maybe it’s down to the band, but it works for me. I love the distinctive influential sounds that you can pick out of each track. For example, my favourite track on the album is ‘Heart Attack’. A well-written and well-executed electro-rock tune that I can instantly relate to. I can hear Dépêche Mode and early Acid House style sequencing, albeit slowed down, all over it. Likewise on the bands latest single ‘DIG’, where again the band’s clever use of electronic instrumentation, with a steady drumbeat, pulsing bass, charging guitars and Rick Burn’s distinctive vocal style coming to the fore take the track by the scruff of the neck and force you to listen. In fact, you can listen to them all - Lunatic, Let’s Touch Me, 46a, Man On Fire, Suffocate, She’s Got The Lips, Mythomania, Icarus, The Woolgatherer, Nazarene and No Turning Back and I can guarantee that you to will hear different influences and styles from different era’s screaming back at you. It’s exciting to hear an Irish rock band doing something different. Not pigeon holing themselves in the ever-decreasing cyclical nature of Irelands music scene. This is a completely new animal for the Irish music buying public to get their teeth into and I for one hope that they do. I hope they support a band like this because in turn this will allow Makings to soar to the heights that I know they can go and I wish them well on their travels.
Keep your ears and eyes out for them, go and see them live whenever you get the chance, because they wont disappoint you.
You can follow the bands progress on Twitter & Facebook and check out two tracks by the band below:
Makings - Dig
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Makings - Heart Attack
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Makings are a Dublin based electro-rock band comprising of two Irish men, Rick Burn and Mr Reynolds, a Scott, Barry Shock and an Argentinean, Raul Marcos. After recording their debut EP ‘Lunatic’, which received “Full marks for exploring so far outside of the box” (Jackie Hayden, Hot Press) and proving to be “Extremely powerful in a live environment” (Shane Buckley, Music Review Unsigned) Makings embarked on the collaboration with legendary producer Chris Potter (The Verve, Blur, Rolling Stones) and ‘Cognition’ was born. This is a stunning piece of work by an Irish band that deserves respect.